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Deepchord - dc07/dc08/dc09 [remastered] - echospace [detroit] - Detroit Techno

Deepchord - dc07/dc08/dc09 [remastered] - echospace [detroit] - Detroit Techno
Price £60.00

Track Listing

dc07 A1 Mike Schommer Würfel
dc07 A2 Mike Schommer Würfel [Version]
dc07 B1 Imax Soft White [Version]
dc07 B2 Imax Concorde
dc08 A1 Techniker M-3
dc08 A2 Techniker At Dusk
dc08 B1 Delayvarience Ohm
dc08 B2 Delayvarience Cobaltred
dc09 A1 Lux (2) Data
dc09 A2 Lux (2) Debris
dc09 B1 A601-2 River Place
dc09 B2 A601-2 Tower400


Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Deepchord
Title dc07/dc08/dc09 [remastered]
Label echospace [detroit]
Catalogue arclp01
Format Vinyl Triple 12 Album
Released 2013
Genre Detroit Techno

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Other Titles by Deepchord

Luxury (Part 2)Electromagnetic Dowsing: The Lost D SideDe WallenGrandbendLuxury 1 / Luxury 2Prana / TantraSummer Night Versions EP picture discTonality Of NightVantage Isle Sessions


Some Other Artists in the Detroit Techno Genre

Underground ResistanceRandom Noise GenerationSteve PoindexterTheo ParrishRhythim Is RhythimModel 500 / MaydayJeff MillsVenomousInner CityPsyancePhase90Juan AtkinsBottom Feeders, TheSuburban KnightKloutTodd SinesThe MartiansFascinating RhythmModel 500Vince WatsonK-Alexicv313EMBRaiders Of The Lost ARPMartian 044VivaceBridgett GraceRobert HoodGeologySpeedy JEsser'ay69Underground Resistance & Beat Mechanic, The2 The Hard WayRhythim Is Rhythim & Reese&SantonioKevin SaundersonHostile, TheChaosGlobal Electronic NetworkOptic Nerve

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Some Other Artists on the echospace [detroit] Label

cv313Phase90VivaceModel 500DeepChord & EchospaceSTLIntrusion & cv313Son's Of The Dragon

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Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

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