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Laurent Garnier - The Man With The Red Face - (Generic Sleeve) - F Communications - Techno

Laurent Garnier - The Man With The Red Face - (Generic Sleeve) - F Communications - Techno
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Track Listing

A The Man With The Red Face (Jan Driver Mix)
B The Man With The Red Face (Ashley Beedle Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Laurent Garnier
Title The Man With The Red Face - (Generic Sleeve)
Label F Communications
Catalogue F 127 UK PR
Format Vinyl 12 Inch
Released 2000
Genre Techno

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Other Titles by Laurent Garnier

Crispy Bacon (Part 2)The Cloud Making Machine30A Bout De Souffle EPAstral DreamsAstral DreamsAstral DreamsClub Traxx EPColoured CityCrispy BaconCrispy Bacon (Part 2)Crispy Bacon (Part 2)FlashbackFor House Music Lovers 2Greed (Part One)


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamFormatSlamJbsCarl CoxDave ClarkeLuke SlaterOrbitalStacey PullenKerosene Tony CrooksSapianoScotti DeepRoel ButzenSubterfugeKen IshiBob BrownDynamite David RoiseuxSubculture (4)Beat In TimeMark SummersCristian VogelSound ExcitersTechnomaniaDoi-OingMorpheus Mike DearbornDonato CapozziDJ Dan & Needle DamageLost

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Some Other Artists on the F Communications Label

Jori HulkkonenLlorca & Nicole GrahamAlexkidAlexkid & Lissette AleaThe YoungstersThink Twice Jori Hulkkonen & Nick TrianiJori Hulkkonen & Jerry ValuriNova NovaJori Hulkkonen & John FoxxMr. OizoYoungsters, TheSt GermainFrederic Galliano And The African DivasShazzLu & JII HooAlex KidAqua BassinoFabrice LigLady BNuagesJuantrip'A Reminiscent DriveMadame BTonio&Arno FondlateknoAlaskaChaotik RamsesIberianDeepsideBeyonder, TheElegiaScan XDissplayFrédéric Galliano Electronic SextetFrederic GallianoSound Of KSoul DesignerNorma Jean BellShazz & St Germain & Derek BaysLlorca

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.