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Dhar Braxton - Jump Back (Set Me Free) - Sleeping Bag Records - Old Skool Electro

Dhar Braxton - Jump Back (Set Me Free) - Sleeping Bag Records - Old Skool Electro
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Track Listing

A1 Jump Back (Set Me Free) (Club Mix) (8:22)
A2 Jump Back (Set Me Free) (Radio Mix) (3:37)
B1 Jump Back (Set Me Free) (Dub) (7:25)
B2 Jump Back (Set Me Free) (Dubette) (5:06)
B3 Jump Back (Set Me Free) (Jump Back Rap) (3:07)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Dhar Braxton
Title Jump Back (Set Me Free)
Label Sleeping Bag Records
Catalogue SLX-00019X
Format Vinyl 12 Inch
Released 1986
Genre Old Skool Electro

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Other Titles by Dhar Braxton

Jump Back - Set Me FreeIllusionsJump Back (Set Me Free)Jump Back (Set Me Free)Jump Back (Set Me Free)


Some Other Artists in the Old Skool Electro Genre

Break MachineMantronixPaul HardcastleJonzun Crew, TheRockers Revenge & Donnie CalvinMasqueradeKartoon Krew, TheFreeez & John RoccaHarold FaltermeyerJonzun Crew, The & Michael JonzunNewcleusPlanet PatrolMalcolm McLarenSymbolic Three & DJ Dr. ShockChaka KhanGrandmaster FlashArthur Baker And The Backbeat Disciples & Leee John & Tata VegaD.St.Rock Steady Crew, TheEscalatorDSMMalcolm McLaren And The Bootzilla OrchestraMantronix & Wondress HutchinsonClimie FisherSugarhill GangExecutive SlacksPee Bee SquadThe Cookie CrewWhistleRedhead Kingpin And The FBIPrince Charles & City BeatLady LeviMan ParrishMalcolm McLaren & World's Famous Supreme TeamKraftwerkWest Street MobYellow Magic OrchestraRon CE.T. Kurtis Blow

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Some Other Artists on the Sleeping Bag Records Label

The Todd Terry ProjectTafuriT La RockNoceraIndian OceanHanson & DavisHi-C NicoleMantronix & MC TeeJoe ChurchTodd TerryAnn-MarieBonzo Goes To WashingtonMantronixEcstacyDyan BuckelewChocoletteJoyce SimsEPMDKariya

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Information on the Old Skool Electro Genre

Old Skool Electro (sometimes called electronic hip hop, electronic rap or robot hip hop) is the fusion of electro, electronica, or techno with hip hop. The electro-hop movement had come about after seeing the underground electro movement on the East Coast gain popularity with artists such as Mantronix, Man Parrish, Jonzun Crew, Newcleus, Planet Patrol etc. The electro sound was pioneered by Kraftwerk and was further developed by Zulu Nation leader and hip-hop godfather Afrika Bambaataa. This style of hip-hop had its huge underground fanbase based primarily in Southern California. An eastern strand of electro was born from DJ Arthur and Diesel D in late 2006. They hold a strong underground following in northern Georgia and eastern Tennessee; it likely developed independently of other influences, such as Crunk and Snap music.

Following the decline of disco music in the late 1970s, various electro-funk artists such as Zapp & Roger began experimenting with talk boxes and the use of heavier, more distinctive beats.

In 1982, Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album). "Planet Rock" is widely regarded as a turning point in the electro genre.

In 1983, Hashim created the influential electro funk tune "Al-Naafiysh (The Soul)" which became Cutting Record's first release in November 1983. At the time Hashim was influenced by Man Parrish's "Hip Hop, Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" . Also in 1983, Herbie Hancock, in collaboration with Grand Mixer D.ST, released the hit single "Rockit".

Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie and Shep Pettibone) featured prominently in the Latin Freestyle (or simply "Freestyle") movement. By the late 1980s, the genre had parted from its initial funk influences. Baker and Pettibone enjoyed robust careers well into the house era, and both eluded the "genre trap" to successfully produce mainstream artists.

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