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Groove Boys - Drumdrops Vol. 8 (Essential Breaks And Grooves For DJ's) - Big Break - DJ Turntablist Tools

Groove Boys - Drumdrops Vol. 8 (Essential Breaks And Grooves For DJ's) - Big Break - DJ Turntablist Tools
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Track Listing

A1 Cube Caution (2:32)
A2 Something Crazy (2:08)
A3 Goofy Groove (2:06)
A4 Breakin' Beats (2:15)
A5 Metal 2 Soul (2:13)
A6 Jazzy Soul (2:03)
A7 Bus' The Break (2:00)
B1 Happy Feelings (1:40)
B2 Heavy Techno (2:03)
B3 Freestyle (1:17)
B4 Old School 808 (2:07)
B5 Atomic Base (2:10)
B6 Prohibited (0:05)
B7 Funky Breather (1:39)
B8 Mental Spasm (2:00)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Groove Boys
Title Drumdrops Vol. 8 (Essential Breaks And Grooves For DJ's)
Label Big Break
Catalogue DD 8
Format Vinyl Compilation
Released 1991
Genre DJ Turntablist Tools

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Other Titles by Groove Boys

Drumdrops Vol. 8 (Essential Breaks And Grooves For DJ's)


Some Other Artists in the DJ Turntablist Tools Genre

DJ A.P.DJ LBRJimmie WalkerHavana HoodzJeep Beat CollectiveElisha La'VerneVinyl Toolbox vol1No ArtistThe Rhythm KillersRaw FlavorsLe Jad & LigoneSkratchy SealSkratch WeaponsVand VandDj HertzThe Original Unknown DJ'sDaft PunkThe Horse Nuyorican SoulDJ CueOriginal Unknown DJ's, TheX-RatedRoc RaidaBionic Needle Burner, The & DJ Tox side c&d onlyDJ Q-BertButchwax/Darth Fader/Wax FondlerUnknown ArtistDJ StreakTurntable Dragun'z & DJ MajesticHomespunSimon HarrisDJ RectangleCutmaster SwiftBeastie BoysScratchaholicsDJ ToolzReynald DeschampsBionic Needle Burner, The & DJ ToxTwiztDJ Producer, The

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Some Other Artists on the Big Break Label

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Information on the DJ Turntablist Tools Genre

Vinyl records with samples and beats for use creative turntablist DJ's. Turntablism is the art of manipulating sounds and creating music using phonograph turntables or digital turntables and a DJ mixer. The word 'turntablist' was coined in 1995 by DJ Babu to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s.

John Oswald described the art: "A phonograph in the hands of a 'hiphop/scratch' artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced -- the record player becomes a musical instrument."

Hip-hop turntablist DJs use turntable techniques like beat mixing/matching, scratching, and beat juggling. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and improvising with other performers. Some focus on turntable technique while others craft intricate compositions by focusing on mixing.

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