Amazulu - Cairo - Towerbell Records - Dub
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Track ListingA CairoB1 Greenham Time B2 Nuya Deya Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
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Artist | Amazulu | ||
Title | Cairo | ||
Label | Towerbell Records | ||
Catalogue | 12 TOW 35 | ||
Format | Vinyl 12 Inch | ||
Released | 1983 | ||
Genre | Dub |
Other Titles by Amazulu
• Too Good To Be Forgotten / Sez Who • Don't You Just Know It • Excitable • Excitable • Excitable • Excitable • Excitable • Montego Bay • Montego Bay • Montego Bay • Montego Bay • Montego Bay • Montego Bay • Montego Bay • Mony Mony •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Beats International • Border Crossing • Majestic 12 • Zeke Manyika • Stock, Aitken & Waterman • Movement 98 • F.A.B. • Monyaka • Oui 3 • Concrete Nation • Goat Dance • The Whitfield Express • Lazyboy • Larry Pee • Unitone Rockers & Black Steel • Intelligent Hoodlum • Platinum Radics & Governor Tiggy • Peace Orchestra • The Maytals • Cashmere • Kieser.Velten • Raz Ohara • Frantic Language • Sly & Robbie • Bomb The Bass & Carlton • Cheshire Cat • DJ Shadow • Yosser's Gang • Bad Street Boy • Faze Action • Walkner.Möstl • Delaney's Rhythm Section • Red Dragon • Carey Johnson • Audioweb • Terranova • Gregory Isaacs • |
Some Other Artists on the Towerbell Records Label• Snowy White • Joe Fagin • Shirley Bassey & The London Symphony Orchestra • Natasha England • Nils Lofgren • Millie Jackson • Masters Of The Universe • Spurs 81/82 Cup Final Squad, The • Cilla Black • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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