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Dave Clarke - Red Three - Deconstruction - Techno

Dave Clarke - Red Three - Deconstruction - Techno
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Track Listing

A Thunder (5:13)
B1 The Storm (6:56)
B2 The Storm (Instrumental) (4:32)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Dave Clarke
Title Red Three
Label Deconstruction
Catalogue 74321 306991
Format Vinyl 12 Inch
Released 1995
Genre Techno

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Other Titles by Dave Clarke

The Compass (Josh Wink Remixes)Shake Your BootySouthsideSouthsideThe WiggleThe WiggleThe WiggleThe WolfWay Of Life (Technasia Mixes)Archive OneBefore I Was So Rudely InterruptedNo One's DrivingNo One's DrivingRed 1 (Remixes)Red Three


Some Other Artists in the Techno Genre

808 StateSven VäthUnderworldDJ DanThe Chemical BrothersThe ProdigyMobyCarl CoxEskimos & EgyptUnknown ArtistSlamAquarhythmsEmpirionIgnition TechnicianOrbitalSystem 7Zombie NationWestBamLostKen IshiKen IshiiAndreas KremerLuke SlaterJunior BoysMauro PicottoRoel ButzenOrlando Careca Vs. The CosmonutYoungsters, TheDave AngelDefinition Of SoundX-Tatic FixBoom Boom SatellitesDj EmersonStacey PullenUnique 3Silvio EcomoTim BakerDigital OrgasmUnomas

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Some Other Artists on the Deconstruction Label

M PeopleBlack BoxEvolutionMaria NaylerHed BoysLionRockSecret KnowledgeGrid, TheFelixK-KlassDeep DishArielBassheadsSashaDe'LacyMillionaire HippiesSmells Like HeavenN-JoiTransatlantic SoulRobert MilesGuru JoshBen ChapmanCriminal Element OrchestraHarmonixDjaiminGina FosterU.S.U.R.A.Casanova's RevengeHot HouseWay Out WestPaul JacobsBoneVolcanoFreak PowerBumpN-Joi & TactArcaneRepublicaDefinitive TwoDisco Citizens

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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