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Liquid - Liquid Love / Interference / Liquid Is Liquid - XL Recordings - Techno

Liquid - Liquid Love / Interference / Liquid Is Liquid - XL Recordings - Techno
Price £4.00

Track Listing

A1 Liquid Love (Original Mix) (6:28)
A2 Interference (Original Mix) (5:43)
B1 Liquid Is Liquid (Red Jerry's Journey Into Dub) (11:27)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Liquid
Title Liquid Love / Interference / Liquid Is Liquid
Label XL Recordings
Catalogue XLT 48
Format Vinyl 12 Inch
Released 1994
Genre Techno

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Other Titles by Liquid

Time 2 Get UpLiquid LoveOne Love FamilyStrongOrlando DawnOrlando DawnOrlando DawnOrlando DawnTime To Get UpTime To Get UpTime To Get UpCloserCloserCloserOrlando Dawn

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Sven Väth808 StateDJ DanUnderworldThe ProdigyThe Chemical BrothersCarl CoxEskimos & EgyptAquarhythmsSlamMobyUnknown ArtistDave ClarkeSystem 7LostWestBamKen IshiiLuke SlaterAndreas KremerMauro PicottoRoel ButzenKen IshiEmpirionIgnition TechnicianJunior BoysMike DearbornShamen, TheAccess 58NeomorphFelix Da HousecatVic 20 & SinclairDj EmersonStacey PullenZombie NationDefinition Of SoundX-Tatic Digital OrgasmMembers Of MaydayKerosene Valentino Kanzyani

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Some Other Artists on the XL Recordings Label

Basement JaxxProdigy, TheThe ProdigySlackerDjaimin & DjaybeeExit EEEChristopher JustJonny LSource, TheRadioheadEtienne De CrécyEmpirionNu-MaticHouse Of PainNatural Born GroovesJosh WinkRob TisseraElectric SixJonny L & Silver BulletVincent De MoorGroove ConnektionU.H.F.Ellis-DFlowmastersEbomanStrokeWinxHardcoreRozAwesome 3MaximSandmanBreakbeat EraBasement Jaxx & Dizzee RascalBrooklyn Funk EssentialsKing JustVarious - sides AB onlyZongaminJohn + Julie & AurioleLeila

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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