Carl Cox - Phuture 2000 - Worldwide Ultimatum Records - Techno
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Price | £5.00 |
Track Listing1 Phuture 2000 (Radio Edit) (3:49)2 Phuture 2000 (Full Vocal Mix) (6:59) 3 Phuture 2000 (Hybrid Remix) (9:06) Media Condition » Very Good Plus (VG+) Sleeve Condition » Very Good Plus (VG+) |
Artist | Carl Cox | ||
Title | Phuture 2000 | ||
Label | Worldwide Ultimatum Records | ||
Catalogue | 0091715COX | ||
Format | CD Single | ||
Released | 1999 | ||
Genre | Techno |
Other Titles by Carl Cox
• At The End Of The Cliché • Does It Feel Good To You • Non Stop 98/01 • Phuture 2000 • Sensual Sophis-ti-cat / The Player • Sensual Sophis-ti-cat / The Player • Sensual Sophis-ti-cat / The Player • The Carl Cox / Muzik 5th Birthday Mix CD • Dirty Bass - inc Trevor Rockcliffe Remix • Does It Feel Good To You • Does It Feel Good To You • Does It Feel Good To You • Does It Feel Good To You • Does It Feel Good To You • Dr. Funk •
Some Other Artists in the Techno Genre• 808 State • DJ Dan • The Shamen • The Prodigy • Underworld • Sven Väth • Eskimos & Egypt • The Chemical Brothers • Moby • Dave Clarke • WestBam • Slam • Luke Slater • Format • Jbs • Orbital • Subculture (4) • Kerosene • Subterfuge • Beat In Time • Mark Summers • Roel Butzen • Bob Brown • Dynamite • David Roiseux • Cristian Vogel • Scotti Deep • Sapiano • Tony Crooks • Stacey Pullen • Technomania • Ken Ishi • Sound Exciters • Lost • Donato Capozzi • Mike Dearborn • Access 58 • Morpheus • DJ Dan & Needle Damage • A Guy Called Gerald • |
Some Other Artists on the Worldwide Ultimatum Records Label• DJ Dan • DJ Dan & Needle Damage • Josh Abrahams • Earl Grey • |
Information on the Techno Genre
Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.
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