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Digital Excitation - Pure Pleasure - R & S Records - Techno

Digital Excitation - Pure Pleasure - R & S Records - Techno
Out of Stock

Track Listing

Black Side
A1 Pure Pleasure (Rave Mix)
A2 Pure Pleasure (Repeat Until Mix)
Silver Side
B1 Pure Pleasure (Original)
B2 Pure Pleasure (Pure Bonus Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Digital Excitation
Title Pure Pleasure
Label R & S Records
Catalogue RSUK 10
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Digital Excitation

Dream Party (The Remixes)Pure PleasurePure PleasurePure PleasurePure Pleasure / Dream Party / R U MoonySunburst


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamFormatSlamJbsCarl CoxDave ClarkeLuke SlaterOrbitalStacey PullenKerosene Tony CrooksSapianoScotti DeepRoel ButzenSubterfugeKen IshiBob BrownDynamite David RoiseuxSubculture (4)Beat In TimeMark SummersCristian VogelSound ExcitersTechnomaniaDoi-OingMorpheus Mike DearbornDonato CapozziDJ Dan & Needle DamageLost

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Some Other Artists on the R & S Records Label

JaydeeLemon DWord UpBoom Boom SatellitesModel 500Tommy GeeEbizooKen IshiiSecond Storey & AppleblimShanksThursday ClubDons Of QuixoteCapricornRadical RobAvenue ASpiritual CombatCircular SunburstSpeed JackPraga KhanArmitage ShanksTournesolFredTuneDigital VampMescalinum UnitedHellFuture/Past & BalilAir FrogJosh WinkWax DoctorCJ BollandThomas FehlmannSourceRising High CollectiveProgram 2 BeltramSpace TraxPulseAutonationAphex TwinOutlander

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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