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Inner City - The Remix Pack - 10 Records - US Techno

Inner City - The Remix Pack - 10 Records - US Techno
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Track Listing

A1 Hallelujah (Master Reese Mix)
A2 Hallelujah (Hallelujah Mix)
B1 Unity (Magic Juan Mix)
B2 Fire (Mike Wilson's Hitman Instrumental Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Inner City
Title The Remix Pack
Label 10 Records
Catalogue TENR 365
Format Vinyl 12 Inch
Released 1991
Genre US Techno

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Other Titles by Inner City

Ain't Nobody BetterDo You Love What You Feel?Do You Love What You Feel?Till We Meet Again (Remixes)Ain't Nobody Better (Remixes)Buena Vida - The First PartDo Me RightDo Me RightDo Me RightDo YaLimited EditionSwingin / Do Me RightThat Man (He's All Mine)Whatcha Gonna Do With My Lovin'(That Man) He's All Mine


Some Other Artists in the US Techno Genre

Duane & Co.Hard HatsModel 500RhythmaticOne On OneReese Project, TheSysexParis Grey & Kevin SaundersonThe Reese ProjectJMD 2DJ DanMacalusoThis Is WarAphroheadNeedle DamageDistorterRYUMD ConnectionSteve StollSubsonic 808ReidCarl CraigGreen VelvetStatusTrendroidDark LlamaMarkeyMateo MurphyBlow Monkeys, TheCharm FarmPositivityDJ JesKeokiEnduranceMike WadeJahkey BRhythim is RhythimPlutoneWinxRalphi Rosario

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Some Other Artists on the 10 Records Label

Soul II SoulMantronixRedhead Kingpin And The FBIMaxi PriestStephen DuffyJermaine StewartKicking Back & TaxmanBurrellWorking WeekJack 'N' ChillLoose EndsBlack BritainTemper TemperEugenie ArrowsmithThe Flying PicketsGloria D. BrownBBXSpider Gary MooreRoger DaltreyFlying Pickets, TheConway Brothers, TheJolly RogerPookah Makes ThreeJoey NegroCactus RainThirstThe Conway BrothersSasssQRZ?Unique 3Carey Johnson52nd StreetSystem 7T La RockMorris Minor And The MajorsBas NoirQRZ? & StepzBraund ReynoldsJunior Tucker

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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