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The Knights Of The Occasional Table - Eden - Middle Earth Recordings - Dub

The Knights Of The Occasional Table - Eden - Middle Earth Recordings - Dub
Out of Stock

Track Listing

A1 Eden
A2 Eden
B1 Eden
B2 Eden


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist The Knights Of The Occasional Table
Title Eden
Label Middle Earth Recordings
Catalogue MIDDLE 01T
Format Vinyl 12 Inch
Released 1994
Genre Dub

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Gary Clail & On-U Sound SystemSugar BulletTackheadBeats InternationalBorder CrossingMajestic 12Zeke ManyikaStock, Aitken & WatermanMovement 98F.A.B.MonyakaOui 3Concrete NationGoat DanceThe Whitfield ExpressLazyboyLarry PeeUnitone Rockers & Black SteelIntelligent HoodlumPlatinum Radics & Governor TiggyPeace OrchestraThe MaytalsCashmereKieser.VeltenRaz OharaFrantic LanguageSly & RobbieBomb The Bass & CarltonCheshire CatDJ ShadowYosser's GangBad Street BoyFaze ActionWalkner.MöstlDelaney's Rhythm SectionRed DragonCarey JohnsonAudiowebTerranovaGregory Isaacs

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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