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The Concept - Mr. D.J. - 4th & Broadway - Dub

The Concept - Mr. D.J. - 4th & Broadway - Dub
Price £4.50

Track Listing

A Mr. D.J. (Vocal) (5:06)
B Mr. D.J. (Instrumental) (5:25)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist The Concept
Title Mr. D.J.
Label 4th & Broadway
Catalogue 12 BRW 40
Format Vinyl 12 Inch
Released 1985
Genre Dub

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Sly & RobbieBad Street BoyGary Clail & On-U Sound SystemStock, Aitken & WatermanTerranovaOui 3Majestic 12Movement 98DJ ShadowRed DragonUnitone Rockers & Black SteelYosser's GangFrantic LanguageDelaney's Rhythm SectionCashmereThe Whitfield ExpressZero 7KeroseneSpring Heel JackLazyboyFaze ActionButch Cassidy Sound System, TheZeke ManyikaBomb The Bass & CarltonConcrete NationI-ShensoundThe OrbIntelligent HoodlumSmith & MightyDubversiveWalkner.MöstlLarry PeeMarcella FfrenchPlatinum Radics & Governor TiggyPeace OrchestraJill FrancisG-Flex & The BanditBlack UhuruSophie Ellis-BextorPath

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Some Other Artists on the 4th & Broadway Label

DON-EWill DowningDream WarriorsMica ParisFreak Power49ersAlex ReeceAct Of FaithStereo MC'sLaquanTrouble FunkMark SummersTone LocKenyattaCashmereDodge City ProductionsMillie ScottBoo-Yaa T.R.I.B.E.Steinski&Mass MediaDrizaboneDavid GrantSprinklerPaul RutherfordBy All MeansDhar BraxtonMiles JayeDef JefChris PaulCriminal Element OrchestraX-ClanFloor Federation & Disco SlutsDave AngelSkatemaster TateSkipworth&TurnerJocelyn BrownBomb The BassJillian MendezNightcrawlersSimpliciousJackstreet Inc.

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.