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Mirage - Jack Mix 88 - The Best Of Mirage - Stylus Music - House

Mirage  - Jack Mix 88 - The Best Of Mirage  - Stylus Music - House
Price £4.00

Track Listing

A Jack Mix I, II And III (Segue Remix) (Its So Fresh)
A-01 Showing Out
A-02 Respectable
A-03 Jack Your Body
A-04 Whenever You're Ready
A-05 Who's That Girl
A-06 Male Stripper
A-07 Ain't Nothin' But A House Party
A-08 Funky Town
A-09 Jive Talkin'
A-10 Heartache
A-11 Jackin'
A-12 If I Say Yes
A-13 We'll Be Right Back
A-14 Nothing's Gonna Stop Me Now
A-15 Living In A Box
A-16 Can U Dance
A-17 Goodbye Stranger
A-18 I Heard A Rumour
A-19 Axel F
A-20 Causing A Commotion
A-21 The Jack That House Built
A-22 La Bamba
A-23 La Isla Bonita
A-24 I Love My Radio
A-25 Do It Properly
A-26 Big Fun
A-27 I Wanna Dance With Somebody (Who Loves Me)
A-28 House Nation
A-29 Casanova
A-30 Let Yourself Go
A-31 Stop Bajon ... Primavera
A-32 The Opera House
A-33 Full Metal Jacket (I Wanna Be)
A-34 When Smokey Sings
A-35 Star Trekkin'
A-36 Yoe Keep Me Hanging On
A-37 Open Your Heart
A-38 I Found Lovin'
A-39 I.O.U.
A-40 Southern Freeez
A-41 Underwater
B Serious Mix, Jack Mix VI, Jack Mix IV And V (Segue Remix) (This Is A Journey Into Sound)
B-01 Serious
B-02 Surrender
B-03 What's It To Ya
B-04 Roadblock
B-05 Nasty
B-06 Keep Your Eye On Me
B-07 Word Up
B-08 Lost In Emotion
B-09 Fake
B-10 C'Est La Vie
B-11 Back & Forth
B-12 Mr. Sleaze
B-13 French Kissin' In The USA
B-14 Wishing Well
B-15 Diamonds
B-16 What Have You Done For Me Lately
B-17 Looking For A New Love
B-18 Close (To The Edit)
B-19 Mr. Maniac & Sister Cool
B-20 You Sexy Thing
B-21 Dominoes
B-22 Chicago Song
B-23 Paid In Full
B-24 Le Freak
B-25 Pump Up The Volume
B-26 Call Me
B-27 System Of Survival
B-28 F.L.M.
B-29 Bad
B-30 Don't Stop (Jammin')
B-31 Walk The Dinosaur
B-32 Girls Can Jak Too
B-33 So Emotional
B-34 Irresistable
B-35 Whenever You Need Somebody
B-36 My Love Is Guaranteed
B-37 Put The Needle To The Record
B-38 The Real Thing
B-39 Toy Boy
B-40 Love In The First Degree
B-41 Criticize
B-42 Dinner With Gershwin
B-43 Beethoven (I Love To Listen To)
B-44 Oops Upside Your Head
B-45 House Nation
B-46 Mony Mony
B-47 Never Can Say Goodbye


Media Condition » Very Good (VG)
Sleeve Condition » Very Good (VG)
Artist Mirage
Title Jack Mix 88 - The Best Of Mirage
Label Stylus Music
Catalogue SMR 746
Format Vinyl Album
Released 1987
Genre House

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Other Titles by Mirage

WomanJack Mix 88 - The Best Of Mirage - 88 Non Stop HitsJack Mix In Full EffectSerious MixYou Know (I Like It)Give Me The Night (Medley)Into The Groove (Medley)Jack MixJack Mix 88 - The Best Of Mirage - 88 Non Stop HitsJack Mix 88 - The Best Of Mirage - 88 Non Stop HitsJack Mix IIJack Mix IIJack Mix IIJack Mix IVJack Mix IV


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Unknown ArtistBasement JaxxM PeopleFull IntentionVarious ArtistsBlack BoxDina CarrollPhats & SmallSpacedustStrikeRozallaRhythm MastersTyrrel CorporationZ FactorPizzamanK-KlassKaren RamirezInner CityJuliet RobertsYazzSouvlakiSybilUltra NatéSealWildchildHappy ClappersX-Press 2SugababesGambafreaksAdevaJamiroquaiFusedStaxxCappellaLee-CabreraMilk & SugarSue ChalonerMighty Dub KatzBomb The BassWamdue Project

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Information on the House Genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.

Data from the Discogs music database. Submit a Release.