Marcella Ffrench - Be Still (Re-mixes) - Riz Records - Dub
Track ListingA1 Be Still (Funky Lick)
A2 Be Still (Lambadub)
B1 Be Still (Dancehall Lick)
B2 Be Still (Still Dubbing)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
|Title||Be Still (Re-mixes)|
|Format||Vinyl 12 Inch|
Other Titles by Marcella Ffrench
• I Shall Endeavour • Endevour •
Some Other Artists in the Dub Genre• Sly & Robbie • Terranova • Oui 3 • Majestic 12 • Movement 98 • Gary Clail & On-U Sound System • Stock, Aitken & Waterman • New Kingdom • Spee • Carey Johnson • Raz Ohara • Natural High Productions • Monyaka • Oosh • Sugar Minott & Daddy Speedo • Border Crossing • B.Low • Apollo 440 • Sugar Bullet • Goat Dance • Kieser.Velten • Cheshire Cat • Two Right Wrongans • DJ Shadow • Red Dragon • Unitone Rockers & Black Steel • Yosser's Gang • Frantic Language • Delaney's Rhythm Section • Cashmere • Bad Street Boy • The Whitfield Express • Kerosene • Spring Heel Jack • Lazyboy • Faze Action • Butch Cassidy Sound System, The • Zeke Manyika • Bomb The Bass & Carlton • Concrete Nation •
Some Other Artists on the Riz Records Label• Themes From Riz • Various - Marcelle French / Lambadub •
Information on the Dub GenreDub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.
Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.