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Ken Ishii - Overlap Edition 2/2 - R & S Records - Techno

Ken Ishii - Overlap Edition 2/2 - R & S Records - Techno
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Track Listing

A Overlap (Lemon D Remix) (9:09)
B1 Overlap (Dave Angel Remix) (6:26)
B2 Overlap (DJ Food Remix) (6:52)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Ken Ishii
Title Overlap Edition 2/2
Label R & S Records
Catalogue RS 96107 X
Format Vinyl 12 Inch
Released 1996
Genre Techno

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Other Titles by Ken Ishii

Circular MotionIceblinkCircular Motion (Remixes)Deep SleepEcho Exit (Edition 1/2)Echo Exit (Edition 1/2)Echo Exit - Disc 2 onlyExtraGame OverJelly Tones - (DISC 2 ONLY)Misprogrammed Day (Remixes)Overlap Edition 1/2Overlap Edition 1/2Overlap Edition 2/2Overlap Edition 2/2


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldSven VäthMobyEskimos & EgyptThe Chemical BrothersLuke SlaterWestBamFormatDave ClarkeJbsSlamCarl CoxDynamite Bob BrownDavid RoiseuxStacey PullenScotti DeepBeat In TimeMark SummersKerosene SubterfugeTechnomaniaSubculture (4)Ken IshiSapianoSound ExcitersCristian VogelRoel ButzenDoi-OingEmpirionDJ Dan & Needle DamageMorpheus LostDonato CapozziMike DearbornNeomorph

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Some Other Artists on the R & S Records Label

JaydeeLemon DModel 500Word UpBoom Boom SatellitesTommy GeeEbizooShanksSpiritual CombatAvenue AThursday ClubCapricornArmitage ShanksSecond Storey & AppleblimCircular SunburstRadical RobPraga KhanSpeed JackDons Of QuixoteMescalinum UnitedJoey BeltramOutlanderPsycho DrumsDigital VampTuneFredAphex TwinAutonationSpace OperaHellFuture/Past & BalilAir FrogJosh WinkPulseWax DoctorSpace TraxCJ BollandProgram 2 BeltramLocustThomas Fehlmann

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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