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Club 69 - Sugar Pie Guy - GiG Records - US Techno

Club 69 - Sugar Pie Guy - GiG Records - US Techno
Price £7.50

Track Listing

A


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Club 69
Title Sugar Pie Guy
Label GiG Records
Catalogue GIG PRO 060
Format Vinyl Double 12 Inch
Released 1994
Genre US Techno

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Other Titles by Club 69

AlrightAlrightAlrightLet Me Be Your UnderwearMuch BetterAlrightDivaDiva (Remixes) / Warm LeatheretteLet Me Be Your UnderwearLet Me Be Your UnderwearLet Me Be Your UnderwearLet Me Be Your UnderwearLet Me Be Your UnderwearLet Me Be Your Underwear (Peter Rauhofer Remixes)Muscles


Some Other Artists in the US Techno Genre

Inner CityMobyModel 500SysexHard HatsParis Grey & Kevin SaundersonNeedle DamageRYUDave ClarkeOne On OneRhythmaticReese Project, TheMateo MurphyExit 100DJ DanSoul DestroyazMario PiùBlow Monkeys, TheMarkeyThis Is WarTech-Master 3BG Prince Of RapKeynotesR+S ProjectLeftfieldJMD 2cv313Sharon Dee ClarkeDJ RushSatoshi TomiieAphroheadMike WadeAdam XDJ Steve LeeDJ Marcello & Derrick MaySunrise SocietyTwilight MacalusoPlaylandD.O.P.

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Some Other Artists on the GiG Records Label

EdelweissPhill EdwardsGloria Gaynor

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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