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Majestic 12 - She's Like A Narcotic - Ransom - Dub

Majestic 12 - She's Like A Narcotic - Ransom - Dub
Price £5.00

Track Listing

A1 She's Like A Narcotic

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Majestic 12
Title She's Like A Narcotic
Label Ransom
Catalogue Ransom 003
Format Coloured Vinyl 12 Inch
Released 2002
Genre Dub

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Other Titles by Majestic 12

Sound Of Today / Tell It To YouResonant Evil / KennedyShe's Like A NarcoticFiltered Funk - Vol. 5Free Funk EPResonant Evil / KennedyRough Riding / Dance With YouSearchinShe's Like A NarcoticSound Of Today / Tell It To YouSound Of Today / Tell It To YouThe Thunder EPUltrasound Volume 2Resonant Evil , Kennedy

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Sly & RobbieTerranovaOui 3Movement 98Stock, Aitken & WatermanGary Clail & On-U Sound SystemGoat DanceG-Flex & The BanditDJ ShadowSophie Ellis-BextorThe Knights Of The Occasional TableDelaney's Rhythm SectionNew KingdomLazyboyRaz OharaNatural High ProductionsMonyakaConcrete NationI-ShensoundSugar Minott & Daddy SpeedoIntelligent HoodlumB.LowApollo 440Sugar BulletInternational Pony & StepchildKieser.VeltenCheshire CatTwo Right WrongansMarcella FfrenchRed DragonUnitone Rockers & Black SteelYosser's GangFrantic LanguageCashmereBad Street BoyThe Whitfield ExpressKeroseneSpring Heel JackFaze ActionButch Cassidy Sound System, The

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Some Other Artists on the Ransom Label

Dirty TrikzDirty Trikz & Electric ChocFlaunt It DJ's4 Star ClownsFlashbackM+K

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.