Majestic 12 - She's Like A Narcotic - Ransom - Dub
Track ListingA1 She's Like A Narcotic
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
|Title||She's Like A Narcotic|
|Format||Coloured Vinyl 12 Inch|
Other Titles by Majestic 12
• Sound Of Today / Tell It To You • Resonant Evil / Kennedy • She's Like A Narcotic • Filtered Funk - Vol. 5 • Free Funk EP • Resonant Evil / Kennedy • Rough Riding / Dance With You • Searchin • She's Like A Narcotic • Sound Of Today / Tell It To You • Sound Of Today / Tell It To You • The Thunder EP • Ultrasound Volume 2 • Resonant Evil , Kennedy •
Some Other Artists in the Dub Genre• Sly & Robbie • Oui 3 • Movement 98 • Stock, Aitken & Waterman • Bad Street Boy • Gary Clail & On-U Sound System • Terranova • Sugar Minott & Daddy Speedo • I-Shensound • Sugar Bullet • Intelligent Hoodlum • B.Low • Apollo 440 • Marcella Ffrench • Kieser.Velten • Cheshire Cat • Two Right Wrongans • Frantic Language • Red Dragon • Unitone Rockers & Black Steel • Yosser's Gang • Cashmere • The Whitfield Express • Spring Heel Jack • Black Uhuru • Kerosene • Bomb The Bass & Carlton • Spee • Faze Action • Butch Cassidy Sound System, The • Zeke Manyika • Carey Johnson • The Orb • Walkner.Möstl • Oosh • Smith & Mighty • Dubversive • The Concept • Larry Pee • Jill Francis •
Some Other Artists on the Ransom Label• Dirty Trikz • Dirty Trikz & Electric Choc • 4 Star Clowns • Flashback • Flaunt It DJ's • M+K •
Information on the Dub GenreDub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.
Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.