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Malcolm McLaren - Double Dutch - Charisma - Old Skool Electro

Malcolm McLaren - Double Dutch - Charisma - Old Skool Electro
Price £4.00

Track Listing

A Double Dutch
B She's Looking Like A Hobo


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Malcolm McLaren
Title Double Dutch
Label Charisma
Catalogue MALC 3
Format Vinyl 7 Inch
Released 1983
Genre Old Skool Electro

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Other Titles by Malcolm McLaren

Double DutchDouble DutchDouble DutchDouble DutchDouble DutchDouble DutchDouble DutchDouble DutchDuck Rock CheerDuck Rock CheerDouble DutchDouble DutchDouble DutchDouble DutchDuck For The Oyster


Some Other Artists in the Old Skool Electro Genre

Paul HardcastleMantronixBreak MachineArthur Baker And The Backbeat Disciples & Leee John & Tata VegaFreeez & John RoccaJonzun Crew, TheDSMSugarhill GangGrandmaster Flash & Melle MelHarold FaltermeyerFreeezMasqueradeGrandmaster FlashKartoon Krew, TheRedhead Kingpin And The FBIJonzun Crew, The & Michael JonzunMalcolm McLaren & World's Famous Supreme TeamDominatrixNoceraEscalatorAfrika Bambaataa & Family & UB40The Cookie CrewCloud NineRock Steady Crew, TheMalcolm McLaren And The Bootzilla OrchestraArthur Baker And The Backbeat DisciplesChaka KhanE.T. Prince Charles & City BeatWest Street MobJohn 'Jellybean' BenitezSymbolic Three & DJ Dr. ShockThe Jonzun CrewMantronix & MC TeeOllie And JerryRappers' ConventionPenny FordA Step BeyondLady LeviCJ Mackintosh & Einstein

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Some Other Artists on the Charisma Label

GenesisNia PeeplesKeep It DarkRight Said FredPeter GabrielSteve HackettBill LoveladyMonty PythonLindisfarneMalcolm McLaren And World's Famous Supreme Team, The*OppositionMalcolm McLaren & McLarenettes, TheMalcolm McLaren & World's Famous Supreme TeamPat&MickHawkwindBrand X World's Famous Supreme TeamSize 9Marc Kinchen (MK) & AlanaEve Gallagher

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Information on the Old Skool Electro Genre

Old Skool Electro (sometimes called electronic hip hop, electronic rap or robot hip hop) is the fusion of electro, electronica, or techno with hip hop. The electro-hop movement had come about after seeing the underground electro movement on the East Coast gain popularity with artists such as Mantronix, Man Parrish, Jonzun Crew, Newcleus, Planet Patrol etc. The electro sound was pioneered by Kraftwerk and was further developed by Zulu Nation leader and hip-hop godfather Afrika Bambaataa. This style of hip-hop had its huge underground fanbase based primarily in Southern California. An eastern strand of electro was born from DJ Arthur and Diesel D in late 2006. They hold a strong underground following in northern Georgia and eastern Tennessee; it likely developed independently of other influences, such as Crunk and Snap music.

Following the decline of disco music in the late 1970s, various electro-funk artists such as Zapp & Roger began experimenting with talk boxes and the use of heavier, more distinctive beats.

In 1982, Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album). "Planet Rock" is widely regarded as a turning point in the electro genre.

In 1983, Hashim created the influential electro funk tune "Al-Naafiysh (The Soul)" which became Cutting Record's first release in November 1983. At the time Hashim was influenced by Man Parrish's "Hip Hop, Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" . Also in 1983, Herbie Hancock, in collaboration with Grand Mixer D.ST, released the hit single "Rockit".

Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie and Shep Pettibone) featured prominently in the Latin Freestyle (or simply "Freestyle") movement. By the late 1980s, the genre had parted from its initial funk influences. Baker and Pettibone enjoyed robust careers well into the house era, and both eluded the "genre trap" to successfully produce mainstream artists.

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