Various - NME's Hat-Trick - New Musical Express - Dub
Track ListingA1 Steinski & Mass Media The Motorcade Sped On
A2 Sonic Youth White Kross (Live In Tallahassee, Florida)
B Sly & Robbie When You're Hot You're Hot (NME Version, Live In London)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
|Label||New Musical Express|
|Format||Vinyl 7 Inch|
Other Titles by Various
• True Faith The First Phase • Lazy DJs • Balearica 20 • Clubcutz Volume 6 • Deeper Side Of London EP • Fierce Dance Cuts No. 1 • Millenium Sampler • Regrooves Volume Two • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • Chicago Kings And Queens Of House • Children / Adolescence • Cooltempo Remixed (Album Sampler) • Cowboy Records - The Album •
Some Other Artists in the Dub Genre• Sly & Robbie • Terranova • Oui 3 • Majestic 12 • Movement 98 • Bad Street Boy • Stock, Aitken & Waterman • Gary Clail & On-U Sound System • New Kingdom • Zero 7 • Carey Johnson • Raz Ohara • Natural High Productions • Monyaka • Concrete Nation • Sugar Minott & Daddy Speedo • B.Low • Apollo 440 • Sugar Bullet • Border Crossing • Kieser.Velten • Cheshire Cat • Two Right Wrongans • Marcella Ffrench • Goat Dance • Red Dragon • Unitone Rockers & Black Steel • Yosser's Gang • Frantic Language • DJ Shadow • Cashmere • The Whitfield Express • Delaney's Rhythm Section • Kerosene • Spring Heel Jack • Faze Action • Butch Cassidy Sound System, The • Zeke Manyika • Bomb The Bass & Carlton • Spee •
Some Other Artists on the New Musical Express Label•
Information on the Dub GenreDub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.
Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.