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Cut Masters - Front To The Back - Subversive - Big Beat

Cut Masters - Front To The Back - Subversive - Big Beat
Price £5.00

Track Listing

A1 Front To The Back (Mint Royale Main Mix)
A2 Front To The Back (Mint Royale's Duelling Banjos Mix)
B Front To The Back (Rhythm Masters Vocal Mix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Cut Masters
Title Front To The Back
Label Subversive
Catalogue SUB 59T
Format Vinyl 12 Inch
Released 2000
Genre Big Beat

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Other Titles by Cut Masters

Front To The BackFront To The Back (Rhythm Masters & Mint Royale Mixes)Front To The Back (Remixes)

Some Other Artists in the Big Beat Genre

Fatboy SlimCut La RocFreak PowerDirty BeatniksFuzz TownshendJungle BrothersLo-Fidelity AllstarsMissy Elliott & LudacrisMonkey MafiaLionrockNorman CookPorn KingsStrike Boys (The)Adamski's ThingE-KlektikFC KahunaPeliroccoPropellerheadsBentley Rhythm AceA Very Good Friend Of Mine & JoyThree Amigos, TheStereo MC'sDr. BoneBedlam Ago GoMr. DanFuselageHeadrillazThe ProdigyMighty Dub KatzMissy ElliottDog CornershopDelakotaNaemIt SpyLes Rythmes DigitalesSparky LightbourneDub PistolsDeath In VegasMidfield General

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Some Other Artists on the Subversive Label

Cevin FisherGeorge MorelBlue AmazonJean-Phillippe AviancePeter PrestaT-Total & Siggi JosiahJark ProngoR. Rivera's GrooveLouie Balo GuzmanSecret StoryWet Dreams & KenardCevin Fisher & Sheila SmithPushLouie 'Balo' Guzman T.T. DrummerRubber SoulsDJ Pee WeeSedonaAscendanceMo&SkinnyB*P*MYorkSteve LawlerWet DreamsDavid AnthonyLionheart & Shop Keoki & High Lonesome Sound SystemCevin Fisher's Big Freak

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Information on the Big Beat Genre

Big beat is a term employed since the mid 1990s by the British music press to describe much of the music by artists such as The Prodigy, Fatboy Slim, The Chemical Brothers, The Crystal Method, and Propellerheads, typically driven by heavy breakbeats and synthesizer-generated loops and patterns in common with established forms of electronic dance music such as techno and acid house.

ig Beat tends to feature distorted, compressed breakbeats at moderate tempos (usually between 120 to 140 beats per minute), acid house style synthesizer lines and heavy loops from 60s and 70s funk, jazz, rock and pop songs. They are often punctuated with punk-style vocals and driven by intense, distorted basslines with conventional pop and techno song structures. Big beat tracks have a sound that include: crescendos, builds, drops, dramatic sound effects such as explosions or sirens and extended drum rolls. As with several other dance genres at the time the use of effects such as cut-off, phasing and flanging was commonplace.

Big Beat is also characterized by a strong psychedelic influence comparable to a wide range of artists from Serge Gainsbourg and Jean-Jacques Perrey to The Beatles and Led Zeppelin to Funkadelic and the Acid House movement of the late 1980s. Celebrated instigators of the genre such as Fatboy Slim tend to feature heavily compressed loud breakbeats in their tracks which are used to define the music as much as any melodic hooks and sampled sounds. Based on the primary use of loud, heavy breakbeats and basslines, Big Beat shares attributes with Jungle and Drum & Bass but it has a significantly slower tempo.

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