Various - Double Six Volume 3 - Double Six - Techno
Track ListingA Techno House Mix (13:36)
B Freestyle Mix (12:54)
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
|Title||Double Six Volume 3|
|Format||Vinyl 12 Inch|
Other Titles by Various
• True Faith The First Phase • Lazy DJs • A Perfecto Summer • Balearica 20 • Clubcutz Volume 6 • Deeper Side Of London EP • Fierce Dance Cuts No. 1 • Garage Sound Of Deepest New York • Millenium Sampler • Regrooves Volume Two • Serious Beats 1 • Vox Populi: First Choice Sampler 1993 Volume 1 • Betta Breaks & Beats Volume 1 • Black Explosion • Chicago Kings And Queens Of House •
Some Other Artists in the Techno Genre• Sven Väth • 808 State • DJ Dan • Underworld • Aquarhythms • The Prodigy • The Chemical Brothers • Carl Cox • Eskimos & Egypt • Slam • Moby • Unknown Artist • Dave Clarke • Lost • WestBam • Ken Ishii • Andreas Kremer • Luke Slater • Junior Boys • Mauro Picotto • Roel Butzen • Ken Ishi • Empirion • Ignition Technician • Christians, The • System 7 • The Shamen • Felix Da Housecat • Access 58 • Neomorph • Timo Maas • Secret Knowledge • Vic 20 & Sinclair • Dj Emerson • Stacey Pullen • Zombie Nation • Members Of Mayday • Digital Orgasm • Digital Excitation • Oliver Ho •
Some Other Artists on the Double Six Label• Double Six •
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.