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4Tune 500 - Dancing In The Dark (Mike Monday Mixes) - Black Gold - Techno

4Tune 500 - Dancing In The Dark (Mike Monday Mixes) - Black Gold  - Techno
Price £5.50

Track Listing

A Dancing In The Dark (Mike Monday Vox) (7:00)
B Dancing In The Dark (Mike Monday Dub) (7:00)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist 4Tune 500
Title Dancing In The Dark (Mike Monday Mixes)
Label Black Gold
Catalogue BLGD04DJX03
Format Vinyl 12 Inch
Released 2003
Genre Techno

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Other Titles by 4Tune 500

Strung OutStrung OutDancing In The DarkDancing In The DarkDancing In The Dark (Mike Monday Mixes)Dancing In The Dark (Remixes)Dancing In The Dark (Skylark Mixes)Strung OutDancing In The DarkDancing In The DarkDancing In The Dark (Skylark Mixes)


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808 StateDJ DanThe ProdigyUnderworldThe ShamenMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamFormatSlamJbsCarl CoxDave ClarkeLuke SlaterOrbitalStacey PullenKerosene Tony CrooksSapianoScotti DeepRoel ButzenSubterfugeKen IshiBob BrownDynamite David RoiseuxSubculture (4)Beat In TimeMark SummersCristian VogelSound ExcitersTechnomaniaDoi-OingMorpheus Mike DearbornDonato CapozziDJ Dan & Needle DamageLost

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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