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Steve Poindexter - The Remixes - Djax-Up-Beats - US Techno

Steve Poindexter - The Remixes - Djax-Up-Beats - US Techno
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Track Listing

A1 Work That Mutha Fucker (Edge Of Motion Mixx)
A2 Work That Mutha Fucker (Like A Tim Mixx)
B1 Chillin\\\' With The \\\"P\\\" (Mad Maxx Mixx)
B2 Born To Freak


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Steve Poindexter
Title The Remixes
Label Djax-Up-Beats
Catalogue DJAX-UP-154
Format Vinyl 12 Inch
Released 1992
Genre US Techno

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Other Titles by Steve Poindexter

Classic Collection Vol 1 190 OctaneMan At WorkThe RemixesThe Remixes inc - Work That M*th* F*c*er - originalWork That Mutha FuckerWork This


Some Other Artists in the US Techno Genre

Inner CityMobySysexModel 500RYUHard HatsDave ClarkeParis Grey & Kevin SaundersonReese Project, TheNeedle DamageOne On OneRhythmaticSharon Dee Clarkecv313Satoshi TomiieDJ Steve LeeDJ Marcello & Derrick MayMarkeySunrise SocietyBG Prince Of RapKeynotesTwilight MacalusoPlaylandMateo MurphyExit 100DJ DanSoul DestroyazDJ RushMario PiùBlow Monkeys, TheAphroheadMike WadeAdam XThis Is WarR+S ProjectLeftfieldTech-Master 3JMD 2MD Connection

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Some Other Artists on the Djax-Up-Beats Label

ArmandoAardvarckClaude YoungPurple PlejadePaul JohnsonStephen BrownTraumaLike A TimAcid JunkiesR.E.C.Mike DearbornEllery CowlesPoltering Rhythm TraxxPhuture The Next GenerationClementineSpasmsEdge Of MotionPlanet GongGenetic BassSignal To Noise RatioTerraceRandom XSClicheDJ Skull

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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