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Herbie Hancock - Future Shock - CBS - Future Jazz

Herbie Hancock - Future Shock - CBS - Future Jazz
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Track Listing

A1 Rockit (5:22)
A2 Future Shock (8:02)
A3 TFS (5:15)
B1 Earth Beat (5:10)
B2 Autodrive (6:25)
B3 Rough (6:57)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Herbie Hancock
Title Future Shock
Label CBS
Catalogue CBS 25540
Format Vinyl Album
Released 1983
Genre Future Jazz

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Other Titles by Herbie Hancock

You Bet Your LoveA Tribute To...Future ShockGo For ItHead HuntersHot & HeavySound-SystemThe EssenceV.S.O.P. - (DISC 1 ONLY)You Bet Your LoveYou Bet Your Love / Knee DeepEmpyrean IslesFlood - DISC 1 ONLYFuture 2 FutureFuture Shock


Some Other Artists in the Future Jazz Genre

Jhelisa4 HeroSpiderFretless AZMMr. GoneBrand New Heavies, TheNitin SawhneyJames HardwayChungkingGallianoAkashaBOC ProductionsNew Sector MovementsTyphornsDJ TraxLos LadronesIlyaAkimboFishbelly BlackRoutes In JazzAmalgamation Of Soundz, TheMonkey BusinessD*Note & Krazy Cool D-ZineTrüby TrioLenny DennisSpacerOmarPhillip BentVibraphonicTaxi DriverUteBryan PowellFertile GroundGroove CollisionPerceptionJoseph MalikGroove CollectiveSantessaIncognitoJoseph Anthony

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Some Other Artists on the CBS Label

Paul YoungAlison MoyetChimes, TheBilly JoelAdam And The AntsPaul JohnsonGregory AbbottKingEarth, Wind & FireTerence Trent D'ArbyHaywoodeNew Kids On The BlockAndy WilliamsJennifer RushOff-ShorePasadenas, TheDavid EssexIvana SpagnaSantanaBig Audio DynamiteBarbra StreisandFull ForceJeff WayneKing BeeBilly GriffinChicagoMarvin GayeThe ChimesBrosJoe SmoothDeniece WilliamsTerence Trent D'ArbyJulio IglesiasMartikaArt GarfunkelBen LiebrandJ.J.Leonard BernsteinBerlinRoachford

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Information on the Future Jazz Genre

Future jazz ranges from combining live instrumentation with beats of jazz house (exemplified by the French St Germain, the German Jazzanova and Fila Brazillia from the UK) to more band-based improvised jazz with electronic elements (such as that of the The Cinematic Orchestra from the UK, the Belgian PhusionCulture, Mexican duo Kobol, and the Norwegian style pioneered by Bugge Wesseltoft, Jaga Jazzist, Nils Petter Molvær, and others).

Future jazz typically ventures farther into the electronic territory than does its close cousin, acid jazz (or groove jazz), which is generally closer to earthier funk, soul, and rhythm and blues, although releases from noted groove & smooth jazz artists such as the Groove Collective, and Pamela Williams blur the distinction between the styles. Nu jazz can be very experimental in nature and can vary widely in sound and concept. The sound, unlike its cousin Acid Jazz, departs from its blues roots and instead explores electronic sounds and ethereal jazz sensualities. Nu Jazz “is the music itself and not the individual dexterity of the musicians.” Often, Nu Jazz blends elements of traditional Jazz texture with that of modern electronic music and free improvisation, thus, the music can truly evolve into a multitude of sounds and can vary greatly from artist to artist. The style can include broken rhythms, atonal harmonies, and improvised melody. Matthew Shipp and others demonstrate styles coined as “jazztronica” or "electro-jazz".


Nu jazz emerged from the use of electronic instruments in production in the 1970s work of such luminaries as Miles Davis, Herbie Hancock, and Ornette Coleman. Hancock's early 1980s work with Bill Laswell, in particular, such as the album Future Shock, anticipated the style in its incorporation of electro and hip-hop rhythms. Beginning in the late '80s, many hip-hop musicians worked in the jazz rap style -- among them, Gang Starr, The Roots, A Tribe Called Quest, and Nas. Also in the 1980s, many house musicians took inspiration from jazz, particularly post-bop and jazz funk.
In the mid-'90s and early 2000s, musicians from the downtempo scene, St Germain, DJ takemura, Perry Hemus and Jazzanova among them, began to delve more deeply into jazz. In the same period, intelligent dance music producers -- most famously Squarepusher and Spring Heel Jack, and later London Elektricity and Landslide -- took a similar interest. Techno musicians, such as Laurent Garnier, Carl Craig and his Innerzone Orchestra project, have also touched on nu jazz. Some figures from the digital hardcore and breakcore scenes, notably Alec Empire, Nic Endo, and Venetian Snares, have explored a harder, noiser variant on the style. A decade later, some dubstep producers, such as Boxcutter, also explored electronic jazz.

While still embracing the traditional forms of Jazz, pianist Bugge Wesseltoft and trumpeter Nils Petter Molvær are known for their improvisational nu jazz style. The Cinematic Orchestra is also known for incorporating a traditional jazz band while fusing electronic elements into their music production St. Germain, a purveyor of nu jazz music, has sold 1.5 million copies of his Tourist album, thus making it the top-selling jazz album in the United States.

Data from the Discogs music database. Submit a Release.