Stock Level:
[ reset ]

Aux 88 - Bass Magnetic - Direct Beat - Detroit Techno

Aux 88 - Bass Magnetic - Direct Beat - Detroit Techno
Price £29.95

Track Listing

A1 Bass Magnetic
A2 Lets Dance
B1 Frequency 135
B2 Time Space
C1 Sonic Boom
C2 How Lo Can You Go
D1 Technology
D2 Fly By Night

Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Aux 88
Title Bass Magnetic
Label Direct Beat
Catalogue DBC4W-190
Format Vinyl Double 12 Inch
Released 2017
Genre Detroit Techno

<< Back

Other Titles by Aux 88

Play It Loud - (Generic Sleeve)

Some Other Artists in the Detroit Techno Genre

Omar-SRandom Noise GenerationTheo ParrishSteve PoindexterVenomousModel 500 / MaydayPsyanceTres DementedJuan AtkinsInner CityJeff MillsPhase90Bottom Feeders, TheK.O.T.Rhythim Is RhythimModel 500Fascinating Rhythmcv313Underground ResistanceKloutVince WatsonTodd SinesEsser'ayUnderground Resistance & Beat Mechanic, TheBridgett GraceDeepChordHostile, TheOmar-S & Oasis EMB692 The Hard WayVivacePlastikmanRaiders Of The Lost ARPSuburban Knight & Chameleon & Dark EnergyReeseUnderground Resistance & Yolanda ReynoldsModel 600Reese & Inner City & Symbols & Instruments & Marc KinchenCouzens

More from Detroit Techno >>

Some Other Artists on the Direct Beat Label

Will WebOptic Nerve

More from Direct Beat >>

Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

Data from the Discogs music database. Submit a Release.