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Frankie Goes To Hollywood - Welcome To The Pleasuredome - ZTT - Synth Pop

Frankie Goes To Hollywood - Welcome To The Pleasuredome - ZTT - Synth Pop
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Track Listing

F - Pray Frankie Pray
A1 Well...
A2 The World Is My Oyster
A3 Snatch Of Fury (Stay)
A4 Welcome To The Pleasure Dome
G - Say Frankie Say
B1 Relax (Come Fighting)
B2 War (...And Hide)
B3 Two Tribes (For The Victims Of Ravishment)
T - Stay Frankie Stay
C1 Ferry (Go)
C2 Born To Run
C3 San Jose (The Way)
C4 Wish (The Lads Were Here)
C5 Including The Ballad Of 32
H - Play Frankie Play
D1 Krisco Kisses
D2 Black Night White Light
D3 The Only Star In Heaven
D4 The Power Of Love
D5 Bang...


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Frankie Goes To Hollywood
Title Welcome To The Pleasuredome
Label ZTT
Catalogue ZTT IQ1
Format Vinyl Double Album
Released 1984
Genre Synth Pop

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Other Titles by Frankie Goes To Hollywood

Rage Hard (+)Rage Hard (++)RelaxRelaxRelaxRelaxRelaxRelaxRelaxRelaxRelaxRelaxRelax (Frankie Says...)The Power Of LoveThe Power Of Love '99


Some Other Artists in the Synth Pop Genre

Culture ClubHoward JonesSpandau BalletThompson TwinsErasureLevel 42MadonnaHazell DeanGo WestEurythmicsGary NumanSheena EastonKingAlison MoyetNik KershawFive StarHeaven 17SinittaOrchestral Manoeuvres In The DarkSoft CellPaul YoungLondon Boysa-haThe CommunardsMike OldfieldThomas DolbyRick AstleyBrosClimie FisherMel & KimUltravoxThe Kane GangLiving In A BoxSwing Out SisterWham!Jean-Michel JarreDuran DuranMatt BiancoModern RomanceJaki Graham

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Some Other Artists on the ZTT Label

808 StateSealMC Tunes & 808 StateThe Art Of NoiseMC TunesSexusRhythm Inc.Shades Of RhythmMC Tunes vs 808 StateLeilaniPublic DemandTom JonesNovecentoAdamski's ThingAll Saints 1.9.7.5.HonkyDoveDavid's Daughters808 State & BjörkPropagandaMax L.a.z.y.Nasty Rox Inc.Hoodlum PriestAndrew PoppySun Electric & Inga HumpeRhythm Inc. & Nevada Shane MacGowan And The PopesGrace JonesHeights Of AbrahamFlood, TheArt Of Noise, TheTara808 State & UB40808 State & Bjork

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Information on the Synth Pop Genre

Synthpop is a genre of pop music in which the synthesizer is the dominant musical instrument. It originated as part of the New Wave movement of the late 1970s and to mid-1980s, and it has continued to exist and develop ever since. It has seen a rise in popularity in the 21st century.

First wave: 1977-1990
Depeche Mode, one of the most successful synthpop bands of all time.

Giorgio Moroder paired up with Donna Summer in 1977 to release the electronic disco song I Feel Love. While a disco song first and foremost, the programmed, arpeggiated beats had a profound impact on the bands which would soon be known as synthpop. That same year, Ultravox member Warren Cann purchased a Roland TR-77 drum machine, which was first featured in their October 1977 single release Hiroshima Mon Amour.

In 1978, the first incarnation of the Human League of Sheffield, England released their debut single "Being Boiled". In the United States, Devo, who had been using synthesizers since their beginnings in 1975, moved towards a more electronic sound.

In the UK, the original synthesizer bands had a sound that was generally dark, moody and robotic and were more founded in an avant-garde, art rock aesthetic. In 1979, Tubeway Army, a little known outfit from West London, who dropped their initial punk rock image and topped the UK charts in the summer of 1979 with the single "Are Friends Electric?" and their album Replicas. This prompted the singer/songwriter, Gary Numan to go solo and in the same year he released the Kraftwerk inspired album, The Pleasure Principle which was another number one album, and he topped the singles charts for the second time with "Cars".

This Zeitgeist of revolution in electronic music performance and recording/production was encapsulated by then would be record producer, Trevor Horn of The Buggles in the international hit "Video Killed the Radio Star".

Giorgio Moroder collaborated with the band Sparks on their album, No. 1 In Heaven. Others were soon to follow, including Frank Tovey, who performed under the name Fad Gadget. Tovey who was signed to Daniel Miller's Mute Records and made use of "found objects" in his recordings such as bottles and razors. Daniel Miller himself had a role in the emerging futurist movement as a performer under the name The Normal which released a one-off single Warm Leatherette. Although the single did not chart, it became a cult favorite and has been covered by many artists since its release, including Grace Jones, Duran Duran and Nine Inch Nails.

The sounds of synthesizers came to dominate the pop music of the early 1980s as well as replacing disco in dance clubs in Europe. Other successful synthpop artists of this era included Soft Cell, Depeche Mode, Yazoo, Heaven 17, Japan, Eurythmics, and Tears For Fears (though the latter two would branch out into a wider rock/pop sound). Real Life, Camouflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

In early synthpop the synthesizer stood out and the music sounded eerie, sterile and slightly menacing. By the mid 1980's the technology had improved to the point that synthpop acts used the instrument to create a sound that resembled many instruments and allowed mainstream rock and pop acts to incorporate the synthesizer into their sound. At this point the synthesizer did not stand out and the differences between synthpop and mainstream music started to decrease. According to music writer Simon Reynolds the hallmark of original synthpop was its "emotional, at times operatic singers" such as Mark Almond, Alison Moyet and Annie Lennox.

In the United States, where synthpop is considered a sub genre of New Wave, the genre became popular in large part due to the cable music channel MTV. Real Life, Camuoflage, Real Life, Modern Talking, Bananarama and others are bands of Synthpop style.

Second wave, 2004 to present
Lights, Canadian synthpop singer who became popular in the late 2000s.
La Roux, British synthpop duo who achieved critical acclaim with their eponymous debut album in 2009.

Synthpop has also begun to re-emerge as some indie artists have incorporated the sound, slowly increasing the popularity of the genre. Some of the bands during the early-to-mid 2000s that helped the development of the genre have included Goldfrapp, The Postal Service, the Junior Boys, The Knife, and particularly The Killers, whose 2004 debut album Hot Fuss achieved widespread popularity and was considered an authentic throwback to 80s synthpop by many. However, their later works have moved away from the genre. LCD Soundsystem is another key artist in synthpop's development during the 21st century. MGMT's debut album Oracular Spectacular, originally released digitally in late 2007, achieved unprecedented success with their lead single "Kids" and has led the way for chart success for other synthpop and indie electronic acts such as Hot Chip, Cut Copy, Lights, Metric, Owl City (number 1 US single), Phoenix, Passion Pit, La Roux, and even the Yeah Yeah Yeahs, who switched to an almost entirely electronic sound for their 2009 album It's Blitz! after being part of the garage rock revival movement earlier in the decade.

Out of all of the original 80s synthpop bands, New Order, Pet Shop Boys, Duran Duran, and particularly Depeche Mode, although nowhere near the peak of their popularity during the '80s and early '90s, are among the only ones that continue to achieve international success.

Data from the Discogs music database. Submit a Release.