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Shades Of Rhythm - Homicide / Exorcist - ZTT - Techno

Shades Of Rhythm - Homicide / Exorcist - ZTT - Techno
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Track Listing

A Homicide (Remix) (4:38)
B Exorcist (5:02)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Shades Of Rhythm
Title Homicide / Exorcist
Label ZTT
Catalogue ZANG 13
Format Vinyl 7 Inch
Released 1991
Genre Techno

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Other Titles by Shades Of Rhythm

Dance Among StrangersPsycho BaseSweet Revival (Keep It Comin)Extacy EPExtacy EP RemixGetting AwayGetting AwayPsycho BasePsycho BasePsycho BasePsycho BaseThe Wandering Dragon E.P.The Wandering Dragon E.P.Wandering Dragon Pt III The ReturnExtacy EP


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the ZTT Label

Frankie Goes To Hollywood808 StateSealThe Art Of NoiseMC Tunes & 808 StateSexusMC TunesRhythm Inc.Public DemandLeilaniMC Tunes vs 808 StateTom JonesNovecentoAdamski's ThingAll Saints 1.9.7.5.DoveHonkyDavid's Daughters808 State & BjörkPropagandaMax L.a.z.y.Nasty Rox Inc.Sun Electric & Inga HumpeShane MacGowan And The PopesHoodlum PriestRhythm Inc. & Nevada Andrew PoppyGrace JonesHeights Of AbrahamFlood, TheArt Of Noise, TheTara808 State & UB40808 State & Bjork

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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