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R+S Project - Underground Turbulence - DAT Recordings - US Techno

R+S Project - Underground Turbulence - DAT Recordings - US Techno
Price £8.00

Track Listing

A Untitled
B1 Untitled
B2 Untitled

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist R+S Project
Title Underground Turbulence
Label DAT Recordings
Catalogue DA-T 60
Format Vinyl 12 Inch
Released 1993
Genre US Techno

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Other Titles by R+S Project

Underground Turbulence


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Inner CityModel 500SysexMobyNeedle DamageOne On OneRhythmaticRYUDave ClarkeHard HatsParis Grey & Kevin SaundersonReese Project, TheAphroheadMike WadeRobert ArmaniAdam XLeftfieldTech-Master 3JMD 2MacalusoSharon Dee Clarkecv313Mateo MurphyDJ Steve LeeDJ Marcello & Derrick MaySunrise SocietyMarkeyThis Is WarTwilight BG Prince Of RapKeynotesPlaylandExit 100DJ DanSoul DestroyazSatoshi TomiieMario PiùBlow Monkeys, TheDJ RushSyamese

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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