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S1000 - Not Gonna Do It (Remix) - Deep Distraxion - US Techno

S1000 - Not Gonna Do It (Remix) - Deep Distraxion - US Techno
Price £8.00

Track Listing

A1 Not Gonna Do It (Big Blue Mix)
A2 Not Gonna Do It (Obsessive Mix)
B1 Not Gonna Do It (Blacklodge Mix)
B2 Not Gonna Do It (Bonus Beats)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist S1000
Title Not Gonna Do It (Remix)
Label Deep Distraxion
Catalogue OILY 009R
Format Vinyl 12 Inch
Released 1994
Genre US Techno

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Other Titles by S1000

Not Gonna Do ItFlatlinersFlatliners RevivedFlatliners RevivedLook InsideFlatliners Revived

Some Other Artists in the US Techno Genre

Inner CityModel 500SysexMobyReese Project, TheNeedle DamageOne On OneRhythmaticRYUDave ClarkeHard HatsParis Grey & Kevin SaundersonMarkeyThis Is WarSunrise SocietyTwilight BG Prince Of RapKeynotesR+S ProjectPlaylandExit 100DJ DanSoul DestroyazBlow Monkeys, TheDJ RushSatoshi TomiieMario PiùAphroheadMike WadeAdam XLeftfieldTech-Master 3JMD 2Sharon Dee Clarkecv313MacalusoMateo MurphyDJ Marcello & Derrick MayDJ Steve LeeDavid Hollands & Linus

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Some Other Artists on the Deep Distraxion Label

Tin Tin OutChanelleKirsty AugustineFloorjamS1000 & Danny CampbellHappy Larry's Big Beat OrchestraMonumentalGary GambleMSQHappy Larry's Big Beat OrchestraHappy Larry (Big Beat Orches..)RomePureLife's AddictionSpoonioDreamfactorSweet TeeOXYThee Maddkatt CourtshipBasscult

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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