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Mario Più - Noise Maker Volume 7 - Nukleuz - US Techno

Mario Più - Noise Maker Volume 7 - Nukleuz - US Techno
SALE Price £6.00 £3.00

Track Listing

A1 Techno Harmony (Mas Mix)
Remix - Mas
B1 Library (Library 2 Mix)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Mario Più
Title Noise Maker Volume 7
Label Nukleuz
Catalogue NUKP 0242
Format Vinyl 12 Inch
Released 2000
Genre US Techno

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Other Titles by Mario Più

Communication (Somebody Answer The Phone)Communication (Somebody Answer The Phone)Communication (Somebody Answer The Phone)Godskitchen: The New Wave Of Tough Italian HouseGreen Day E.P.RoraimaTechno HarmonyTechno HarmonyCommunicationCommunicationCommunication (Somebody Answer The Phone)Godskitchen: The New Wave Of Tough Italian House


Some Other Artists in the US Techno Genre

Inner CityMobyModel 500SysexParis Grey & Kevin SaundersonReese Project, TheNeedle DamageOne On OneRhythmaticRYUDave ClarkeHard HatsDJ Steve LeeDJ Marcello & Derrick MayThis Is WarSunrise SocietyMarkeyR+S ProjectTwilight BG Prince Of RapKeynotesPlaylandExit 100DJ DanSoul DestroyazSatoshi TomiieBlow Monkeys, TheDJ RushAphroheadMike WadeAdam XLeftfieldTech-Master 3JMD 2MacalusoSharon Dee Clarkecv313Mateo MurphyTempestWinx

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Some Other Artists on the Nukleuz Label

Lisa Pin-UpVinylgroover & The Red HedBKMauro PicottoCRWCappellaChampion BurnsTaikoBK & Nick SentienceVinylgroover&The Red HedMario Più & Mauro PicottoAndy FarleyPraga KhanDJ ProfessorBob Burns JnrMegamindFergie & BKElectro HeadzHarry Diamond & David Pannell & Ca-LoOrgan DonorsDarren StylesD'Marr FordGate 1CortinaPavo & ZanyRicky Effe & Gabry FasanoHardbeat & Lisa Pin-UpGee Moore & Es VedraUMM AllstarsNick Sentience & Harry DiamondDiamond GeezersNick RowlandNick SentiencePB 2000Mark RichardsonNexusMark Richardson & Carl Nicholson & James LawsonX ComplexDJ NationClive King & Scott Marten

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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