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Royal House - I Can't Quite Understand - Warlock Records - US Techno

Royal House - I Can't Quite Understand - Warlock Records - US Techno

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Price £7.00

Track Listing

A1 I Can't Quite Understand (Louie's Dub) (5:04)
A2 I Can't Quite Understand (Tunnel Mix) (4:19)
B1 I Can't Quite Understand (Mega Mix) (7:22)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Royal House
Title I Can't Quite Understand
Label Warlock Records
Catalogue WAR-065
Format Vinyl 12 Inch
Released 1989
Genre US Techno

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Party People / Key The PulseA Better WayCan You PartyCan You PartyCan You Party (B-Boy Remix)Can You Party? - The Royal House AlbumGet Funky 2005Party People / Key The PulseYeah BuddyA Better WayCan You PartyCan You PartyCan You PartyCan You PartyCan You Party (B-Boy Remix)

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Inner CityMobySysexModel 500RhythmaticRYUHard HatsDave ClarkeParis Grey & Kevin SaundersonReese Project, TheNeedle DamageOne On OneJMD 2Sharon Dee Clarkecv313Satoshi TomiieDJ Steve LeeDJ Marcello & Derrick MayMarkeySunrise SocietyBG Prince Of RapKeynotesTwilight MacalusoPlaylandMateo MurphyExit 100DJ DanSoul DestroyazDJ RushMario PiùBlow Monkeys, TheAphroheadMike WadeAdam XThis Is WarRobert ArmaniR+S ProjectLeftfieldTech-Master 3

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Some Other Artists on the Warlock Records Label

Joint Venture & PorshaDymondGregg WillisTaken & Helen Bruner55th & Koree BluntThe Soul SnatchersYolanda MillaPump FactoryDimples DMantronixSaxA Guy Called GeraldLongsy DJungle Brothers

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.