Royal House - I Can't Quite Understand - Warlock Records - US Techno
Track ListingA1 I Can't Quite Understand (Louie's Dub) (5:04)
A2 I Can't Quite Understand (Tunnel Mix) (4:19)
B1 I Can't Quite Understand (Mega Mix) (7:22)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
|Title||I Can't Quite Understand|
|Format||Vinyl 12 Inch|
Other Titles by Royal House
• Party People / Key The Pulse • A Better Way • Can You Party • Can You Party • Can You Party (B-Boy Remix) • Can You Party? - The Royal House Album • Get Funky 2005 • Party People / Key The Pulse • Yeah Buddy • A Better Way • Can You Party • Can You Party • Can You Party • Can You Party • Can You Party (B-Boy Remix) •
Some Other Artists in the US Techno Genre• Inner City • Moby • Sysex • Model 500 • Rhythmatic • RYU • Hard Hats • Dave Clarke • Paris Grey & Kevin Saunderson • Reese Project, The • Needle Damage • One On One • JMD 2 • Sharon Dee Clarke • cv313 • Satoshi Tomiie • DJ Steve Lee • DJ Marcello & Derrick May • Markey • Sunrise Society • BG Prince Of Rap • Keynotes • Twilight • Macaluso • Playland • Mateo Murphy • Exit 100 • DJ Dan • Soul Destroyaz • DJ Rush • Mario Più • Blow Monkeys, The • Aphrohead • Mike Wade • Adam X • This Is War • Robert Armani • R+S Project • Leftfield • Tech-Master 3 •
Some Other Artists on the Warlock Records Label• Joint Venture & Porsha • Dymond • Gregg Willis • Taken & Helen Bruner • 55th & Koree Blunt • The Soul Snatchers • Yolanda Milla • Pump Factory • Dimples D • Mantronix • Sax • A Guy Called Gerald • Longsy D • Jungle Brothers •
Information on the US Techno GenreTechno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.