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Frankie Bones - Bonesbreaks Volume 4 - Breakin Bones - US Techno

Frankie Bones - Bonesbreaks Volume 4 - Breakin Bones - US Techno

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Track Listing

A1 Rise Up (Freestyle) (2:01)
A2 Don't Hold Back (4:54)
A3 Let's Bass It (4:25)
A4 The Orchestra (3:41)
A5 A State Of Panic (4:00)
B1 Another Dimension (3:55)
B2 Strings Of Death (3:34)
B3 Playing With My Organ (2:30)
B4 Dance To The Music (2:48)
B5 Energy Breakdown 1 (2:50)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Frankie Bones
Title Bonesbreaks Volume 4
Label Breakin Bones
Catalogue BBR 1000
Format Vinyl 12 Inch
Released 1990
Genre US Techno

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Other Titles by Frankie Bones

Bonesbreaks Volume 3Call It Techno (Remixes)TrapezoidTrapezoidBonesbreaks Volume 1Bone ItBone Up!Bones Breaks Vol 4Bonesbreaks Volume 10Bonesbreaks Volume 2Bonesbreaks Volume 5Call It TechnoFavourite Breaks Volume 1Loony Tunes Vol 2T.B.C.

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Some Other Artists in the US Techno Genre

MobyGreen VelvetUnderground ResistanceAphroheadBlake BaxterCarl CraigEnergizeBoom BoxRhythmaticOctave One & Ann SaundersonToxic TwoRobert ArmaniJeff MillsKenny LarkinThe MartianWoody McBrideAdam XPaperclip PeopleSatoshi TomiieHard HatsSysexConvextionDJ RushMike WadeOne On OneJay DenhamRhythm & SoundE-DancerModel 500SubjectLenny D & Tommy MustoSpeedy JGearwhoreSteve StollF.U.S.E.DJ CrissPsyanceW.F.O.Mike DearbornRhythim is Rhythim

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Some Other Artists on the Breakin Bones Label

BluejeanAnthony AcidBones BreaksEdens Paradise

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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