Format:
Genre:
Year:
Stock Level:
Keywords:
[ reset ]

69 - Lite Music - Planet E - Detroit Techno

69 - Lite Music - Planet E - Detroit Techno

Sample   Listen

Out of Stock

Track Listing

A1 Jam The Box
A2 Desire
B1 My Machines
B2 Microlovr


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist 69
Title Lite Music
Label Planet E
Catalogue PE 69339
Format Vinyl 12 Inch
Released 1994
Genre Detroit Techno

<< Back

Other Titles by 69

Lite Music - Jam The Box reissueJam The Box


Some Other Artists in the Detroit Techno Genre

Omar-SRandom Noise GenerationTheo ParrishSteve PoindexterVenomousModel 500 / MaydayPsyanceJeff MillsJuan AtkinsBottom Feeders, TheInner CityPhase90K.O.T.Fascinating RhythmModel 500cv313Omar-S & Oasis Underground ResistanceKloutVince WatsonRhythim Is RhythimTodd SinesUnderground Resistance & Beat Mechanic, TheDeepChordTerrence ParkerHostile, TheEMB2 The Hard WayVivaceBridgett GraceThe MartiansEsser'ayInnerzone OrchestraMartian 044Sebastien SanDJ BoneSTLScan 7Members Of The HouseB12

More from Detroit Techno >>

Some Other Artists on the Planet E Label

Todd SinesVince WatsonNaomi DanielCommon Factor & John RedmondIbexAlton MillerGood GirlsLCD Soundsystem & Paperclip PeopleMoodymannPaperclip PeopleMartin ButtrichCarl CraigQuadrantGeologyShop & Innerzone OrchestraSebastien SanInnerzone OrchestraPsyche & BFCDesigner MusicGeminiInnerzone Orchestra & Paul RandolphPsycheFlorence & Wladimir M

More from Planet E >>

Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

Data from the Discogs music database. Submit a Release.