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  Artist Title Label Price

Breakbeat Era

Format: Vinyl 12 Inch
Genre: Drum & Bass

Breakbeat Era

A1 Breakbeat Era (Full Length Mix) (5:23)
A2 Breakbeat Era (Original Full Cycle Mix) (6:24)
B Breakbeat Tera (7:34)

XL Recordings

Cat No: XLT 95
Released: 1998

£5.00

Macca

Format: Vinyl 12 Inch
Genre: Drum & Bass

Every Day

Listen

White

Cat No: mk001

£4.00

Breakbeat Era

Format: Vinyl 12 Inch
Genre: Drum & Bass

Breakbeat Era

A1 Breakbeat Era (Full Length Mix) (5:23)
A2 Breakbeat Era (Original Full Cycle Mix) (6:24)
B Breakbeat Tera (7:34)

XL Recordings

Cat No: XLT 95
Released: 1998

£7.00
£3.50

T.C. & Distorted Minds & Heist & Studio 12

Format: Vinyl 12 Inch
Genre: Drum & Bass

Compton / Creeping Dub

A T.C. (2) & Distorted Minds Compton
AA Heist & Studio 12 Creeping Dub

Digital Soundboy Recording Co.

Cat No: SBOY 006
Released: 2006

£7.00

Aquasky

Format: Vinyl 12 Inch
Genre: Drum & Bass

Tranquility, Kauna

X Tranquility
Y Kauna

Moving Shadow

Cat No: 76
Released: 1996

£6.00

808 State

Format: Vinyl 12 Inch
Genre: Drum & Bass

Pacific 808:98 / Cübik:98

A Pacific (Groove Jeep Mix) (8:22)
Remix - Grooverider
B1 Pacific 808:98 (4:13)
B2 Cübik (Monkey Mafia Remix) (6:40)
Remix - Monkey Mafia

ZTT

Cat No: ZTT 98 T
Released: 1998

£14.00
£7.00

Tango

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Last Transmission / Understanding (Total Science Remix)

A The Last Transmission (6:27)
AA Understanding (Total Science Remix) (5:14)

Notch Records

Cat No: NOTCH 001
Released: 2002

£6.00

Big Bud & Intersperse

Format: Vinyl Double 12 Inch
Genre: Drum & Bass

High Times / Blunt / Moonscape / Radiolucent

GLR040
A Big Bud High Times (7:43)
AA Big Bud Blunt (9:01)
GLR041
A Intersperse Moonscape (8:07)
AA Intersperse Radiolucent (9:02)

Good Looking Records

Cat No: GLR040 / GLR041
Released: 2000

£8.00

Sun Electric

Format: Vinyl 12 Inch
Genre: Drum & Bass

Eya

A1 Eya (Pro Plus Mix) (5:31)
A2 Eya (Hardware Mix) (6:02)
B Eya (Cityscape Mix) (9:18)

Apollo

Cat No: APOLLO 31 X
Released: 1997

£8.00

Dylan

Format: Vinyl 12 Inch
Genre: Drum & Bass

Code Breaker / True Force

A Code Breaker
B True Force

Droppin' Science

Cat No: DS 014
Released: 1997

£6.00

DJ Stretch

Format: Vinyl 12 Inch
Genre: Drum & Bass

Massive / 4 Real

A Massive
B 4 Real

Reinforced Records

Cat No: rivet 144
Released: 2000

£6.00

Adam F

Format: Vinyl 12 Inch
Genre: Drum & Bass

Last Dayz (Mickey Finn & L Double Remix)

A Last Dayz (Mickey Finn & L Double Remix)

Listen

Kaos Recordings

Cat No: LAST DAYZ
Released: 2002

£15.00

Dragon Fist

Format: Vinyl 12 Inch
Genre: Drum & Bass

Volume 8 - (Generic Sleeve)

A Dem 2 Ruff
B Double Bass Funk

Kartoons

Cat No: KAR08
Released: 1998

£6.00

Machine Code

Format: Vinyl 12 Inch
Genre: Drum & Bass

The Landscape / Blue Tile Lounge - promo

A The Landscape
AA Blue Tile Lounge

Listen

Protocol

Cat No: PTL 002
Released: 1996

£6.00

E.P.S. & 2-Vibe

Format: Vinyl 12 Inch
Genre: Drum & Bass

Hype The Funk

A Hype The Funk
B Big Time

Urban Takeover

Cat No: URBTAKE3
Released: 1996

£7.00

Page of 277 next >>

Information on the Drum & Bass genre

Drum and bass (commonly abbreviated to D&B or DnB) is a type of electronic dance music which emerged in the mid 1990s. The genre is characterized by fast breakbeats (typically between 160–190 bpm, occasional variation is noted in older compositions), with heavy bass, sub-bass lines, and occasional infra-bass lines. Drum and bass began as an offshoot of the United Kingdom rave scene of the very early 1990s. Over the first decade of its existence, the incorporation of elements from various musical genres led to many permutations in its overall style.

In the late 1980s and early 1990s, a growing nightclub culture gave birth to a new electronic music style called Rave music, which combined regular beats alongside broken, syncopated beats, strong basslines and a faster tempo than that of house music. By 1991, musical tracks made up of only "broken" beats began to be known as "jungle", branching off into a separate musical genre (circa 1991-1992) popular at raves and on pirate radio in urban Britain.

These tracks often combined ragga vocal tracks with broken beats and bass lines. By 1994 jungle began to gain mainstream popularity and fans of the music (known as junglists) became a recognizable part of British youth subculture. After being further developed, the sound took on a very urban, raggamuffin sound, incorporating dancehall ragga-style MC chants, dub basslines, but also increasingly complex, high tempo rapid fire breakbeat percussion. At this time jungle began to be associated with criminals and criminal activity and perhaps as a reaction or perhaps independently of this, producers began to draw away from the ragga style and create what they labeled drum and bass. There is no clear point at which jungle became drum and bass, though most jungle producers continue to produce what they call drum and bass.

As the music style became more polished and sophisticated, it began to shift from pirate to commercial radio and gain widespread acceptance (circa 1995-1997). It also began to split into recognizable subgenres such as jump-up. As a lighter sound of drum and bass began to win over the musical mainstream, many producers continued to work on the other end of the spectrum. This resulted in a series of releases offering a dark, technical sound which drew more influence from techno music and the soundscapes of science fiction and anime films, this subgenre became known as techstep (circa 1997-1998).

Towards the turn of the millennium, the UK garage sound emerged and quickly eclipsed drum and bass in popularity. Drawing a key part of its inspiration from drum and bass, it was commonly believed that UK garage was a replacement of the genre and statements were made to the effect that "drum and bass is dead". However, consistent development of the genre proved otherwise. The appearance of the liquid funk and other subgenres brought a wave of new artists with new ideas and techniques, supporting continual evolution of the genre. Drum and bass is perhaps not well-known as a genre, but makes frequent, unrecognized appearances in the mainstream such as in television commercials, as well as being a major influence for other musical styles and some of its artists (notably Goldie).