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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Hardcore


A1 Inssomniak (7" Mix - Bassline Trax Mix)
B1 Inssomniak (7" Mix - Bassline Trax Mix)
B2 Inssomniak (Dub Version)


Cat No: 12PUMR 005
Released: 1991



Format: Vinyl 12 Inch
Genre: Hardcore


A1 Psikotic
A2 Psi !
B1 Psimusik
B2 Psikology

Perception Records

Cat No: UNI 12
Released: 1991


Altern 8

Format: Vinyl Triple 12 Album
Genre: Hardcore

Full-On Mask Hysteria (Remastered Edition)

A1 E-Vapor-8 (5:27)
A2 Give It To Baby (4:47)
A3 Armageddon (KiNK Remix) (7:32)
B1 Infiltrate 202 (5:31)
B2 Move My Body (4:55)
B3 Activ 8 (Shadow Dancer Remix) (5:23)
C1 Hypnotic St-8 (5:24)
C2 Everybody (2 Bad Mice Remix) (5:50)
C3 First Of May (5:16)
D1 Activ 8 (5:33)
D2 Frequency (Luke Vibert Remix) (5:49)
D3 Brutal 8-E (5:49)
E1 Frequency (5:41)
E2 Real Time Status (4:46)
E3 Re-Indulge (6:10)
F1 Armageddon (5:49)
F2 A D8 With Plezure (6:06)
F3 8’s Revenge (4:29)

Bleech (2)

Released: 2016



Format: Vinyl 12 Inch
Genre: Hardcore

Me Love It / 2 Loud / The Boom

A1 Me Love It
A2 2 Loud
B1 The Boom



Cat No: SD 1
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore

Roobarb & Custard

A Roobarb&Custard (Dr. Trip&Bob Bolts Mix) (5:36)
B1 Roobarb&Custard (Apple Crumble Mix) (5:26)
B2 Bolts Beats (3:58)


Great Asset

Cat No: TABX100
Released: 1991


Omer & Crooks

Format: Vinyl 12 Inch
Genre: Hardcore

The Grand Piano E.P.

A1 Let There Be Love
A2 Time Rock
AA1 Got To Make It
AA2 Let Me Feel It Once More

Strategy Records

Cat No: STRAT 10
Released: 1992


Mental & Dangerous

Format: Vinyl 12 Inch
Genre: Hardcore

Nations , Xtrosy

A1 Nations (Come Hold My Hand)
A2 Nations (Ext. Mix)
B1 Xtrosy (Club Mix)
B2 Xtrosy (Mary Poppins Hardcore Mix)


Cat No: 12RENK T6
Released: 1992


DJ Seduction

Format: Vinyl 12 Inch
Genre: Hardcore

Hardcore Heaven / You And Me

A Hardcore Heaven
B You And Me

Not On Label

Cat No: SEDUCE 001
Released: 1991
Out Of Stock

DJ Splix

Format: Vinyl 12 Inch
Genre: Hardcore


A Parsley (Psychopaths Mix) (5:32)
B Parsley (Strawberry Mix) (6:01)



Cat No: ELIC 5
Released: 1991


PSI Division

Format: Vinyl 12 Inch
Genre: Hardcore

Mindf*ck 2000

a1 Mindf*ck 2000 (Insanity Claws)
a2 Mindf*ck 2000 (Brainbomb Massive)
b1 Mindf*ck 2000 (Elastic Man)
b2 Mindf*ck 2000 (Origin 2000)


Cat No: HW 004
Released: 1991


The Shamen

Format: Vinyl 7 Inch
Genre: Hardcore

Ebeneezer Goode

A Ebeneezer Goode (Beat Edit) (3:50)
B Ebeneezer Goode (Shamen Dub) (2:00)

One Little Indian

Cat No: 78TP7
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore

Bad Attitude 12

This Side
A1 I Can't Stand It
A2 You Held My Hand
Other Side
AA1 Never Been To Belgium (Gotta Rush)
AA2 Oblivion (Head In The Clouds)


Reinforced Records

Cat No: RIVET 1212
Released: 1992


Bass Construction

Format: Vinyl 12 Inch
Genre: Hardcore

The E.P. Part 2

A1 Get On The Move (5:30)
A2 Make Me Feel (3:40)
B1 Too Sexy To Dance (Addicted To Bass) (5:20)
B2 Too Sexy To Dance (5:28)


Cat No: 12 ELIC 6
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore


A1 Nocturne (3 O' Clock Mix) (5:07)
A2 Nocturne (6 O' Clock Mix) (4:38)
B1 Nocturian Victory (Instrumental) (5:08)
B2 Nocturian Victory (9 O' Clock Edit) (4:38)

Emphasis Music

Cat No: 657409 6
Released: 1991


Bass Construction

Format: Vinyl 12 Inch
Genre: Hardcore

The E.P.

A Dance With Power (4:39)
B1 Check How We Jam (5:57)
B2 I Will Love (5:17)


Cat No: 12 ELIC 3
Released: 1991
Out Of Stock
Page of 190 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!

As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.