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  Artist Title Label Price

DJ Seduction

Format: Vinyl 12 Inch
Genre: Hardcore

Bleep Bleep Mash Mash

A Bleep Bleep Mash Mash
AA Smile Bass

C.T. Records

Cat No: CTT26
Released: 1991

£7.50

Unit 3

Format: Vinyl 12 Inch
Genre: Hardcore

We Are Family

A1 We Are Family - We All Into Love (Ragga - Club Mix)
A2 We Are Family - We All Into Unity (Ragga Vocal Club Dub Mix)
B We Are Family (Nuff Respect Tech-Dance Mix)

Arista

Cat No: UNIT 1
Released: 1991

£5.00

Digital Orgasm

Format: Vinyl 12 Inch
Genre: Hardcore

Moog Eruption

A1 Moog Eruption (Guilty Of Love Remix)
A2 Moog Eruption (Drop Ya Goo Mix)
B Moog Eruption (Original Mix)

Dead Dead Good

Cat No: GOOD 17T
Released: 1992

£6.50

Escape

Format: Vinyl 12 Inch
Genre: Hardcore

Tripping On Sunshine / Unknown Element

A Tripping On Sunshine
B Unknown Element

Ruby Red Records

Cat No: LTD 21
Released: 1992

£4.50

Bizarre Inc

Format: Vinyl 12 Inch
Genre: Hardcore

Playing With Knives

A Playing With Knives (Quadrant Mix) (6:46)
B Plutonic (6:22)

Vinyl Solution

Cat No: STORM 38
Released: 1991

£6.50

DJPC

Format: Vinyl 12 Inch
Genre: Hardcore

Inssomniak

A Inssomniak (12" Maxi Version) (Bassline Trax Mix) (5:47)
B1 Inssomniak (7" Mix) (Bassline Trax Mix) (4:07)
B2 Inssomniak (Dub Version) (5:46)

!Hype

Cat No: 12 PUM 005
Released: 1991

£6.00

Alien Factory

Format: Vinyl 12 Inch
Genre: Hardcore

Big Brother (Remixes)

A Big Brother (Mix 1)
B Big Brother (Mix 2)

Generator Records

Cat No: GEN 9110R
Released: 1993

£4.50

David Aihe

Format: Vinyl 12 Inch
Genre: Hardcore

Wild Ravers EP

A1 Wild
A2 Whip Up A Frenzy
AA1 Melody
AA2 Time To Cool Down

D.A.L. Records

Cat No: RRYT 17
Released: 1991
Out Of Stock

Unique 3

Format: Vinyl 12 Inch
Genre: Hardcore

Rhythm Takes Control (Remixes)

A Rhythm Takes Control (M602 Remix)
B1 Rhythm Takes Control
B2 Rhythm Takes Control (Beats And Bass Mix)

Ten Records Ltd. (10 Records)

Cat No: TENR 327
Released: 1990

£7.00

DJ Freshtrax & Ace II & Pressure Zone

Format: Vinyl 12 Inch
Genre: Hardcore

X-O-Cet

De-Groovey Side
A1 Destruction (Dub Zone Mix)
A2 Destruction (War Zone Mix)
Raw-Nrg Side
AA1 X-O-Cet (Troy Anthem Mix)
AA2 X-O-Cet (Troy Armageddon Mix)

Beatfarm Recordings

Cat No: BFR002T
Released: 1990

£6.00

Badman, The

Format: Vinyl 12 Inch
Genre: Hardcore

Magic Style

A1 Magic Style (Aroundabout Mix) (5:58)
A2 Magic Style (Sugar Lump Trip) (4:45)
AA Shape Dancing (Original Mix) (5:53)

City Beat

Cat No: CBE 1259
Released: 1991

£7.00

Badman, The

Format: Vinyl 12 Inch
Genre: Hardcore

Magic Style

A1 Magic Style (Aroundabout Mix) (5:58)
A2 Magic Style (Sugar Lump Trip) (4:45)
AA Shape Dancing (Original Mix) (5:53)

City Beat

Cat No: CBE 1259
Released: 1991

£7.00

Phantom

Format: Vinyl 12 Inch
Genre: Hardcore

The Abyss

A The Abyss (D.J. Gilmo Remix)
B The Abyss (Pseudopod Mix)

Music Man Records

Cat No: MMI 9302
Released: 1992

£7.00

Hackney Hardcore

Format: Vinyl 12 Inch
Genre: Hardcore

Rudie

That Side
A Rudie (Champion Mix)
This Side
AA Rudie (Sub Kick Mix)

Strictly Underground Records

Cat No: STUR 50
Released: 1995

£70.00

Asmo

Format: Vinyl 12 Inch
Genre: Hardcore

Jam The Dance 92

A Jam The Dance 92 (Open Your Heart Mix)
B Jam The Dance 92 (Cool Base Mix)

Tek Records

Cat No: TEKK 11
Released: 1992
Out Of Stock
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Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!


As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.