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  Artist Title Label Price

Output - Juan Atkins

Format: Vinyl 12 Inch
Genre: Hardcore

Reset / Technozone

A Reset
AA Technozone

Kinetix Recordings

Cat No: KINT 3P
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore

Can U Count Suckers / Get Ready

A Can U Count Suckers
B Get Ready

Kinetix Recordings

Cat No: KINT6P
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore

Higher / The Rush

A Higher (5:12)
B The Rush (5:18)

Orbital Records

Cat No: 12 ORBIT P 17
Released: 1992


Mental & Dangerous

Format: Vinyl 12 Inch
Genre: Hardcore

M-A-D EP Vol 1

A1 It Makes Me Feel Free
A2 Free Your Soul
B1 The Dead
B2 Smoke Machine

Mental And Dangerous Records

Cat No: MAD001
Released: 1991


The Anthill Mob

Format: Vinyl 12 Inch
Genre: Hardcore

1, 2, 3 Remixes

This Side
A 1, 2, 3 (Adrian Blunt Remix)
Other Side
B 1, 2, 3 (Richard Kimble Remix)

Underdog Recordings

Cat No: UDAH 001
Released: 1994



Format: Vinyl 12 Inch
Genre: Hardcore

Launch Pad E.P.

A1 Launch Pad
A2 Troubled World (DJ Mercy Remix)
B1 Come & Play (The Moog Remix)
B2 Alive & Kickin

Rising High Records

Cat No: RSN 39
Released: 1992
Out Of Stock


Format: Vinyl Double Album
Genre: Hardcore

Happy Hardcore

A1 Slipmatt Breaking Free (DJSS Rollers Mix) (5:54)
A2 Higher Level (2) Visions Of Light (6:14)
A3 Jack n Phil Don't Beg 4 Love (5:28)
B1 Citadel Of Kaos Ronnie's Revenge (Exclusive Remix) (5:38)
B2 DJ Druid & Vinylgroover Kounter Attack (6:19)
B3 Just Another Artist Rhythm (5:55)
C1 DJ Seduction Drop The Bass (4:51)
C2 Love Nation Positive (6:16)
C3 Luna-C Piano Progression (Special Edition Mix) (6:07)
D1 Fat Controller In Complete Darkness (6:01)
D2 Jimmy J & Cru-L-T Take Me Away (Remix) (7:28)
D3 DJ Red Alert & Mike Slammer Let's Do It (5:28)

Jumpin' & Pumpin'

Cat No: LP TOT 18
Released: 1994


Formula 7

Format: Vinyl 12 Inch
Genre: Hardcore

Better Days E.P.

A Throwback (5:11)
AA1 Betterdays (4:43)
AA2 Religion (5:29)

Quayside Records

Cat No: QUAY*08
Released: 1994



Format: Vinyl Compilation
Genre: Hardcore

Ultimate Hardcore

A1 Rozalla Are You Ready To Fly (Rainbow Edit)
A2 The Prodigy Everybody In The Place (Fairground Mix)
A3 Kicks Like A Mule The Bouncer
A4 Altern 8 Frequency (Hallucin-8 Mix)
A5 Shut Up & Dance The Green Man
A6 Nebula II Seance
A7 Mig 29 Mig-29
A8 Dream Frequency Feel So Real
A9 Rhythmatic Nu-Groove (New Groove Mix)
A10 80 Aum Mindcontroller
A11 LFO What Is House
B1 Primal Scream Screamadelica
B2 Cappella Take Me Away
B3 Katherine E Then I Feel Good
B4 Ronny Jordan So What!
B5 Yothu Yindi Treaty (Radio Mix)
B6 Debbie Malone Rescue Me (Crazy About Your Love) (Uplifting Elephants Mix Edit)
B7 Blue Pearl (Can You) Feel The Passion
B8 Overweight Pooch I Like It
B9 Intuition Greed (When Will The World Be Free) (Club Edit)
B10 DJ Reckless Reckless Karnage (Reckless Radio Mix)
B11 The KLF Justified And Ancient (Stand By The Jams)


Cat No: STAR 2561
Released: 1992



Format: Vinyl 12 Inch
Genre: Hardcore

40 Miles / Better Grooves

A 40 Miles (Vocal Version) (5:21)
B1 40 Miles (5:24)
B2 Better Grooves (5:04)

Inner Rhythm

Cat No: heart 01
Released: 1991
Out Of Stock


Format: Coloured Vinyl 12 Inch
Genre: Hardcore

Feeling Rebelious

A Feeling Rebelious (5:46)
B1 Here I Come (6:04)
B2 Storm (5:20)

Special K Muzic

Cat No: SPEK 341
Released: 1993


Omni Trio

Format: Vinyl 12 Inch
Genre: Hardcore

Volume 4 - Rollin' Heights

A1 Rollin' Heights
A2 Thru The Vibe (Bongo Mix)
B1 Nu Grooves '94
B2 Original Soundtrack

Moving Shadow

Cat No: SHADOW 44
Released: 1994



Format: Vinyl 12 Inch
Genre: Hardcore

Watch Out / Media

A Watch Out
B Media

Suicide Records

Cat No: fokus 2
Released: 1994


The Last Crusaders

Format: Vinyl 12 Inch
Genre: Hardcore

Music For The People E.P.

A Positive Reaction
AA1 In Love
AA2 Dark Exploration

Formation Records

Cat No: FORM 12033
Released: 1993
Out Of Stock

Altern 8

Format: Vinyl 12 Inch
Genre: Hardcore

The Vertigo EP / Infiltrate 202

A1 Infiltrate 202 (Altern 8 Vs Astrix & Space Mix) (Sheffields Finest)
remix by Astrix & Space
B1 Give It To Me Baby
B2 Life is A Never Ending Sound


Cat No: NWKTR 24
Released: 1991


Page of 197 next >>

Information on the Hardcore genre

The term Hardcore was coined back in the late 80's by breakbeat pioneers Shut Up and Dance who would create a harder version of their hip hop styled dance tracks on the B side of their records and named them "Hardcore Remix". As you would assume, people preferred the Hardcore version and these would be played in all the nightclubs by top name DJ's. This then caught on by other DJ's and producers and they all started using hardcore breaks in their own material and a new genre was born.

Breakbeat, the very first form of Hardcore Dance Music, came along and was a blend of hip hop breaks which where speeded up and the tracks used synth stabs to create what you would now call your classic rave riff's. The most popular breakbeat used was actually taken from a non-hip hop track called "Amen, Brother" by The Winstons (1969). Breakbeat became a huge hit with ravers in the early 90's, mainly in England and was played by some of the DJ's who are still in the scene today. The biggest name to emerge from the Breakbeat genre has to be The Prodigy. When Breakbeat was started it wasnt well known as breabeat, it was usually called either "Rave","Hardcore" or "Jungle Techno". It wasnt until the whole Happy Hardcore scene broke out that it was then referred to as Breakbeat or OldSkool Rave.

Artists/DJ's: The Prodigy, SL2, Altern 8, Dream Frequency, Liquid, Acen, Krome & Time, DJ Seduction, Micky Finn, Ellis Dee, DJ Phantasy, Slipmatt and Lime

Nice one, Top One, Sorted!

As hardcore continues to grow, each different type of hardcore (each subgenre) begins to attract a larger fan base and more support from producers. As new subgenres grow they can become extremely different than other subgenres that are also referred to as "Hardcore."

Hardcore has also spawned several subgenres and derivative styles including:

* New Beat - Unlike most of its hardcore brethren this music is generally slow (tracks range from 80 bpm to 120 bpm). This made the music sound harder and more sinister, essentially influencing electronic hardcore.
* Old-Skool aka Breakbeat hardcore - This retrospective term is usually reserved for tracks produced in the early 90's, a large period of growth for hardcore. Lots of piano rolls, bouncy basslines, breakbeats, plenty of female vocals and classic "rave" sounds are some of the defining characteristics of this subgenre.
* Happy hardcore is a form of dance music known for its very quick tempo (usually around 165-180 bpm), often coupled with male or female vocals and sentimental lyrics. Popular in the UK, Australia and Spain, amongst other countries. Generally has a large cult following known as "Candy ravers".
* Makina - Fast electronic dance music from Spain, fairly similar to happy hardcore.
* UK hardcore - Modern form of happy hardcore, less childish feel with supersaw leads.
* Freeform hardcore - Hardcore with strong influence of trance, mainly instrumental.
* Hardcore Breaks - Written in the style of old-skool rave music or breakbeat hardcore using modern technology and production techniques.
* Gabber - Most popular in The Netherlands, Germany, Italy and Belgium, characterized by heavy bass drum sound, usually created with distortion, generally 150-220 bpm.
* Doomcore aka Darkcore - Downtempo, characterized by reverb on detuned semi-distorted kicks on eerie synth pads.
* Noisecore aka Industrial hardcore - Hardcore influenced by industrial music, characterized by harsh beats.
* Digital Hardcore - Hardcore Punk influenced Hardcore and Breakcore.
* Breakcore - Uses distorted, fragmented breakbeats and sampling to create a hectic effect.
* Speedcore - With tracks that can range from 250 bpm up to 15000 bpm, often featuring heavy distortion. Not to be confused with Thrashcore or Speed metal. Also named splittercore, when the tempo is around 700 bpm, and extratone, when the tempo exceeds 1000 bpm.
* Terrorcore - refers to more extreme version of 'regular gabber', with a highly aggressive theme, modern tracks using same bass drum sound as nu-style gabber.
* Frenchcore - Originated in the French rave scene of the early 90's. Frenchcore achieved wider recognition in 1998 with the release of Micropoint's first album Neurophonie.
* J-Core - Originated in the mid/late 90's in Japan. Very influenced by Otaku culture and contains many anime samples in songs. Speed is often in excess of 160-180 BPM.