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  Artist Title Label Price

Redhead Kingpin & the F.B.I.

Format: Vinyl 12 Inch
Genre: Hip Hop

Do The Right Thing

A1 Do The Right Thing (12" Mix) (6:20)
A2 Do The Right Thing (U.S. Street Mix) (3:39)
B1 Do The Right Thing (Butcher Mix) (2:25)
B2 Do The Right Thing (Acapella) (2:30)



Cat No: TENX 271
Released: 1989


Public Enemy

Format: Vinyl Album
Genre: Hip Hop

Fear Of A Black Planet new sealed 180g

A1 Contract On The World Love Jam (Instrumental) (1:44)
A2 Brothers Gonna Work It Out (5:05)
A3 911 Is A Joke (3:17)
A4 Incident At 66.6 FM (Instrumental) (1:37)
A5 Welcome To The Terrordome (5:24)
A6 Meet The G That Killed Me (0:44)
A7 Pollywanacraka (3:52)
A8 Anti-Nigger Machine (3:17)
A9 Burn Hollywood Burn (2:46)
A10 Power To The People (4:49)
B1 Who Stole The Soul? (3:52)
B2 Fear Of A Black Planet (3:40)
B3 Revolutionary Generation (5:43)
B4 Can't Do Nuttin' For Ya Man (2:45)
B5 Reggie Jax (1:35)
B6 Leave This Off Your Fu*kin Charts (Instrumental) (2:32)
B7 B Side Wins Again (3:39)
B8 War At 33 1/3 (2:13)
B9 Final Count Of The Collision Betwen Us And The Damned (Instrumental) (0:48)
B10 Fight The Power (4:42)

Def Jam Recordings

Cat No: B0021703-01
Released: 2014



Format: Vinyl 12 Inch
Genre: Hip Hop


A Pharaon Damn (Pharaon Vocal Mix)
Featuring - OutKast
B1 Pharaon Damn (Pharaon Instrumental Mix)
Featuring - OutKast
B2 Wreckin' Crew Found The Groove (Pharaon Reedit)
Remix - Pharaon

Pharaon Records

Cat No: PHAR002
Released: 2005


Dual Control

Format: Vinyl 12 Inch
Genre: Hip Hop

Boogie Down Feature

A1 Boogie Down Feature (3:37)
B1 Time Wasters (4:23)

Grand Central Records

Cat No: GC 143
Released: 2001



Format: Vinyl 12 Inch
Genre: Hip Hop

Best Music

A1 Best Music
A2 Best Music (7-Stu-7 Remix)
A3 Intrigue (DJ Vadim Remix)
B1 Best Music (Instrumental)
B2 Best Music (7-Stu-7 Instrumental)
B3 Intrigue (DJ Vadim Instrumental)


Cat No: MEX 031
Released: 2001


Def Tex

Format: Vinyl 12 Inch
Genre: Hip Hop

Poetic Speech Techniques

A1 Poetic Speech Techniques
A2 Poetic Speech Techniques (Instrumental)
B1 Rare Ride
B2 Yes U Can
B3 In Flight With Delight

Son Records

Cat No: SON 008
Released: 1999


Rok One

Format: Vinyl 12 Inch
Genre: Hip Hop

Certified Superior

A1 Certified Superior (Street)
A2 Certified Superior (Clean)
A3 Certified Superior (Instrumental)
B1 Ninety Degrees A Piece (Street)
B2 Ninety Degrees A Piece (Clean)
B3 Ninety Degrees A Piece (Instrumental)

Fondle 'Em

Cat No: FE-RO1
Released: 1998


Mr. Lee

Format: Vinyl 12 Inch
Genre: Hip Hop

Get Busy

A Get Busy (Club Mix)
B1 Get Busy (Hit Man's House Mix)
B2 Get Busy (Chicago Mix)


Cat No: JIVE T 231
Released: 1989



Format: Vinyl 12 Inch
Genre: Hip Hop

'Son - Year One' Sampler

A1 Styly Cee Here Comes Son
A2 Lost Island Dynamic Duo
A3 Lost Island Dynamic Duo (Instrumental)
B1 UK Kartel F.t.s.
B2 Mad Flow Freestyle
B3 Styly Cee Here Comes Son (Instrumental)

Son Records

Cat No: SON 009 JPN
Released: 1999


Aesop Rock

Format: Vinyl 12 Inch
Genre: Hip Hop


A1 Coma (Dirty)
A2 Coma (Clean)
A3 Coma (Instrumental)
B1 Maintenance (Dirty)
B2 Maintenance (Clean)
B3 Maintenance (Instrumental)

Def Jux

Cat No: DJX09
Released: 2001



Format: Vinyl 12 Inch
Genre: Hip Hop

The Power

A1 The Power (Maxi) (5:42)
A2 The Power (Single Version) (3:45)
B The Power (Dub) (5:24)


Cat No: 613 133
Released: 1990


Sugarhill Gang

Format: Vinyl 12 Inch
Genre: Hip Hop

Rapper's Delight

A Rapper's Delight (Long Version) (15:00)
B Rapper's Delight (Short Version) (6:30)

Sugar Hill Records

Cat No: SHL 101
Released: 1979


Eric B. & Rakim

Format: Vinyl 12 Inch
Genre: Hip Hop

I Know You Got Soul (The Double Trouble Remix)

A I Know You Got Soul (Six Minutes Of Soul - The Double Trouble Remix)
B1 I Know You Got Soul (Original Version)
B2 I Know You Got Soul (Acapella)


Cat No: COOLXR 146
Released: 1988


T La Rock

Format: Vinyl 12 Inch
Genre: Hip Hop

This Beat Kicks (Chad Beat Remix) / Having Fun / Back To Burn

A This Beat Kicks (Chad Beat Remix) (5:05)
B1 Having Fun (3:01)
B2 Back To Burn (Club Version) (6:00)

10 Records

Cat No: TEN T 179 DJ
Released: 1987


Rebel MC

Format: Vinyl 12 Inch
Genre: Hip Hop

Rebel Music (De La Soul Remixes)

A Rebel Music (From The Soul Mix) (5:30)
B1 Rebel Music (From The Heart Mix) (5:27)
B2 Rebel Music (From The Heart Edit) (4:36)

Desire Records

Cat No: WANT X 31 R
Released: 1990


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Information on the Hip Hop genre

Hip hop is a cultural movement incorporating i rockbreakdancing (B-boying), music, graffiti writing, DJing and MCing. It originated in the African American, Jamaican communities of New York City (with the South Bronx as the center) in the late 1970s. It was DJ Afrika Bambaataa that outlined the five pillars of hip-hop culture: MCing, DJing, breaking, graffiti writing, and knowledge. Other elements include beatboxing, hip hop fashion, and slang. Since first emerging in the Bronx, the lifestyle of hip hop culture has spread around the world. When hip hop music began to emerge, it was based around disc jockeys who created rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, which is now more commonly referred to as sampling. This was later accompanied by "rapping" (a rhythmic style of chanting or poetry more formally in 16 bar measures or time frames) and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJs. An original form of dancing and particular styles of dress arose among followers of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.

The relationship between graffiti and hip hop culture arises from the appearance of new and increasingly elaborate and pervasive forms of the practice in areas where other elements of hip hop were evolving as art forms, with a heavy overlap between those who wrote graffiti and those who practiced other elements of the culture.

Jamaican born DJ Clive "Kool Herc" Campbell is credited as being highly influential in the pioneering stage of hip hop music, in the Bronx, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting – or boasting impromptu poetry and sayings over music – which he witnessed as a youth in Jamaica.

Herc and other DJs would tap into the power lines to connect their equipment and perform at venues such as public basketball courts and at 1520 Sedgwick Avenue, Bronx, New York, a historic building "where hip hop was born". Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Nile Rodgers of Chic to such an event, as the main backing track used was the break from Chic's Good Times.
Kool DJ Herc is credited as being highly influential in the pioneering stage of hip hop music.

Herc, along with Grandmaster Flash was also the developer of break-beat deejaying, where the breaks of funk songs—the part most suited to dance, usually percussion-based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment now known as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.

Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy Jay refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".

Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighborhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light-hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.[citation needed] Melle Mel, a rapper/lyricist with The Furious Five, is often credited with being the first rap lyricist to call himself an "MC".

In the late 1970s an underground urban movement known as "hip-hop" began to develop in the South Bronx area of New York City. Encompassing graffiti art, break dancing, rap music, and fashion, hip-hop became the dominant cultural movement of the African American and Hispanic communities in the 1980s. Tagging, rapping, and break dancing were all artistic variations on the male competition and one-upmanship of street gangs. Sensing that gang members' often violent urges could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc.

Hip hop as a culture was further defined in 1982, when Afrika Bambaataa and the Soulsonic Force released the seminal electro-funk track "Planet Rock". Instead of simply rapping over disco beats, Bambaataa created an electronic sound, taking advantage of the rapidly improving drum machine, synthesizer technology as well as sampling from Kraftwerk.

The appearance of music videos changed entertainment: they often glorified urban neighborhoods. The music video for "Planet Rock" showcased the subculture of hip hop musicians, graffiti artists, and b-boys/b-girls. Many hip hop-related films were released between 1982 and 1985, among them Wild Style, Beat Street, Krush Groove, Breakin, and the documentary Style Wars. These films expanded the appeal of hip hop beyond the boundaries of New York. By 1985, youth worldwide were embracing the hip hop culture. The hip hop artwork and "slang" of US urban communities quickly found its way to Europe and Asia, as the culture's global appeal took root.

The 1980s also saw many artists make social statements through hip hop. In 1982, Melle Mel and Duke Bootee recorded "The Message" (officially credited to Grandmaster Flash and The Furious Five), a song that foreshadowed the socially conscious statements of Run-DMC's "It's like That" and Public Enemy's "Black Steel in the Hour of Chaos".

During the 1980s, hip hop also embraced the creation of rhythm by using the human body, via the vocal percussion technique of beatboxing. Pioneers such as Doug E. Fresh, Biz Markie and Buffy from the Fat Boys made beats, rhythm, and musical sounds using their mouth, lips, tongue, voice, and other body parts. "Human Beatbox" artists would also sing or imitate turntablism scratching or other instrument sounds.