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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: House

Son Of A Gun

A1 Son Of A Gun (Red Jerry/JX Mix)
A2 Son Of A Gun (C.Y.B. Run Mix)
B1 Son Of A Gun (Alex Party Mix)
B2 Son Of A Gun (A Deeper Cut)

Internal Dance

Cat No: IDX-5
Released: 1994


Laurent Pautrat & Mi K.

Format: Vinyl 12 Inch
Genre: House

Right Now Baby

A Right Now Baby (Murder Mix) (6:58)
B1 Right Now Baby (800 Hz Mix) (6:43)
B2 Right Now Baby (Acapella)

Voices Records

Cat No: Voices 001
Released: 2003


Dan Mela & Louie B

Format: Vinyl 12 Inch
Genre: House

Born To Be A Child

A1 Born To Be A Child (The Afro Full String Mix) (8:01)
A2 Born To Be A Child (Original) (2:20)
B1 Born To Be A Child (Pastaboys & Streetvibes Bangin' Dub) (8:41)


Cat No: MC008
Released: 2001



Format: Vinyl 12 Inch
Genre: House

Some People

A Some People (Waiwan Remix)
B1 Some People
B2 Closer

RF Records

Cat No: RF 121


Tyree Cooper

Format: Vinyl 12 Inch
Genre: House

Turn Up The Bass

A Turn Up The Bass (Super Duper Mix - Parts 1&2) (9:54)
B1 Turn Up The Bass (Fast Eddie Mix) (5:02)
B2 Turn Up The Bass (Julian Jumpin' Perez Mix) (4:55)


Cat No: FFRX 24
Released: 1989


Pauline Henry

Format: Vinyl 12 Inch
Genre: House

Love Hangover

A1 Love Hangover (Tee's Freeze Mix) (6:38)
Remix - Tee*
A2 Love Hangover (The 8AM. Ministry Love Dub) (5:52)
Remix - Tee*
B1 Love Hangover (Joey Negro's Extended Mix) (7:05)
Remix - Joey Negro
B2 Love Hangover (Joey Negro's Love Dub) (6:49)
Remix - Joey Negro

Sony Soho Square

Cat No: 662613 6
Released: 1995


Ian Pooley

Format: Vinyl 12 Inch
Genre: House

Balmes (A Better Life) Vol. 2

A Balmes (A Better Life) (Never Coming Home Remix) (7:04)
B Balmes (A Better Life) (JC's Remix) (8:08)


Cat No: VVR5016610
Released: 2001


The Similou

Format: Vinyl 12 Inch
Genre: House

All This Love

A All This Love (Tonite Only's Fuck Tomorrow Mix)
B1 All This Love (Usual Suspects Get Funktafied Mix)
B2 All This Love (Original Mix)

Hussle Black

Cat No: HUSSYB008
Released: 2006



Format: Vinyl 12 Inch
Genre: House

Dance Train Classics Vinyl 23

A1 Shakedown At Night (6:41)
A2 Jon Cutler & E-Man It's Yours (6:17)
B Hatiras & Slarta John Spaced Invader (7:31)


Cat No: 541416 501243
Released: 2004


Sol Brothers

Format: Vinyl 12 Inch
Genre: House

What Would We Do?

A1 What Would We Do? (Sol Brothers New Flava '97 Mix)
A2 What Would We Do? (Rhythm Masters Cuba Dub)
B1 What Would We Do? (Sol Brothers In Da Sol Mix)
B2 What Would We Do? (Rhythm Masters Club Mix)


Cat No: FRSHT56
Released: 1997


Urban Cookie Collective

Format: Vinyl 12 Inch
Genre: House

The Key : The Secret

A1 The Key : The Secret (Glamourously Developed Mix) (6:16)
A2 The Key : The Secret (Regressive Mix) (6:01)
AA1 The Key : The Secret (Kamoflage Club Mix) (6:40)
AA2 The Key : The Secret (Kamoflage Dub) (7:30)

Pulse-8 Records

Cat No: 12 LOSE 48
Released: 1993


Anthony Teasdale & Andy Clarke

Format: Coloured Vinyl 12 Inch
Genre: House

Enlightened House Music

A1 Anthony Teasdale Future Perfect
A2 Anthony Teasdale Seka's Theme
B1 Andy Clarke Powerdive
B2 Andy Clarke Resonator

High Spirits

Cat No: HS-1
Out Of Stock

Jo Ann Jones

Format: Vinyl 12 Inch
Genre: House

Share My Joy

A Share My Joy
B1 Share My Joy (Dub)
B2 Share My Joy (7" Mix)


Cat No: CHAMP 12-81
Released: 1988


DJ Vitamin D & DJ Nique

Format: Vinyl 12 Inch
Genre: House

We Like It Raw

A1 We Like It Raw
B1 Lost In The Beat

Special Needs Recordings

Cat No: NEEDS010
Released: 2002


Express Of Sound

Format: Vinyl 12 Inch
Genre: House

Real Vibration

A1 Real Vibration (Real Club Mix) (7:10)
A2 Real Vibration (Dub Version) (4:59)
B1 Bass Power (Bass Club Mix) (5:46)
B2 Bass Power (Bass Dub Mix) (5:46)

Mantra Vibes

Cat No: MTR-2017
Released: 1996


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.