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  Artist Title Label Price

Mac Zimms

Format: Vinyl 12 Inch
Genre: House

Feel What I'm Feeling

A1 Feel What I'm Feeling (Steve Thomas Mix)
B1 Feel What I'm Feeling (Mark 'Kulak Franklin' Mix)
B2 Feel What I'm Feeling (Club Mix)

Tripoli Trax

Cat No: TTRAX 045
Released: 1999

£7.00
£3.50

Midi Rain

Format: Vinyl 12 Inch
Genre: House

Eyes

A Eyes (Depth Charge Mix)
B Eyes (Bizarre Inc Mix)

Vinyl Solution

Cat No: STORM 31
Released: 1991

£7.00

Charm

Format: Vinyl 12 Inch
Genre: House

Brand New Day

A1 Brand New Day (Arctic Mix)
A2 Brand New Day (Anniversary Mix)
B1 Brand New Day (Astro Mix)
Remix - Motorcade
B2 Brand New Day (Kingsize Mix)
Remix - Motorcade

Monster Sounds

Cat No: MONS 001
Released: 1996

£6.00
£3.00

Amira

Format: Vinyl 12 Inch
Genre: House

Walk

A Walk (Klubhead Vocal)
B Walk (Klubhead Dub)

Slip 'n' Slide

Cat No: SLIP 037
Released: 1996

£6.00
£3.00

Nikita Warren

Format: Vinyl 12 Inch
Genre: House

I Need You (Remix)

A1 I Need You (Christian Hype Mix) (4:51)
Remix - Christian Hornbostel
A2 I Need You (Mr. Marvin Goes To Paul Mix) (4:48)
Remix - Bisiach , Mr. Marvin*
B I Need You (Mauro Goes To Frankie Mix) (5:05)
Remix - Mauro Ferrucci

Atmo

Cat No: ATM 002
Released: 1991

£7.00

Full Moon Entertainment & Lemon8

Format: Vinyl 12 Inch
Genre: House

Outta Sight

A1 Outta Sight (Full Original) (6:05)
A2 Outta Sight (8 Mix) (5:04)
B1 Three Ring Circus (Full 8 Mix) (6:30)
B2 Control (Gotta Have It) (8 Edit) (7:09)

Listen

Basic Beat Recordings

Cat No: BASIC 221-5
Released: 1993

£6.00

Johnny Deep

Format: Vinyl 12 Inch
Genre: House

What's Up

A Club
AA Dub

White Label

Cat No: JD1

£6.00

Various

Format: Coloured Vinyl 12 Inch
Genre: House

Razormaid Chapter I.8 - (DISC 2 ONLY)

C1 Moby Dick When The Time Comes
C2 Sylvester Do Ya Wanna Funk ('86 Remix)
D1 David Harrow DNA
D2 Farley "Jackmaster" Funk & Jesse Saunders Love Can't Turn Around

Razormaid Records

Cat No: RM-I-8
Released: 1986

£5.00

Superfunk

Format: Vinyl 12 Inch
Genre: House

The Young MC

A1 The Young MC (Club Extended)
A2 The Young MC (The Valley Strippers Remix)
Featuring - Kamilean Remix, Producer [Additional] - Valley Strippers, The
B The Young MC (Rhythm Masters Remix)
Remix, Producer [Additional] - Rhythm Masters

Virgin France S.A.

Cat No: VISA 8440
Released: 2000

£6.00

Par-T-One vs. INXS

Format: Vinyl 12 Inch
Genre: House

I'm So Crazy

A I'm So Crazy (Original Mix) 8:00
B I'm So Crazy (Medicine Mix) 7:52



Credence

Cat No: 12creddj016
Released: 2001

£6.00

Robert Owens

Format: Vinyl Double 12 Inch
Genre: House

Love Will Find Its Way

A1 Love Will Find its Way (Immortalized Vocal Mix)
B1 Love Will Wind Its Way (Relentless Dub)
C1 Love Will Wind Its Way (Jacky's Flava)
Engineer - Jono Podmore
D1 Love Will Wind Its Way (Pleasure Mix)
Engineer - Dave Pemberton
D2 Love Will Wind Its Way (Self Sampled Edit)
Engineer - Jono Podmore

Musical Directions

Cat No: MD 006 T
Released: 1997

£12.00
£6.00

Full Intention

Format: Vinyl 12 Inch
Genre: House

America (I Love America) Remixes

A1 America (I love America) (DJ Tonka Late Check Out) (6:15)
Remix - DJ Tonka
B1 America (I love America) (Tyree Cooper Mix) (6:40)
Remix - Tyree Cooper
B2 America (I love America) (Damned Another Mix From Tyree Cooper) (6:05)
Remix - Tyree Cooper

Logic Records

Cat No: LOC 195 R
Released: 1996

£7.00

F-Action

Format: Vinyl 12 Inch
Genre: House

Let's Get Closer Baby

A1 Let's
A2 Get
B1 Closer
B2 Baby

Fresh Fruit Records

Cat No: Fruit 017
Released: 1994

£6.00
£3.00

Jestofunk

Format: Vinyl 12 Inch
Genre: House

Happy

A1 Happy (Bob Sinclar's Anthem For Life Remix) (5:45)
Remix - Bob Sinclar
A2 Happy (Bob Sinclar's Anthem For Life Instrumental) (5:45)
Remix - Bob Sinclar
B1 Happy (JFK Vortex Mix) (5:30)
Remix - FBM
B2 Happy (Original Album Mix) (5:25)

Columbia Records

Cat No: COL 667040 1
Released: 1999

£8.00

Stealth Factor

Format: Vinyl 12 Inch
Genre: House

Drop Zone E.P.

A1 Drop Zone (Baleric Mix)
A2 Drop Zone (Deep Stix Mix)
B1 Drop Zone (Suprisingly Different)
B2 Drop Zone (Refreshingly Different)

Not On Label

Cat No: DZ 001

£8.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.