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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: House

Jazz-Funk EP

A1 Shame
A2 Ambush
B1 Another Slice Of Cake
B2 Sweetness

Junior Boy's Own

Cat No: JBO 25
Released: 1994


All Blue

Format: Vinyl Double 12 Inch
Genre: House

Prisoner (Remixes)

A1 Prisoner (Masters At Work Main Mix) (8:06)
A2 Prisoner (Linslee Mix) (5:14)
B1 Prisoner (Ruff Driverz Dub Mix) (6:17)
B2 Prisoner (R'N'G Dub Lick) (5:57)
C1 Prisoner (Jim 'Shaft' Ryan Mix) (7:03)
C2 Prisoner (Ruff Driverz Vocal Mix) (5:49)
D1 Prisoner (R'N'G Vocal Lick) (5:58)
D2 Prisoner (Masters At Work Dub) (7:47)


Cat No: SAM 00116
Released: 1999


Marshall Jefferson

Format: Vinyl 12 Inch
Genre: House

Touch The Sky

A1 Touch The Sky (Original Mix)
A2 Touch The Sky (Xen Mantra Mix)
B1 Touch The Sky (Zeki Lin Mix)
B2 Touch The Sky (Slo-Moshun Mix)

Fifty First Recordings

Cat No: 51R6T
Released: 1996


FPI Project

Format: Vinyl 12 Inch
Genre: House

The Paradiso E.P.

A1 Everybody (All Over The World) (5:15)
A2 Risky (5:15)
AA1 Going Back To My Roots (5:30)
AA2 Rich In Paradise (5:30)

Rumour Records

Cat No: RUMAT 46
Released: 1992


De La Soul

Format: Vinyl 12 Inch
Genre: House

Say No Go

A Say No Go (Say No Dope Mix) (6:15)
B1 Say No Go (House Of Love Mix) (5:55)
B2 They Don't Know That The Soul Don't Go For That ("Potholes" Instrumental) (3:23)

Big Life

Cat No: BLR 10 T
Released: 1989


Happy Clappers

Format: Vinyl 12 Inch
Genre: House

I Believe

A1 I Believe (12" Master) 5:41
A2 I Believe (Notloveland Full On Vocal Mix)
B1 I Believe (Red Jerry Mix) 5:49
B2 I Believe (Tweakin' Mix)


Cat No: SHIN 009TJX
Released: 1995



Format: Vinyl Compilation
Genre: House

February 91 - Two

A1 Source, The You Got The Love (The Devine Inspiration) (7:00)
A2 Off-Shore I Can't Take The Power (Live At The Beach Mix) (6:30)
B1 Nomad (I Wanna Give You) Devotion (6:30)
B2 Ian Lloyd Heavy House (6:50)


Cat No: DMC 97/2
Released: 1991


Mauro Picotto

Format: Vinyl 12 Inch
Genre: House


A1 Pulsar (No Acid Mix) (6:25)
A2 Pulsar (Megamind Mix) (5:53)
B1 Pulsar (Picotto Tea Mix) (7:33)


Cat No: ACA 9903-12
Released: 1999


Global Communication

Format: Vinyl 12 Inch
Genre: House

Maiden Voyage


Cat No: GLOBA 001T


D.N.A.* Featuring Suzanne Vega

Format: Vinyl 12 Inch
Genre: House

Tom's Diner (Remix)

A1 Tom's Diner (Remix)
B1 Tom's Diner (5:20)
B2 Tom's Diner (A Cappella) (2:80)

A Records (UK)

Cat No: AMX 592
Released: 1990


Scott & Leon

Format: Vinyl 12 Inch
Genre: House

You Used To Hold Me (Original / Wide Boys / Amp Mixes)

A1 You Used To Hold Me (Original 12" Mix) (6:20)
A2 You Used To Hold Me (Wideboys Full Vocal Mix) (5:18)
AA1 You Used To Hold Me (Amp Mix) (7:07)
AA2 You Used To Hold Me (Accapella) (1:07)


Cat No: 12 AMPM 137
Released: 2000



Format: Vinyl 12 Inch
Genre: House

She's On The Train

A She's On The Train (The Sound Of Pressure) 7:12
B1 Packet Of Peace (The Jeff Mills Deep House Mix) 3:57
Remix - Jeff Mills
B2 She's On The Train (Electro Under Pressure)


Cat No: TRAIN 1
Released: 1997


Tall Paul

Format: Vinyl 12 Inch
Genre: House


A Freebase (Original Mix)
Co-producer - Larry Lush
B Freebase (Argento Remix)
Remix - Argento

Duty Free Recordings

Cat No: DF 062
Released: 2003


Tony Di Bart

Format: Vinyl 12 Inch
Genre: House

I Live For You

A1 I Live For You (Mistique Plastique Mix) (6:03)
Remix - Mistique Plastique
A2 I Live For You (Doc Phatt's Lo-On Mix) (5:48)
Remix - Doc Phatt
AA I Live For You (Club Train Mix) (7:04)

Purple City

Cat No: 12PCTY102
Released: 2005


Tears For Fears

Format: Vinyl Double 12 Inch
Genre: House

Call Me Mellow (The Tin Tin Out and Mauve Remixes)

A Call Me Mellow (Mauve Club Mix)
Remix - Mauve
B Call Me Mellow (Tin Tin Out Coney Island Dub)
Remix - Tin Tin Out
C Call Me Mellow (Tin Tin Out Coney Island Club Mix)
Remix - Tin Tin Out
D Call Me Mellow (Mauve Dub)
Remix - Mauve

Gut Records

Cat No: PR12GUT70
Released: 2005


Page of 918 next >>

Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.