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  Artist Title Label Price

D Mob & Cathy Dennis

Format: Vinyl 12 Inch
Genre: House


A1 Why? (Monster Club Mix)
A2 Why? (R&B Mix)
B1 Why? (Tee's Club Mix)
B2 Why? (Tee's In-House Dub)


Cat No: FX 227
Released: 1993


Jill Scott & Maxwell

Format: Vinyl 12 Inch
Genre: House

Scott Free / Everwanting : To Want You To Want (Jay-J & Chris Lum Remixes)

A Jill Scott Scott Free (Jay-J & Chris Lum Remix)
B Maxwell Everwanting : To Want You To Want (Jay-J & Chris Lum Remix)

Not On Label (Jill Scott)

Cat No: JAY 1
Released: 2001


Sueño Latino & Valeria Vix

Format: Vinyl 12 Inch
Genre: House

Viciosa (Remix)

A1 Viciosa (Shindig Remix) (7:21)
A2 Viciosa (Shelter Privee Remix) (6:10)
B1 Viciosa (Vix Club Mix) (6:27)
B2 Viciosa (In-Progress Mix) (7:10)

ZYX Music

Cat No: ZYX 8078-12
Released: 1996


CJ Lewis

Format: Vinyl 12 Inch
Genre: House

Everything's Alright (Uptight) / Human Nature

A1 Everything's Alright (Uptight) (Sharma Bass Mix) (4:49)
A2 Everything's Alright (Uptight) (Sharma Bass Version Mix) (4:49)
B1 Human Nature (Sharma Jeep Mix) (4:28)
B2 Human Nature (Sharma Jeep Mix) (4:28)

Black Market International

Cat No: WBMIT 019
Released: 1994



Format: Vinyl 12 Inch
Genre: House

Wildtrax Vol. 3 (Part 1)

A1 Let Me Tell You
A2 Work
AA1 Bring It Down (Remix)
AA2 Yes! This Is My House (Remix)

Loaded Records

Cat No: LOAD10
Released: 1993


Cass & Slide

Format: Vinyl 12 Inch
Genre: House


A Perception (Kinesis Remix) (10:16)
AA Perception (Rogue Audio Remix) (9:53)


Cat No: 12AD 062
Released: 2000



Format: Vinyl 12 Inch
Genre: House

Soul Unit / Keep Me On Fire

A1 Soul Unit
A2 Soul Unit (I:Cube Rhum And Space Mix)
B1 Keep Me On Fire
B2 Soul Full

NEKKO Records

Cat No: NR 003
Released: 1997


Mr. Roy

Format: Vinyl 12 Inch
Genre: House

Something About U (Can't Be Beat)

A1 Something About U (Can't Be Beat) (Mr Roy's Deerstalker Dub)
A2 Something About U (Can't Be Beat) (Eden's Rising Star Mix)
B1 Something About U (Can't Be Beat) (Patrick Prins 'The Search For Sex' Mix)
B2 Something About U (Can't Be Beat) (Strike's Grand Finale Mix)



Cat No: FRSHT33
Released: 1995


Neneh Cherry

Format: Vinyl 12 Inch
Genre: House

Inna City Mama

A1 Inna City Mama (Extended Version) (Completely Re-recorded) (6:28)
A2 The Next Generation (5:10)
B1 Kisses On The Wind (Lovers Hip-Hop Extended Version) (5:06)
B2 So Here I Come (3:09)

Circa Records Ltd.

Cat No: YRT 42
Released: 1989



Format: Vinyl 12 Inch
Genre: House

Avanti! II (Four Track Advance E.P.)

A1 Double FM IIlusion
A2 Dco2 Do What You Feel
B1 F.I.T.Z. Feel The Music
B2 D.H. Pinhas Babaji

Profile Records

Cat No: FILER 424 DJ
Released: 1992


Liz Torres

Format: Vinyl 12 Inch
Genre: House

Set Urself Free (Remixes)

A Set Urself Free (Mixmaster Vocal) (11:26)
B1 Set Urself Free (Mixmaster Dub) (6:48)
B2 Set Urself Free (Markus Dub) (6:51)

Underground Music Department (UMD)

Cat No: UMD 263
Released: 1996



Format: Vinyl 12 Inch
Genre: House

Black Dreams EP

A1 Black Dreams (12" Club Mix)
B1 Black Dreams (King Ting Club Mix)
B2 Black Dreams (Mental Flight Club Mix)

Koch Dance Force (KDF)

Cat No: 336 270
Released: 1997


DJ Fast Eddie

Format: Vinyl 12 Inch
Genre: House

Hip House

A1 Hip House (LP Version)
A2 Hip House (Deep Mix)
B1 I Can Dance (LP Version)
B2 Hip House (Nightmare Mix)

D.J. International Records

Cat No: DJINT 5
Released: 1988


Taylor Dayne

Format: Vinyl 12 Inch
Genre: House

Can't Get Enough Of Your Love

A1 Can't Get Enough Of Your Love (C&C Extended Club Mix I)
A2 Can't Get Enough Of Your Love (C&C Bonus Beats)
B1 Can't Get Enough Of Your Love (C&C Base Dub)
B2 Can't Get Enough Of Your Love (C&C Extended Album Mix)


Cat No: 74321 14785 1
Released: 1993


Black Science Orchestra

Format: Vinyl 12 Inch
Genre: House

The Line (Black Science Magic Sessions Parts 1 & 2)

A The Line (Black Science Magic Session Part 1) (5:51)
B The Line (Black Science Magic Session Part 2) (6:29)

BMG UK & Ireland

Cat No: 74321 51137 1
Released: 1997


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.