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  Artist Title Label Price

Powerhouse &

Format: Vinyl 12 Inch
Genre: House

What You Need

A1 What You Need (Full Intention Power Mix)
AA1 What You Need (Full Intention Power Dub)
AA2 What You Need (Full Intention Dub)



Defected

Cat No: DFECT03

£6.00
£3.00

Karnak

Format: Vinyl 12 Inch
Genre: House

Black Moon / White Rain

A Black Moon
B White Rain

TRIBAL United Kingdom

Cat No: TRIUK 031
Released: 1995

£6.00

Chaka Khan

Format: Vinyl 12 Inch
Genre: House

I Feel For You (Remix)

A I Feel For You (L.A. Mix) (7:56)
B1 I Feel For You (12" Remix) (7:20)
B2 I Know You, I Live You (7" Remix) (4:10)

WEA International Inc., WEA International Inc.

Cat No: W 2764 T, 921 357-0
Released: 1989

£6.00

Itchy & Scratchy

Format: Vinyl 12 Inch
Genre: House

I Want U...

A I Want U... (NRG Mix)
AA I Want U... (Springfield Club Mix)

Spot On

Cat No: seb 007
Released: 1995

£8.00

Mind The Gap

Format: Vinyl 12 Inch
Genre: House

The Gap

A1 The Gap (Dino Lenny & Martinez Gap)
A2 The Gap (Bubu The Gap)
B The Gap (The CocoDeepdub Gap)

Pigeon Pie Productions

Cat No: PPP 007
Released: 1993

£6.00

Together

Format: Vinyl 12 Inch
Genre: House

Hardcore Uproar

A Hardcore Uproar (Original Version) (6:27)
B1 Hardcore Uproar (Radio Edit) (3:45)
B2 Hardcore Uproar (Dub Mix) (3:42)

FFRR

Cat No: FX 143
Released: 1990
Out Of Stock

Paul Johnson

Format: Vinyl 12 Inch
Genre: House

Get Get Down

A Get Get Down (Original Extended Mix) (05:50)
AA Get Get Down (XXX Remix) (05:28)

Vendetta Records

Cat No: VENMX 226 M
Released: 1999

£7.00

All Blue

Format: Vinyl Double 12 Inch
Genre: House

Prisoner (Remixes)

A1 Prisoner (Masters At Work Main Mix) (8:06)
A2 Prisoner (Linslee Mix) (5:14)
B1 Prisoner (Ruff Driverz Dub Mix) (6:17)
B2 Prisoner (R'N'G Dub Lick) (5:57)
C1 Prisoner (Jim 'Shaft' Ryan Mix) (7:03)
C2 Prisoner (Ruff Driverz Vocal Mix) (5:49)
D1 Prisoner (R'N'G Vocal Lick) (5:58)
D2 Prisoner (Masters At Work Dub) (7:47)

WEA

Cat No: SAM 00116
Released: 1999

£7.00

All Blue

Format: Vinyl Double 12 Inch
Genre: House

Prisoner (Remixes)

A1 Prisoner (Masters At Work Main Mix) (8:06)
A2 Prisoner (Linslee Mix) (5:14)
B1 Prisoner (Ruff Driverz Dub Mix) (6:17)
B2 Prisoner (R'N'G Dub Lick) (5:57)
C1 Prisoner (Jim 'Shaft' Ryan Mix) (7:03)
C2 Prisoner (Ruff Driverz Vocal Mix) (5:49)
D1 Prisoner (R'N'G Vocal Lick) (5:58)
D2 Prisoner (Masters At Work Dub) (7:47)

WEA

Cat No: SAM 00116
Released: 1999

£7.00

Negrocan

Format: Vinyl 12 Inch
Genre: House

Cada Vez

A1 Cada Vez (Grant Nelson Vocal Mix)
A2 Cada Vez (Beats)
B1 Cada Vez (Grant Nelson Dub)
B2 Cada Vez (Original Album Version)

Swing City Records

Cat No: CITY 1026
Released: 1999

£6.00

Stella Browne

Format: Vinyl Triple 12 Album
Genre: House

Never Knew Love

A Never Knew Love (Bini & Martini Ocean Mix) (8:22)
Remix - Bini & Martini
B Never Knew Love (10,000 BC's Latin Lover Mix) (8:24)
Remix - 10,000 BC
C Never Knew Love (Original Mix) (6:42)
D Never Knew Love (10,000 BC's Latin Reprise) (6:16)
Remix - 10,000 BC
E Never Knew Love (Hernan Cattaneo Dub Remix) (7:22)
Remix - Hernán Cattáneo
F Never Knew Love (Bini & Martini Ocean Dub) (8:31)
Remix - Bini & Martini

Perfecto

Cat No: PERF026TP
Released: 2001

£12.00
£6.00

Atomic Kitten

Format: Vinyl 12 Inch
Genre: House

Be With You (Milky Remix)

A Be With You (Milky Remix)

Innocent

Cat No: SINTXXDJ42
Released: 2002

£6.00

Charlie Dore

Format: Vinyl Double 12 Inch
Genre: House

Time Goes By

A1 Time Goes By (Souledout Club Mix) (6:52)
A2 Time Goes By (Mike Delgado Mix) (7:28)
B1 Time Goes By (No - Time Visnadi Version) (4:18)
B2 Time Goes By (Music Machine Club Mix) (7:41)
C Time Goes By (Mixmaster Massive Hardbeat) (7:16)
D1 Time Goes By (Mike Delgado Dub Mix) (6:27)
D2 Time Goes By (Lacobucci Dub Mix) (5:43)

Epidrome

Cat No: EPD 664266 6
Released: 1997

£5.50

Shortie

Format: Vinyl Double 12 Inch
Genre: House

Somebody

A Somebody (In The Club Mix) (6:25)
B Somebody (Locomotion Dub) (5:37)
C Somebody (Black Legend Vs J-Reverse Mix - With Crowd) (6:52)
Remix - J Reverse
D Somebody (Long Train Mix) (6:07)
Listen

Eternal Records

Cat No: SAM 00472
Released: 2001

£10.00
£5.00

Daniel Bedingfield

Format: Vinyl 12 Inch
Genre: House

James Dean (I Wanna Know) (ATFC Remixes)

A James Dean (I Wanna Know) (ATFC's Commited Vocal)
B James Dean (I Wanna Know) (ATFC's Sectioned Dub)

Polydor (UK)

Cat No: DB 1
Released: 2002

£6.00
£3.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.