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  Artist Title Label Price

Keith Sweat

Format: Vinyl Album
Genre: House

Make It Last Forever

A1 Something Just Ain't Right (5:22)
A2 Right And A Wrong Way (5:17)
A3 Tell Me It's Me You Want (4:44)
A4 I Want Her (5:58)
B1 Make It Last Forever (4:55)
B2 In The Rain (5:42)
B3 How Deep Is Your Love (4:47)
B4 Don't Stop Your Love (6:12)

Elektra, Elektra

Cat No: 960 763-1, WX 163
Released: 1987


Tears For Fears

Format: Vinyl Double 12 Inch
Genre: House

Call Me Mellow (The Tin Tin Out and Mauve Remixes)

A Call Me Mellow (Mauve Club Mix)
Remix - Mauve
B Call Me Mellow (Tin Tin Out Coney Island Dub)
Remix - Tin Tin Out
C Call Me Mellow (Tin Tin Out Coney Island Club Mix)
Remix - Tin Tin Out
D Call Me Mellow (Mauve Dub)
Remix - Mauve

Gut Records

Cat No: PR12GUT70
Released: 2005


Bob Sinclar

Format: Vinyl 12 Inch
Genre: House

I Feel For You

A1 I Feel For You (Original Club Mix)
A2 I Feel For You (Spiller Vocal Remix)
AA1 I Feel For You (CZR's Peak Hour Vocal Remix)


Cat No: DFECT18
Released: 2000


ATFC & OnePhatDeeva & Lisa Millett

Format: Vinyl 12 Inch
Genre: House

Bad Habit

A1 Bad Habit (ATFC Club Mix)
AA1 Bad Habit (Jose Nunez Club Mix)
AA2 Bad Habit (Spen & Karizma Main Vocal)


Cat No: DFECT19
Released: 2000


DJ Survival Kit

Format: Vinyl 12 Inch
Genre: House


A "Superfly...." (Olav Bosaski's Vocal Mix)
B "Superfly...." (Olav Bosaski's Dub Mix)

Not On Label

Cat No: DUTCH 001


Montano & Trumpet Man

Format: Vinyl 12 Inch
Genre: House

Itza Trumpet Thing

A Itza Trumpet Thing (Original 12")
B Itza Trumpet Thing (Norman Jay's Nu Mexico Mix)

Serious Records

Cat No: SERR010T1
Released: 1998


Jak And Stepper

Format: Vinyl 12 Inch
Genre: House

Bad Shit Tribute

A Bad Shit Tribute
B Jak + Stepper Sandwich (Hold The Mayo)

Evolution / Universal Language Productions Ltd.

Cat No: EVO051
Released: 1996



Format: Vinyl Double 12 Inch
Genre: House

No Worries / Keep The Fire Burning / Various Retro

No Worries
A1 No Worries (Club Mix (Oxford Boys Dub By Robert Aaron & Matrix))
B1 No Worries (Komix (Club Edit Mix))
B2 No Worries (Komix (Dub Mix))
Keep The Fire Burning
C1 Keep The Fire Burning (Graeme Park (Baseroom Throb Mix))
D1 Keep The Fire Burning (Graeme Park (Club Dub Mix))
Various Retro
E1 Release Me (III Mix By James Bratton)
E2 Pull Our Love Together (Komix Club Mix)
F1 Goodbye To Love (MK Mix)
F2 This Time Baby (Komix Club Mix)
F3 Nobody (Komix EZ Club Mix)

First Choice

Cat No: KOMIXT 14
Released: 1994


The Art Of Noise

Format: Vinyl 12 Inch
Genre: House

Mixed Metaforce

A1 Metaforce (The Size Of A Metaphor: Mix By Roni Size) (5:40)
A2 Metaforce (The Sighs Of A Metaphor: Mix By Roni Size) (6:34)
B1 Metaforce (The Beat Of A Metaphor: Mix By Rhythm Masters) (6:53)


Cat No: ztt129t
Released: 1999


Static Revenger

Format: Vinyl 12 Inch
Genre: House

Happy People

A Happy People (Original Version)
B1 Happy People (Chocolate Puma Remix)
B2 Happy People (Dubaholics Hard Dub)


Released: 2001



Format: Vinyl 12 Inch
Genre: House


A Burn (Judge Jules Remix) (6:31)
B Burn (Norman Cook Long Version) (8:30)


Released: 1999



Format: Vinyl 12 Inch
Genre: House

Break 4 Love

A Break 4 Love (Onionz Down With Luv Remix)
B1 Break 4 Love (Future Funk Squad Vocal Remix)
B2 Break 4 Love (Original Mix)


Cat No: CHAMP 12.784
Released: 2002


The Brand New Heavies

Format: Vinyl 12 Inch
Genre: House

Dream On Dreamer

A1 Dream On Dreamer (Morales Extended-UK Version) (8:30)
A2 Dream On Dreamer (Bad Yard Dub Part 1) (6:23)
B1 Dream On Dreamer (T-Empo Club Mix) (7:30)
B2 Dream On Dreamer (T-Empo Dub Mix) (7:30)


Cat No: BNHXR 3
Released: 1994


Amen! UK & Rachel McFarlane

Format: Vinyl Double 12 Inch
Genre: House


A Lover (Messy Boys Mix) (5:56)
B Lover (Dillon & Dickins Amorous Mix) (7:57)

Multiply Records

Cat No: 12SAMPLE5P
Released: 2000


Lenny Kravitz

Format: Vinyl 12 Inch
Genre: House

Fly Away

A Fly Away

Not On Label (Lenny Kravitz)

Cat No: LOVE1
Out Of Stock
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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.