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  Artist Title Label Price

Z Factor

Format: Vinyl 12 Inch
Genre: House

Gotta Keep Pushin'

A1 Gotta Keep Pushin' (Extended Mix)
A2 Gotta Keep Pushin' (Pushin' Percussion)
B Gotta Keep Pushin' (Merlin Christ Mix)

Z Records

Cat No: ZEDD 12 016X
Released: 1996


Annette Taylor

Format: Vinyl 12 Inch
Genre: House

Upside Down

A1 Upside Down (Curtis&Moore's Uptown Groove Mix) (7:27)
A2 Upside Down (Kamasutra Remix Part 1) (5:18)
B1 Upside Down (Curtis&Moore's Downtown Dub Mix) (6:12)
B2 Upside Down (Alex Neri Dub Mix) (7:13)

ZYX Music

Cat No: PROMO 043-12
Released: 1997


Sam Brown

Format: Vinyl 12 Inch
Genre: House


A1 Stop
A2 Poor Frank
B1 Blue Soldier
B2 Bones

A Records (UK)

Cat No: AMY 440
Released: 1988



Format: Vinyl 12 Inch
Genre: House

I.O.U. (Megamix)

A I.O.U. (Megamix)
B1 I Dub U
B2 We Got The Jazz


Beggars Banquet, Beggars Banquet

Cat No: BEG 96(T), BEG 96T
Released: 1983


Harry Diamond & Jim Sullivan

Format: Vinyl 12 Inch
Genre: House

The Brent

A The Brent (Trance Mix) (6:12)
AA The Brent (Disco House Mix) (6:49)

Not On Label

Released: 2003


Franz Ferdinand

Format: Vinyl 12 Inch
Genre: House

Do U Wanna

A Do U Wanna (C64 Remix 1)
B Do U Wanna (C64 Remix 2)

Not On Label (Franz Ferdinand)

Cat No: 12DOUWANNA001



Format: Vinyl 12 Inch
Genre: House


A Bel Amour & The Fog Untitled
B Celeda & Cassius Untitled

Not On Label

Cat No: FRENCH 1
Released: 2001


C-Sixty Four

Format: Vinyl 12 Inch
Genre: House

On A Good Thing

A On A Good Thing (Original 12" Mix)


Cat No: C64DJ



Format: Vinyl 12 Inch
Genre: House

Sexual Guarantee

A Sexual Guarantee (Almighty Remix) (6:51)
B1 Sexual Guarantee (Johan S Vocal Mix) (5:25)
B2 Sexual Guarantee (Fu-Tourist Remix) (5:35)


Cat No: 74321 92025 1
Released: 2002


Reese Project, The

Format: Vinyl 12 Inch
Genre: House

So Deep (Edition Two)

A1 So Deep (CJ Mackintosh FXTC Club Anthem)
A2 Human (Tony Humphries Lunar Dub Mix)
B So Deep (CJ FXTC Dub)

Network Records

Cat No: NWKTR 68
Released: 1993


Melanie Blatt

Format: Vinyl 12 Inch
Genre: House

Do Me Wrong

A Do Me Wrong (Roguetraders Vocal 12") (6:05)
B Do Me Wrong (Roguetraders Dub) (6:47)

London Records

Cat No: SAM00828
Released: 2003


Pound Boys & Thea Austin

Format: Vinyl 12 Inch
Genre: House

Funky Music

A Funky Music (PB Vocal)
B1 Funky Music (PB Dub)
B2 Funky Music (Thea's Funky Mix)

Look At You Records

Cat No: LAY039
Released: 2002


Christina Aguilera & Britney Spears

Format: Vinyl 12 Inch
Genre: House

Dirrty / Slave 4 U

A1 Christina Aguilera Dirrty (Radio Slave Mix) (6:35)
A2 Christina Aguilera Dirrty (Radio Slave Dub) (6:14)
B1 Britney Spears Slave 4 U (Radio Slave Mix) (7:48)
B2 Britney Spears Slave 4 U (Radio Slave Dub) (7:48)

Not On Label (GO Series)

Cat No: GO 02
Released: 2003


Steve Angello & Metallica & Crystal Waters

Format: Vinyl 12 Inch
Genre: House

Metallica Is Dancin / Gypsy Woman (Bootleg Mix)

A Steve Angello & Metallica Metallica Is Dancin
B Crystal Waters Gypsy Woman (Bootleg Mix)

Not On Label

Cat No: MM 01
Released: 2006


Pepper Mashay

Format: Vinyl 12 Inch
Genre: House

Step Into My Life (Full Intention Mixes)

A Step Into My Life (Full Intention Remix)
B Step Into My Life (Full Intention Odyssey Dub)

Azuli Records

Cat No: AZNY 101
Released: 1999


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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.