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  Artist Title Label Price

Neneh Cherry

Format: Vinyl 12 Inch
Genre: House

Inna City Mama

A1 Inna City Mama (Extended Version) (Completely Re-recorded) (6:28)
A2 The Next Generation (5:10)
B1 Kisses On The Wind (Lovers Hip-Hop Extended Version) (5:06)
B2 So Here I Come (3:09)

Circa Records Ltd.

Cat No: YRT 42
Released: 1989

£7.00
£3.50

Dido

Format: Vinyl 12 Inch
Genre: House

Hunter

A Hunter (MJ Cole Remix) (6:12)
Keyboards [Remix] - MJ Cole Remix - MJ Cole
B Hunter (Francois K Remix) (9:12)
Drums [Remix] - Rob Rives Keyboard [Remix] - Eric Kupper Percussion [Remix] - Cyro Baptista Remix - François K*

Cheeky Records

Cat No: CHEEKY007C
Released: 2001

£4.00
£2.00

Africanism

Format: Vinyl 12 Inch
Genre: House

Do It !

A Do It !
B1 Do It ! (Accapella)
B2 Do It ! (Beatapella)

Yellow Productions

Cat No: YP 073
Released: 2000

£7.00
£3.50

Ultra Deep

Format: Vinyl 12 Inch
Genre: House

You Need Some Loving

A1 You Need Some Loving (The Lovin' Club Mix) (7:18)
A2 Melody Madness (Mix 2) (7:20)
B1 Melody Madness (The Melody Club Mix) (8:00)
B2 Melody Madness (The Rascal Mix) (5:33)
Remix - Albert Cabrera

Global Cuts

Cat No: GC 49
Released: 1999

£6.00
£3.00

Alex Gopher

Format: Vinyl 12 Inch
Genre: House

Party People Vol. 1

A1 Party People (Radio Mix)
A2 Party People (Torti's Mix)
B1 Party People (Romanthony's Extended Mix)
B2 Party People (A Capella)

Disques Solid

Cat No: SLD 020 EP1
Released: 1999

£6.00
£3.00

Coldcut

Format: Vinyl 12 Inch
Genre: House

Dreamer

A1 Dreamer (ECU Mix)
Remix - Youth
A2 Dreamer (Dog On A Stick Mix)
A3 Dreamer (ECU Dub Mix)
Remix - Youth
B1 Dreamer (Crazy Swing Mix)
B2 Dreamer (Beats)
B3 Dreamer (Duberation)

Ahead Of Our Time

Cat No: COLDCUT 1
Released: 1993

£7.00
£3.50

U96

Format: Vinyl 12 Inch
Genre: House

Club Bizarre

A1 Club Bizarre (The Candy Girl Mix) (6:10)
Remix - Candy Girls
A2 Club Bizarre (Extended Mix) (6:28)
Remix - Jamie White
A3 Club Bizarre (Club Mix) (5:14)
B1 Club Bizarre (Ken Doh Mix) (6:25)
Remix - Ken Doh
B2 Club Bizarre (Acid Dub Mix) (5:14)
B3 Club Bizarre (Acido Mix) (5:14)

Urban

Cat No: 575 015-1
Released: 1995

£8.00
£4.00

Oval Emotion

Format: Vinyl 12 Inch
Genre: House

Go Go / Lies

A1 Go Go (Killer Club Mix) (5:10)
A2 Go Go (Groovey Mo-Mix) (5:34)
Mixed by - Michael Ova
A3 Go Go (Classic Airwaves Mix) (4:11)
A4 Go Go (Deep Destruction Dub) (3:40)
B1 Lies (Classic Club Mix) (6:02)
B2 Lies (Deadly Intro Pianopella Boom Mix) (2:27)
B3 Lies (Jammin D.J. Dub) (5:34)

Hi-Bias Records Inc.

Cat No: HB-002
Released: 1991

£7.00
£3.50

Kim English

Format: Vinyl 12 Inch
Genre: House

Time For Love

A1 Time For Love (Morales Club Mix)
Remix - David Morales
A2 Time For Love (Original Ten City Mix)
Producer - Ten City
B1 Time For Love (Mollison/Malone Club Mix)
Remix - Richie Malone , Sam Mollison
B2 Time For Love (Morales Dub)
Remix - David Morales

(supplied by Decman)

Hi Life Recordings

Cat No: 12 HI 8

£6.00
£3.00

Dirty Funker

Format: Vinyl 12 Inch
Genre: House

Future

A Future (Vocal Test Mix)
B Future (Nore-Tee Dub)

Listen

Spirit Recordings

Cat No: DF 002
Released: 2002

£8.00
£4.00

Tyree Cooper

Format: Vinyl 12 Inch
Genre: House

Turn Up The Bass

A Turn Up The Bass (Super Duper Mix - Parts 1&2) (9:54)
B1 Turn Up The Bass (Fast Eddie Mix) (5:02)
B2 Turn Up The Bass (Julian Jumpin' Perez Mix) (4:55)

FFRR

Cat No: FFRX 24
Released: 1989

£7.00
£3.50

D.O.P.

Format: Vinyl 12 Inch
Genre: House

Stop Starting To Start Stopping EP

A1 Gusta
A2 Dance To The House
B1 Can You Feel It
B2 How Do Y'all Feel

Hi Life Recordings

Cat No: 577947-1
Released: 1996

£7.00
£3.50

Cosmic People

Format: Vinyl Double 12 Inch
Genre: House

Time To Hold On

A Time To Hold On (Original 12" Mix)
B Time To Hold On (Coswat Dub)
C Time To Hold On (Blue Harvest Mix)
Remix - Blue Harvest
D Time To Hold On (DJ Antoine vs Mad Mark Vocal Mix)
Remix - DJ Antoine vs. Mad Mark

Delirious

Cat No: DELI 18 PROMO
Released: 2000

£10.00
£5.00

Rockmelons, The

Format: Vinyl Double 12 Inch
Genre: House

Stronger Together

A Stronger Together (Paul Gotel Club Mix)
B Stronger Together (Paul Gotel Epic Mix)

Mushroom Records

Cat No: MUSHDJ007

£9.00
£4.50

Lena Fiagbe

Format: Vinyl 12 Inch
Genre: House

Visions / Here We Go Again

A1 Visions
A2 Here We Go Again (Paul Gotel Bumpin' Mix)
B1 Here We Go Again (PG Tips Anthem Mix)
B2 Here We Go Again (Paul Gotel Bumpin' Dub)

Mother Records

Cat No: 12 MUM 53
Released: 1994

£6.00
£3.00

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Information on the House genre

House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.

House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.

House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.

House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.

The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.

The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.

Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.

Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.