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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: Indie


A People (Chris Nagle 12" Remix) (6:12)
B Bendy (Martin Moscrop 12" Remix) (5:24)

MCA Records

Cat No: MCST 1559
Released: 1991


Apache Dropout

Format: Vinyl 12 Inch
Genre: Indie

Silence 'Hey Dopey'

A Silence 'Hey Dopey'
B Silence Instrumental

Sugarshack Records

Cat No: FOD 023
Released: 2001



Format: Vinyl 12 Inch
Genre: Indie

We Need Freedom (D.J. Professor's Remixes)

A We Need Freedom (Francis’ Extended Remix) (5:30)
B1 We Need Freedom (Free Style) (4:55)
B2 We Need Freedom (Jazzy Max Mix) (4:10)

Baia Degli Angeli

Cat No: BDA 005
Released: 1991


The Origin

Format: Vinyl 12 Inch
Genre: Indie

Growing Old

A Growing Old
B1 Ride
B2 Growing Old (Live)

Hut Recordings

Cat No: HUTT 2
Released: 1990


Lick (4)

Format: Vinyl 10 Inch
Genre: Indie

Stand Up!

A1 Stand Up! (3:28)
B1 Shirtlifter (1:46)
B2 Stargazer (3:13)

Ferocious Records

Cat No: YZ 956TEX
Released: 1995


My First Uzi

Format: Vinyl 10 Inch
Genre: Indie

Black Milky Bar Kid

A1 Black Milky Bar Kid
A2 Slo & Crazy
B1 Melting Galaxy Dub Kid
B2 No Flake Mix

Fluffy Bunny Records

Cat No: FLUFF 9


Fort Lauderdale

Format: Vinyl 10 Inch
Genre: Indie

Flux 1912

A1 Flux 1912
B1 Obbey Osse
B2 Beauty

Memphis Industries

Cat No: MI020F
Released: 2002


China Drum

Format: Vinyl 10 Inch
Genre: Indie

Fall Into Place

A1 Fall Into Place
A2 Simple (Original Version)
B1 Cloud 9 (Original Version)
B2 Great Fire (Live)

Mantra Recordings

Released: 1995



Format: Vinyl 10 Inch
Genre: Indie

Call Around / You Know Too Much

A Call Around (2:53)
AA You Know Too Much (2:35)


Cat No: MONO T 3
Released: 1996


Aztec Camera

Format: Vinyl Album
Genre: Indie

High Land, Hard Rain

A1 Oblivious (3:05)
A2 The Boy Wonders (3:10)
A3 Walk Out To Winter (3:20)
A4 The Bugle Sounds Again (2:50)
A5 We Could Send Letters (5:40)
B1 Pillar To Post (3:55)
B2 Release (3:38)
B3 Lost Outside The Tunnel (3:35)
B4 Back On Board (4:50)
B5 Down The Dip (2:10)

Rough Trade

Cat No: ROUGH 47
Released: 1983
Out Of Stock


Format: Vinyl 12 Inch
Genre: Indie

Kiss My Mouth

A Kiss My Mouth
B Kiss My Mouth

Play It Again Sam Records

Cat No: BIAS 243 WHITE
Released: 1993


The Housemartins

Format: Vinyl 12 Inch
Genre: Indie

Caravan Of Love

A1 Caravan Of Love (3:40)
A2 We Shall Not Be Moved (2:42)
B1 When I First Met Jesus (2:46)
B2 So Much In Love (2:06)
B3 Heaven Help Us All (Sermonette) (4:12)

Go! Discs

Cat No: GODX 16
Released: 1986


One Thousand Violins

Format: Vinyl 12 Inch
Genre: Indie

All Aboard The Love-Mobile

A All Aboard The Lovemobile (2:30)
B1 A Place To Surf (4:17)
B2 The Only Time I Got To Rock Was In My Granny's Chair (3:01)

Immaculate Records

Cat No: 12 IMMAC 7
Released: 1988


The Popinjays

Format: Vinyl 12 Inch
Genre: Indie

Too Jung E.P.

A1 Sun
A2 To Jung
B1 Shegrewappy
B2 Vote Elvis (U.S. Mix)

One Little Indian

Cat No: 71TP12
Released: 1992


The Popinjays

Format: Vinyl 12 Inch
Genre: Indie

Monster Mouth

A Monster Mouth
B1 Something About You
B2 Helicopter People (Disco Sex Mix)

One Little Indian

Cat No: 61 TP 12
Released: 1992


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Information on the Indie genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.