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  Artist Title Label Price

Kenny G

Format: Vinyl 12 Inch
Genre: Jazz

What Does It Take (To Win Your Love)

A1 What Does It Take (To Win Your Love) (Extended Remix - With Rap) (6:00)
A2 What Does It Take (To Win Your Love) (Extended Remix - Without Rap) (6:00)
B What Does It Take (To Win Your Love) (Single Version) (4:05)


Cat No: AD1-9517
Released: 1986



Format: Vinyl Double Album
Genre: Jazz

Baz Fe Jazz Presents Jazz Dance 4 - Kicks!

A1 Oscar Brown Jr. Mr Kicks
A2 Mongo Santamaria Green Onions
A3 Bill Doggett Hot Fudge
A4 Gerry Mulligan Capricious
A5 Lambert, Hendricks & Ross Caravan
B1 Miles Davis So What
B2 Nancy Ames Eso Beso
B3 Buddy Greco Fever
B4 Cedar Walton Latin America
C1 Arthur Blythe Down Santiago Way
C2 Oscar Brown Jr. Signifyin' Monkey
C3 Mel Tormé Comin' Home Baby
C4 Herbie Mann Watermelon Man
D1 Dave Pike Why Not
D2 Gerry Mulligan Get Out Of Town
D3 Dave Brubeck Take Five
D4 Mongo Santamaria La Bamba


Cat No: AFFD 180
Released: 1987


Steve Grossman

Format: Vinyl Album
Genre: Jazz


A1 Creepin' (5:26)
A2 Arfonk (5:33)
A3 Pastel 2 (5:23)
A4 The Crunchies (4:33)
B1 Olha Graciela (5:54)
B2 King Tut (8:13)
B3 Katonah (6:39)


Cat No: SD 19230
Released: 1979


Chapter And The Verse

Format: Vinyl 12 Inch
Genre: Jazz

Black Whip

A Black Whip
B Travelling Man: Parts 1&2


Cat No: VRST 1
Released: 1991


Roadside Picnic

Format: Vinyl Album
Genre: Jazz

Roadside Picnic

A1 Morning Song (3:58)
A2 Cairo (6:43)
A3 Kindred Spirit (4:25)
A4 Never Too Late (6:26)
B1 You Get Wet Sleeping In The Park (5:35)
B2 In The Maze (4:35)
B3 A New Canterbury Tale (8:46)
B4 Heart (1:05)


Cat No: PL 74002
Released: 1989


Kennette Lewis

Format: Vinyl 12 Inch
Genre: Jazz


A1 Changes (Club Mix)
A2 Changes (Instrumental)
B1 Changes (Da Groove)
B2 Changes (Kennettapella)


Cat No: JMZ 0001
Released: 1993


Robert Johnson

Format: Vinyl 10 Inch
Genre: Jazz

Robert Johnson

A1 Sweet Home Chicago
A2 Come In My Kitchen
A3 Crossroad Blues
B1 I'm A Steady Rollin' Man
B2 Me And The Devil Blues
B3 Love In Vain Blues

Paris Jazz Corner Productions

Cat No: PJCP222010
Released: 2002
Out Of Stock


Format: Vinyl Album
Genre: Jazz

Look Inside

A1 AC/DC (4:47)
A2 Cravo E Canela (3:44)
A3 One Hundred (2:33)
A4 Sunny Day (4:37)
A5 Making Smiles (3:47)
B1 Bags (6:00)
B2 Look Inside (4:43)
B3 Three Blonde Mice (5:00)
B4 Night Bird (5:50)

Paladin Records

Cat No: PALP001
Released: 1983


Herbie Hancock

Format: Vinyl Album
Genre: Jazz

Head Hunters

A1 Chameleon (15:41)
A2 Watermelon Man (6:29)
B1 Sly (10:18)
B2 Vein Melter (9:10)


Cat No: CBS 65928
Released: 1977


Dodo Marmarosa

Format: Vinyl Album
Genre: Jazz

A Live Dodo

A1 C Jam Blues (4:10)
A2 Be Bop (7:16)
A3 Deep Purple (2:23)
A4 Rose Room (6:47)
B1 How High The Moon (6:15)
B2 Perdido (9:49)
B3 The Great Lie (3:21)

Swing House Records

Cat No: SWH-10



Format: Vinyl 10 Inch
Genre: Jazz

Afro Cuban Jazz Suite

1 Cancion And Mambo
2 Jazz And Rhumba Abierta


Cat No: 33C 9029


Glen Gray

Format: Vinyl Album
Genre: Jazz

Glen Gray And The Casa Loma Orchestra 1934-1941

A1 Chinatown My Chinatown
A2 Nagasaki
A3 Let 'Er Go
A4 Casa Loma Stomp
A5 Song Of India
A6 Drifting Apart
A7 Dear Old Southland
A8 Georgia On My Mind
B1 Come And Get It
B2 No Name Jive, Part 1+2
B3 Soft Winds
B4 Rock Island Flag Stop
B5 When Buddha Smiles
B6 Swing Tonic
B7 Off And On

MCA Coral

Cat No: 0052.044


Bix Beiderbecke

Format: Vinyl Album
Genre: Jazz

Singin' The Blues

A1 Bix Beiderbecke In A Mist (Piano Solo)
A2 Bix Beiderbecke Wringin' And Twistin'
A3 Bix Beiderbecke At The Jazz Band Ball
A4 Bix Beiderbecke Royal Garden Blues
A5 Bix Beiderbecke Jazz Me Blues
A6 Bix Beiderbecke Sorry
A7 Bix Beiderbecke Since My Best Girl Turned Me Down
A8 Bix Beiderbecke Louisiana
B1 Frankie Trumbauer And His Orchestra Clarinet Marmelade
B2 Frankie Trumbauer And His Orchestra Singin' The Blues
B3 Frankie Trumbauer And His Orchestra Ostrich Walk
B4 Frankie Trumbauer And His Orchestra Three Blind Mice
B5 Paul Whiteman And His Orchestra Changes
B6 Paul Whiteman And His Orchestra Lonely Melody
B7 Paul Whiteman And His Orchestra Dardanella
B8 Paul Whiteman And His Orchestra Sugar

Big Band Era

Cat No: 20179
Released: 1985


Howard McGhee & James Moody & Zoot Sims

Format: Vinyl Album
Genre: Jazz

Europa Jazz

A1 Howard McGhee Quintet Bag's Groove (10:17)
A2 Howard McGhee Quintet Someone To Watch Over Me (5:00)
James Moody & The Zoot Sims Quintet Medley (10:10)
B2 James Moody & The Zoot Sims Quintet Tin Tin Deo (5:59)

Europa Jazz

Cat No: EJ-1056
Released: 1982


Johnny Hodges

Format: Vinyl Album
Genre: Jazz

Johnny Hodges Vol.1

A1 Things Ain't What They Used To Be
A2 In A Mellow Tone
A3 Mr. Gentle And Mr. Cool
A4 Sophisticated Lady
B1 Jeep's Blues
B2 All Of Me
B3 Passion Flower
B4 On The Sunny Side Of The Street

Jazz Reactivation

Cat No: JR 107
Released: 1981


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Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, " rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.