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  Artist Title Label Price

Neil Ardley

Format: Vinyl Album
Genre: Jazz

Harmony Of The Spheres

A1 Upstarts All
A2 Leap In The Dark
A3 Glittering Circles
A4 Fair Mirage
B1 Soft Stillness And The Night
B2 Headstrong, Headlong
B3 Towards Tranqility


Cat No: TXS-R 133
Released: 1979


Herbie Hancock

Format: Vinyl Album
Genre: Jazz

Maiden Voyage

A1 Maiden Voyage
A2 The Eye Of The Hurricane
A3 Little One
B1 Survival Of The Fittest
B2 Dolphin Dance

Blue Note

Cat No: BST-84195


James Last

Format: Vinyl Album
Genre: Jazz

Non Stop Dancing '69, Volume 2

Potpourri (4:22)
Potpourri (4:13)
Potpourri (5:10)
Potpourri (3:47)
Potpourri (4:10)
Potpourri (4:22)
Potpourri (4:13)
Potpourri (3:28)
Potpourri (4:17)
Potpourri (5:05)


Cat No: 249 354
Released: 1969



Format: Vinyl Compilation
Genre: Jazz


A1 David Rose & His Orchestra The Stripper (1:50)
A2 The Norrie Paramor Strings Soul Coaxing (2:37)
A3 Acker Bilk & The Stan Tracey Big Brass Stranger On The Shore (2:58)
A4 Pepe Jaramillo And His Latin-American Rhythm Sucu Sucu (2:00)
A5 Franck Pourcel Et Son Grand Orchestre Love Is Blue (L'Amour Est Bleu) (2:57)
A6 Ron Goodwin And His Orchestra Legend Of The Glass Mountain (Theme From Film) (4:43)
B1 Joe Loss & His Orchestra Wheels (2:07)
B2 The Norman Newell Orchestra Live For Life (Vive Pour Vivre) (From The Film) (3:06)
B3 Basil Henriques & The Waikiki Islanders Can't Take My Eyes Off You (3:01)
B4 Ralph Dollimore And His Orchestra The Fool On The Hill (3:26)
B5 Manuel And His Music Of The Mountains A Man And A Woman (Un Homme Et Une Femme) (From The Film) (3:18)
B6 Jack Emblow Ritual Fire Dance (3:44)


Cat No: STWO 2
Released: 1968


Kid Sublime

Format: Vinyl 12 Inch
Genre: Jazz

Tea For Two

A1 Kid Sublime Tea For Two
A2 Kid Sublime Monty
B1 Samuel Pling Young Stars
B2 Samuel Pling Space Professor

Zephon's Mom

Cat No: ZM 003
Released: 2001


Sarah Jane Morris

Format: Vinyl Double Album
Genre: Jazz

Blue Valentine

A1 Closest Thing To Heaven (5:07)
A2 Leaves Around The Door (4:38)
A3 Too Close For Comfort (4:04)
B1 Fragile (6:42)
B2 Butterfly (2:36)
B3 Blue Valentine (4:13)
B4 Me And Mrs. Jones (5:47)
C1 Wake Up Everybody (5:27)
C2 My Day Will Come (5:43)
C3 Up From The Skies (3:50)
D1 Sweet Little Sister (5:27)
D2 T.K.O. (5:00)
D3 Afraid Of The Dark (4:51)
D4 Love Me Like You Used To (5:21)

Irma CasaDiPrimordine

Cat No: IRMA 483800-1
Released: 1996


Maynard Ferguson

Format: Vinyl Album
Genre: Jazz

New Vintage - (Generic Sleeve)

A1 Main Title (From The 20th Century-Fox Film "Star Wars") (4:10)
A2 Oasis (6:27)
A3 Maria (From "West Side Story") (6:25)
B1 El Vuelo (The Flight) (7:14)
B2 Scheherazade (7:00)
B3 Airegin (3:58)


Cat No: S CBS 82282
Released: 1977


David Sanborn

Format: Vinyl Album
Genre: Jazz

A Change Of Heart

A1 Chicago Song (6:26)
A2 Imogene (5:26)
A3 High Roller (4:39)
A4 Tintin (4:05)
B1 Breaking Point (4:26)
B2 A Change Of Heart (5:07)
B3 Summer (5:45)
B4 The Dream (4:58)

Warner Bros. Records

Cat No: 925 479-1
Released: 1987


Jason Rebello & Jocelyn Brown

Format: Vinyl 12 Inch
Genre: Jazz

Permanent Love (G-Club Mix)

A Permanent Love (G-Club Mix) (7:09)
B1 Permanent Love (4:06)
B2 Coral Beads (4:15)


Cat No: 74321 12903-1 DJ
Released: 1993



Format: Vinyl 12 Inch
Genre: Jazz

Jazz Rap Volume One

A Jazz Rap (Vocal Mix) (6:00)
B Jazz Rap (Instrumental Mix) (4:45)

Cargogold Productions

Cat No: CG 1024
Released: 1985


Skatemaster Tate

Format: Vinyl 12 Inch
Genre: Jazz

Justice (To The Bass)

A1 Justice (To The Bass) (Vigilante Mix) (4:09)
Remix - Vigilante (3)
A2 Justice (To The Bass) (Bass Man Rides Again) (3:14)
B1 Justice (To The Bass) (3:10)
B2 Joe's Jam (6:00)
Producer - Dennis Dragon

4th & Broadway

Cat No: 12 BRW 185, 868 119-2
Released: 1990


Power Fun

Format: Vinyl 12 Inch
Genre: Jazz

I Want

A1 I Want (Preat Away Mix) (4:10)
A2 I Want (Club Mix) (5:08)
B1 I Want (Jazzy Club) (5:52)
B2 I Want (N.Y. Street Remix By Frank Mallow) (5:16)
Remix - Frank Mallow

PLM Records

Released: 1993


Steve Weisberg

Format: Vinyl Album
Genre: Jazz

I Can't Stand Another Night Alone (In Bed With You)

A1 I Can't Stand Another Night Alone (In Bed With You)
A2 Table For One
A3 Walking Home Alone
B1 Waking Up Alone
B2 Trapped In True Love
B3 You Can't Have Anything


Cat No: XtraWATT/1
Released: 1986


Dave Brubeck & Paul Desmond

Format: Vinyl Album
Genre: Jazz

St. Louis Blues

A1 St. Louis Blues (5:36)
A2 Nomad (6:08)
A3 Thank You (5:47)
A4 Brandenburg Gate (4:24)
B1 Gone With The Wind (5:10)
2 Lonesome Road (8:16)
3 Blues (4:30)
4 Blue Rondo A La Turk (5:15)

Moon Records

Cat No: MLP 028-1
Released: 1990


Leigh Russell

Format: Vinyl 12 Inch
Genre: Jazz

Ride On The Vibe

A1 Arjuana
A2 Ride On The Vibe (Make It Funky)
AA1 Ride On The Vibe (Make It Funky) - Horndog Mix
AA2 Arjuana (Re-Edit)

Phat Vibes Recordings

Cat No: VIBES 003


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Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, " rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.