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  Artist Title Label Price

Herbie Hancock

Format: Vinyl 12 Inch
Genre: Jazz

Rockit (S-t-r-e-t-c-h-e-d Version)

A Rockit (Long Version) (5:22)
B1 You Bet Your Love (7:37)
B2 I Thought It Was You (8:54)


Cat No: TA 3577
Released: 1983


Jeanette MacDonald And Nelson Eddy

Format: CD Album
Genre: Jazz


1 Ah! Sweet Mystery Of Life
2 Indian Love Call
3 Carry Me Back To Old Virginny
4 Santa Lucia
5 Will You Remember?
6 Senorita
7 Who Are We To Say?
8 Every Lover Must Meet His Fate
9 Sweetheart Waltz
10 Pretty As A Picture
11 The Message Of The Violet/Keep It Dark
12 Little Grey Home In The West
13 Wanting You
14 Marianne
15 Lover Come Back To Me
16 I'll See You Again
17 The Call Of Life
18 What Is Love?
19 Love In Any Language
20 Dear Liti'le Cafe
21 Spring Is Here
22 I Married An Angel

Jasmine Records

Cat No: JASCD 143
Released: 2007



Format: CD Album
Genre: Jazz

Corroded Path

1 Hyperventilation
2 Corroded Path
3 L21
4 Five am
5 Obsessive Behaviour
6 Dial Direct
7 Faked Conversations
8 No Laughing Matter


Cat No: WEN003
Released: 1999


Raymond Scott

Format: CD Album
Genre: Jazz

Toonerville Trolley 1940-1944

1 Theme: Pretty Little Petticoat
2 At An Arabian House Party
3 Bird Seed Special
4 A Million Dreams Ago
5 The Peanut Vendor
6 The Toy Trumpet
7 Christmas Night In Harlem
8 Tiajuana
9 Caterpiller Creep
10 Four Beat Shuffle
11 Eagle Beak
12 When Cootie Left The Duke
13 On The Jersey Side
14 An American In Russia
15 Mocassin Glide
16 Pop Goes The Weasel
17 The Lark Leaped In
18 T'Ain't Me
19 Shoo Shoo Baby
20 People Will Say We're In Love
21 In An 18th Century Drawing Room
22 Toonerville Trolley
23 Two Way Stretch
24 A Lovely Way To Spend An Evening

Jasmine Records

Cat No: JASMCD 2605
Released: 2005


South Frisco Jazz Band

Format: Vinyl Album
Genre: Jazz

These Cats Are Diggin' Us!

A1 SNAKE RAG (J. Oliver) (4:22)
A2 SEE SEE RIDER (M. Rainey-L. Arant) (4:11)
A3 SUNSET CAFE STOMP (P. Venable) (3:42)
A4 THE PEARLS (J.R. Morton) (4:53)
A5 I HAD SOMEONE ELSE (H. Harris-J. Darcey-J. Stanley) (4:25)
B1 KANSAS CITY STOMP (J.R. Morton) (4:08)
B2 MARIE (I. Berlin) (5:17)
B3 PRETTY BABY (T. Jackson-E.V. Alstyne-G. Kahn) (4:59)
B4 MABEL'S DREAM (J. Oliver) (3:52)
B5 MESSIN' AROUND (J. Blythe) (4:10)

Stomp Off Records

Cat No: S.O.S. 1035
Released: 1982


Stan Getz

Format: Vinyl Album
Genre: Jazz


A1 Once (2:45)
A2 I Didn't Know What Time It Was (3:20)
A3 Nica's Dream (3:55)
A4 Little Rio (Un Poco Rio) (2:27)
A5 Keep Me In Your Heart (Chiedilo A Chi Vuoi) (3:55)
B1 Zigeuner Song (3:05)
B2 I Want To Live (2:50)
B3 Where Flamingos Fly (3:03)
B4 Midnight Samba (2:08)
B5 Infinidad (2:10)
B6 Darling Joe (2:44)

Verve Records

Cat No: SVLP 9186
Released: 1967


Herb Alpert

Format: Vinyl 12 Inch
Genre: Jazz

Keep Your Eye On Me

A Keep Your Eye On Me (Extended Version) (5:53)
B Our Song (3:54)


Cat No: USAT 602
Released: 1987


Harry Connick, Jr.

Format: Vinyl Album
Genre: Jazz

When Harry Met Sally...

A1 It Had To Be You (With Big Band And Vocals) (2:39)
A2 Our Love Is Here To Stay (4:12)
A3 Stompin' At The Savoy (4:13)
A4 But Not For Me (4:32)
A5 Winter Wonderland (3:02)
B1 Don't Get Around Much Anymore (4:22)
B2 Autumn In New York (2:48)
B3 I Could Write A Book (2:28)
B4 Let's Call The Whole Thing Off (4:12)
B5 It Had To Be You (Instrumental Trio) (1:43)
B6 Where Or When (3:52)


Cat No: 465753 1
Released: 1989
Out Of Stock

Miles Davis

Format: Vinyl Album
Genre: Jazz

Kind Of Blue

A1 So What (8:56)
A2 Freddie Freeloader (9:32)
A3 Blue In Green (5:27)
B1 Flamenco Sketches (9:32)
B2 All Blues (11:34)


Cat No: DOL725H
Released: 2015


John Coltrane

Format: Vinyl Album Picture Disc
Genre: Jazz

Blue Train

A1 Blue Train
A2 Moment's Notice
B1 Locomotion
B2 I'm Old Fashioned
B3 Lazy Bird


Cat No: DOP8012
Released: 2016


Louis Armstrong

Format: Vinyl Album
Genre: Jazz

Satchmo - What A Wonderful World

A1 What A Wonderful World (2:21)
A2 Moon Indigo (3:19)
A3 His Father Wore Long Hair (2:31)
A4 My One And Only Love (5:11)
A5 Summertime (4:57)
A6 It Ain't Necessarily So (6:33)
A7 On The Sunny Side Of The Street (3:31)
A8 Tyree's Blues (2:45)
B1 Cheek To Cheek (5:52)
B2 Top Hat, White Tie And Tails (4:10)
B3 Can't We Be Friends (3:46)
B4 Short But Sweet (2:41)
B5 Tin Roof Blues (2:58)
B6 The Circle Of Your Arms (2:38)
B7 Uncle Satchmo's Lullaby (2:26)
B8 When The Saints Go Marching In (3:11)

Verve Records

Cat No: 835 895-1
Released: 1988
Out Of Stock

Herb Alpert & The Tijuana Brass

Format: Vinyl Album
Genre: Jazz

Greatest Hits - Sixteen Great Titles

A1 Lonely Bull (El Sorro Torro)
A2 Spanish Flea
A3 So What's New?
A4 If I Were A Rich Man
A5 Up Cherry Street
A6 Marjorine
A7 Wade In The Water
A8 Cabaret
B1 Taste Of Honey
B2 Tijuana Taxi
B3 Hello Dolly
B4 A Banda
B5 Mame
B6 Lollipops & Roses
B7 My Favourite Things
B8 Zorba The Greek

A&M Records

Cat No: AMLS 980


Bob James

Format: Vinyl Album
Genre: Jazz


A1 One Mint Julep (9:03)
A2 Women Of Ireland (7:58)
B1 Westchester Lady (7:23)
B2 Storm King (6:30)
B3 Jamaica Farewell (5:16)

CTI Records

Cat No: CTI 6063
Released: 1976
Out Of Stock

Ella Fitzgerald

Format: Vinyl Album
Genre: Jazz

The Incomparable Ella

A1 The Lady Is A Tramp
A2 Manhattan
A3 The Very Thought Of You
A4 From This Moment On
A5 A Foggy Day In London Town
A6 With A Song In My Heart
A7 Cheek To Cheek
A8 I've Got A Crush On You
B1 I've Got You Under My Skin
B2 Night & Day
B3 Every Time We Say Goodbye
B4 It's Only A Paper Moon
B5 I Get A Kick Out Of You
B6 I Got Rhythm
B7 My Funny Valentine
B8 That Old Black Magic


Cat No: POL TV9
Released: 1980


Brook Benton

Format: Vinyl Album
Genre: Jazz

Brook Benton's Hot Millions Of The 50's & 60's

A1 Fools Rush In (Where Angels Fear To Tread)
A2 Kiddio
A3 Hotel Happiness
A4 Still Waters Run Deep
A5 Shadrack
A6 Think Twice
A7 Frankie And Johnny
A8 A Rockin' Good Way (To Mess Around And Fall In Love)
B1 The Boll Weevil Song
B2 Revenge
B3 Endlessly
B4 Lie To Me
B5 So Many Ways
B6 It's Just A Matter Of Time
B7 Walk On The Wildside
B8 Baby (You've Got What It Takes)
B9 Rainy Night In Georgia


Cat No: 6336 268


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Information on the Jazz genre

Jazz is a music genre that originated at the beginning of the 20th century in African American communities in the Southern United States from a confluence of African and European music traditions. From its early development until the present, jazz has incorporated music from 19th and 20th century American popular music. Its West African pedigree is evident in its use of blue notes, improvisation, polyrhythms, syncopation, and the swung note. However, Art Blakey has been quoted as saying, "No America, no jazz. I’ve seen people try to connect it to other countries, for instance to Africa, but it doesn’t have a thing to do with Africa".

The word "jazz" began as a West Coast slang term of uncertain derivation and was first used to refer to music in Chicago in about 1915. From its beginnings in the early 20th century, Jazz has spawned a variety of subgenres, from New Orleans Dixieland dating from the early 1910s, big band-style swing from the 1930s and 1940s, bebop from the mid-1940s, a variety of Latin jazz fusions such as Afro-Cuban and Brazilian jazz, and free jazz from the 1950s and 1960s, jazz fusion from the 1970s and late 1980s developments such as acid jazz, which blended funk and hip-hop influences into jazz. As the music has spread around the world it has drawn on local national and regional musical cultures, its aesthetics being adapted to its varied environments and giving rise to many distinctive styles.

In the late 1960s and early 1970s the hybrid form of jazz-rock fusion was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, " rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." Miles Davis made the breakthrough into fusion in 1970s with his album Bitches Brew. Musicians who worked with Davis formed the four most influential fusion groups: Weather Report and Mahavishnu Orchestra emerged in 1971 and were soon followed by Return to Forever and The Headhunters. Although jazz purists protested the blend of jazz and rock, some of jazz's significant innovators crossed over from the contemporary hard bop scene into fusion. Jazz fusion music often uses mixed meters, odd time signatures, syncopation, and complex chords and harmonies. In addition to using the electric instruments of rock, such as the electric guitar, electric bass, electric piano, and synthesizer keyboards, fusion also used the powerful amplification, "fuzz" pedals, wah-wah pedals, and other effects used by 1970s-era rock bands. Notable performers of jazz fusion included Miles Davis, keyboardists Joe Zawinul, Chick Corea, Herbie Hancock, vibraphonist Gary Burton, drummer Tony Williams, violinist Jean-Luc Ponty, guitarists Larry Coryell, Al Di Meola, John McLaughlin and Frank Zappa, saxophonist Wayne Shorter, and bassists Jaco Pastorius and Stanley Clarke. Jazz fusion was also popular in Japan where the band Casiopea released over thirty albums praising Jazz Fusion.

Developed by the mid-1970s, jazz-funk is characterized by a strong back beat (groove), electrified sounds, and often, the presence of the first electronic analog synthesizers. The integration of Funk, Soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is indeed quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

At the jazz end of the spectrum, jazz-funk characteristics include a departure from ternary rhythm (near-triplet), i.e. the "swing", to the more danceable and unfamiliar binary rhythm, known as the "groove". Jazz-funk also draws influences from traditional African music, Latin American rhythms, and Jamaican reggae. A second characteristic of Jazz-funk music is the use of electric instruments, and the first use of analogue electronic instruments notably by Herbie Hancock, whose jazz-funk period saw him surrounded on stage or in the studio by several Moog synthesizers. The ARP Odyssey, ARP String Ensemble, and Hohner D6 Clavinet also became popular at the time. A third feature is the shift of proportions between composition and improvisation. Arrangements, melody, and overall writing were heavily emphasized.