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  Artist Title Label Price

The Stranglers

Format: Vinyl Album
Genre: New Wave

The Collection 1977 - 1982

A1 (Get A) Grip (On Yourself) (3:48)
A2 Peaches (4:24)
A3 Hanging Around (4:29)
A4 No More Heroes (3:31)
A5 Duchess (2:36)
A6 Walk On By (6:26)
A7 Waltzinblack (3:42)
B1 Something Better Change (3:36)
B2 Nice 'N' Sleazy (3:26)
B3 Bear Cage (3:00)
B4 Who Wants The World (3:19)
B5 Golden Brown (3:33)
B6 Strange Little Girl (2:48)
B7 La Folie (6:14)


Cat No: LBG 30353
Released: 1982


Joy Division

Format: Vinyl 12 Inch
Genre: New Wave

Unknown Pleasures

A1 Disorder (3:36)
A2 Day Of The Lords (4:43)
A3 Candidate (3:00)
A4 Insight (4:00)
A5 New Dawn Fades (4:47)
B1 She’s Lost Control (3:40)
B2 Shadowplay (3:50)
B3 Wilderness (2:35)
B4 Interzone (2:10)
B5 I Remember Nothing (6:00)

New inc download code


Cat No: FACT 10R
Released: 2015


The Cure

Format: CD Album
Genre: New Wave

Kiss Me Kiss Me Kiss Me

1 The Kiss (6:17)
2 Catch (2:42)
3 Torture (4:13)
4 If Only Tonight We Could Sleep (4:50)
5 Why Can't I Be You? (3:11)
6 How Beautiful You Are (5:09)
7 Snakepit (6:56)
8 Just Like Heaven (3:30)
9 All I Want (5:18)
10 Hot Hot Hot!!! (3:32)
11 One More Time (4:29)
12 Like Cockatoos (3:38)
13 Icing Sugar (3:48)
14 The Perfect Girl (2:33)
15 A Thousand Hours (3:21)
16 Shiver And Shake (3:26)
17 Fight (4:26)


Cat No: 832 130-2
Released: 1987



Format: Vinyl Album
Genre: New Wave

Eat To The Beat

A1 Dreaming (3:02)
A2 The Hardest Part (3:37)
A3 Union City Blue (3:19)
A4 Shayla (3:51)
A5 Eat To The Beat (2:35)
A6 Accidents Never Happen (4:10)
B1 Die Young Stay Pretty (3:27)
B2 Slow Motion (3:25)
B3 Atomic (4:35)
B4 Sound Asleep (4:12)
B5 Victor (3:19)
B6 Living In The Real World (2:38)


Cat No: CDL 1225
Released: 1979


Paul Weller

Format: CD Album
Genre: New Wave

Modern Classics - The Greatest Hits

1 Out Of The Sinking (3:50)
2 Peacock Suit (3:07)
3 Sunflower (4:10)
4 The Weaver (3:44)
5 Wild Wood (3:23)
6 Above The Clouds (3:51)
7 Uh-Huh Oh-Yeh (3:21)
8 Brushed (3:30)
9 The Changingman (3:32)
10 Friday Street (2:20)
11 You Do Something To Me (3:38)
12 Brand New Start (4:07)
13 Hung Up (2:41)
14 Mermaids (3:04)
15 Broken Stones (3:22)
16 Into Tomorrow (3:11)

Island Records

Cat No: 524 558-2
Released: 1998


Altered Images

Format: Vinyl 7 Inch
Genre: New Wave

I Could Be Happy

A I Could Be Happy
B Insects


Cat No: EPC A 11 1834
Released: 1981



Format: Vinyl 7 Inch
Genre: New Wave


A Spirit (3:39)
B Terror Couple Kill Colonel (Recorded Live In Paris) (3:40)

Beggars Banquet

Cat No: BEG 79
Released: 1982
Out Of Stock


Format: Vinyl Double Album
Genre: New Wave

Hits 5

A1 a-ha I've Been Losing You
A2 Bangles Walk Like An Egyptian
A3 Don Johnson Heartbeat
A4 Paul Young Wonderland
A5 Julian Cope World Shut Your Mouth
A6 Bruce Hornsby And The Range The Way It Is
A7 Hollywood Beyond What's The Colour Of Money?
A8 Nick Kamen Each Time You Break My Heart
B1 Paul Simon You Can Call Me Al
B2 Eurythmics Thorn In My Side
B3 The Stranglers Always The Sun
B4 The Pretenders Don't Get Me Wrong
B5 Five Star Rain Or Shine
B6 Dead Or Alive Brand New Lover
B7 Haywoode Roses
B8 The Real Thing Straight To My Heart
C1 Cyndi Lauper True Colours
C2 Boris Gardiner You Are Everything To Me
C3 Rod Stewart Every Beat Of My Heart
C4 Peter Cetera Glory Of Love
C5 George Michael A Different Corner
C6 Shakin' Stevens Because I Love You
C7 Whitney Houston The Greatest Love Of All
C8 Lionel Richie Love Will Conquer All
D1 Red Box For America
D2 The Psychedelic Furs Heartbreak Beat
D3 Prince And The Revolution Anotherloverholenyohead
D4 The The Infected
D5 Frankie Goes To Hollywood Rage Hard
D6 Meat Loaf Rock 'N' Roll Mercenaries
D7 Spandau Ballet Fight For Ourselves
D8 Robert Palmer Addicted To Love

Warner Music

Cat No: HITS 5
Released: 1986
Out Of Stock

Classix Nouveaux

Format: Vinyl 12 Inch
Genre: New Wave

Inside Outside

A Inside Outside (4:06)
B1 Every Home Should Have One (3:16)
B2 We Don't Bite (Come A Little Closer) (3:24)


Cat No: 12BP 403
Released: 1981


Classix Nouveaux

Format: Vinyl 12 Inch
Genre: New Wave

Never Again...

A Never Again (The Days Time Erased) (Long Version) (5:17)
B1 Never Again (The Days Time Erased) (Short Version) (3:50)
B2 627 (2:26)


Cat No: 12BP 406
Released: 1981


Spear Of Destiny

Format: Vinyl Album
Genre: New Wave

One Eyed Jacks

A1 Rainmaker
A2 Young Men
A3 Everything You Ever Wanted
A4 Don't Turn Away
A5 Liberator
B1 Prisoner Of Love
B2 Playground Of The Rich
B3 Forbidden Planet
B4 Attica
B5 These Days Are Gone


Cat No: EPC 25836
Released: 1984
Out Of Stock

Talking Heads

Format: Vinyl 12 Inch
Genre: New Wave

Burning Down The House

A1 Burning Down The House (Album Version)
A2 I Get Wild / Wild Gravity (Cassette Version)
B Moon Rocks (Cassette Version)


Cat No: W 9565 (T)
Released: 1983
Out Of Stock

Tom Tom Club

Format: Vinyl Album
Genre: New Wave

Tom Tom Club

A1 Wordy Rappinghood (6:27)
A2 Genius Of Love (5:34)
A3 Tom Tom Theme (1:25)
A4 L'Elephant (4:50)
B1 As Above, So Below (5:23)
B2 Lorelei (5:05)
B3 On, On, On, On... (3:33)
B4 Booming And Zooming (4:32)

Island Records

Cat No: ILPS 9686
Released: 1981
Out Of Stock

Lene Lovich

Format: Vinyl 12 Inch
Genre: New Wave

It's You, Only You (Mein Schmerz)

A It's You, Only You (Mein Schmerz)
B Blue

Stiff Records

Cat No: BUY 164
Released: 1982
Out Of Stock

Toto Coelo

Format: Vinyl 7 Inch
Genre: New Wave

I Eat Cannibals

A I Eat Cannibals (Part One)
B I Eat Cannibals (Part Two)


Cat No: TIC 10
Released: 1982


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Information on the New Wave genre

New Wave is a genre of music that emerged in the mid to late 1970s alongside punk rock. The term at first generally was synonymous with punk rock before being considered a genre in its own right that incorporated aspects of electronic and experimental music, mod subculture, and disco and 1960s pop music, as well as much of the original punk rock sound and ethos, such as an emphasis on short and punchy songs. The 1990s and 2000s have seen revivals, and a number of acts that have been influenced by a variety of New Wave styles.

The term "New Wave" itself has been a source of much confusion and controversy. It was used in 1976 in the UK by punk fanzines such as Sniffin' Glue, and then by the professional music press. In a November 1976 article in Melody Maker, Caroline Coon used Malcolm McLaren's term "New Wave" to designate music by bands not exactly punk, but related and part of the same musical scene. For a period of time in 1976 and 1977 the two terms were interchangeable. By the end of 1977, "New Wave" had replaced "Punk" as the definition for new underground music in the UK.

In the United States, Sire Records needed a term by which it could market its newly signed bands, who had frequently played the club CBGB. Because radio consultants in the United States had advised their clients that punk rock was a fad, they settled on the term "New Wave". Like those film makers, its new artists, such as the Ramones and Talking Heads, were anti-corporate and experimental. At first most American writers exclusively used the term "New Wave" to describe British punk acts. Starting in December 1976, The New York Rocker, which was suspicious of the term "punk," became the first American journal to enthusiastically use the term starting with British acts, and later appropriating it to acts associated with the CBGB scene.
Talking Heads performing in Toronto in 1978.

Music historian Vernon Joynson states that new wave emerged in the U.K. in late 1976, when many bands began disassociating themselves from punk.[9] Music that followed the anarchic garage band ethos of the Sex Pistols was distinguished as "punk", while music that tended toward experimentation, lyrical complexity, or more polished production, came to be categorized as "New Wave". This came to include musicians who had come to prominence in the British pub rock scene of the mid-1970s, such as Ian Dury, Nick Lowe, Eddie and the Hot Rods and Dr Feelgood; and according to allmusic "angry, intelligent" singer-songwriters who "approached pop music with the sardonic attitude and tense, aggressive energy of punk" such as Elvis Costello, Joe Jackson, and Graham Parker. In the U.S., the first New Wavers were the not-so-punk acts associated with the New York club CBGB, such as Talking Heads, Mink DeVille and Blondie. CBGB owner Hilly Kristal, referring to the first show of the band Television at his club in March 1974, said, "I think of that as the beginning of new wave." Furthermore, many artists who would have originally been classified as punk were also termed New Wave. A 1977 Phonogram Records compilation album of the same name (New Wave) features US artists including the Dead Boys, Ramones, Talking Heads and The Runaways.

Talking Heads set the template for the New Wave sound of this era. This sound represented a break from the smooth-oriented blues and rock & roll sounds of late 1960s to mid 1970s rock music. According to music journalist Simon Reynolds, the music had a twitchy, agitated feel to it. New Wave musicians often played choppy rhythm guitars with fast tempos. Keyboards were common as were stop-and-start song structures and melodies. Reynolds noted that New Wave vocalists sounded high-pitched, geeky and suburban.

Power Pop, a genre that started before punk at the very beginning of the 1970s, became associated with New Wave at the end of the decade because their brief catchy songs fit into the mood of the era. The Romantics, The Records, The Motors, Cheap Trick, and 20/20 were groups that had success playing this style. Helped by the success of the power pop group, The Knack, skinny ties became fashionable among New Wave musicians.

A revival of ska music led by The Specials, Madness and the English Beat added humor and a strong dance beat to New Wave.

Later still, "New Wave" came to imply a less noisy, often synthesizer-based, pop sound. The term post-punk was coined to describe the darker, less pop-influenced groups, such as Gang of Four, Joy Division, The Cure, and Siouxsie and the Banshees, some of which did later adopt synths. Although distinct, punk, New Wave, and post-punk all shared common ground: an energetic reaction to the supposedly overproduced, uninspired popular music of the 1970s.

Allmusic explained that New Wave's stylistic diversity occurred because New Wave "retained the fresh vigor and irreverence of punk music, as well as a fascination with electronics, style, and art". This diversity extended to the numerous one hit wonders that came out of the genre.

The term fell out of favour in the United Kingdom during the early 1980s because its usage had become too general. Conventional wisdom holds that the genre "died" in the middle of the 1980s. Theo Cateforis, Assistant Professor of Music History and Cultures at Syracuse University, contends New Wave "receded" during this period when advances in synthesizer technology caused New Wave groups and mainstream pop and rock groups to sound more alike.