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308 Records Match your Search
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  Artist Title Label Price

Grandmaster Melle Mel & The Furious Five

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Pump Me Up

A Pump Me Up (4:43)
The Megamelle Mix
B1.1 Step Off (4:56)
B1.2 The Message
B1.3 Beat Street
B1.4 New York New York
B1.5 World War III
B1.6 New York New York
B1.7 It's Nasty (Genius Of Love)
B2 Pump Me Up (Instrumental) (4:01)

Sugar Hill Records

Cat No: SHL 141
Released: 1985

£4.50

Paul Hardcastle

Format: Vinyl 12 Inch
Genre: Old Skool Electro

19 (Extended Version)

A 19 (Extended Version) (5:12)
B1 Fly By Night (3:32)
B2 Dolores (3:43)

Chrysalis

Cat No: CHS 12 2860
Released: 1985

£5.50

Ollie And Jerry

Format: Vinyl 7 Inch
Genre: Old Skool Electro

Breakin'...There's No Stopping Us

A Breakin'...There's No Stopping Us
B Breakin'...There's No Stopping Us (Instrumental)

Polydor

Cat No: POSP 690
Released: 1984

£3.50

Harold Faltermeyer

Format: Vinyl 7 Inch
Genre: Old Skool Electro

Axel F

A Axel F (3:00)
B Shoot Out (2:44)

MCA Records

Cat No: MCA 949
Released: 1984

£4.50

Paul Hardcastle

Format: Vinyl 12 Inch
Genre: Old Skool Electro

19 (Extended Version)

A 19 (Extended Version)
B1 Fly By Night
B2 Dolores

Chrysalis

Cat No: CHS 12 2860
Released: 1985

£4.50

The Jonzun Crew

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Space Cowboy

A Space Cowboy (Vocal) (5:35)
B Space Cowboy (Instrumental) (5:35)

21 Records

Cat No: POSPX 623
Released: 1983

£5.50

Beatmaster

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Lipservice

A Lipservice (Vocal) (5:38)
B Lipservice (Instrumental) (4:29)

Tommy Boy

Cat No: 12 IS 187
Released: 1984

£4.50

Arthur Baker And The Backbeat Disciples

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Let There Be Love

A1 Let There Be Love (Dee Love 12" Mix)
B1 Let There Be Love (The End Of The Day Mix)
B2 Let There Be Love (Dee Dub Zone Mix)

Arista

Cat No: 614 421
Released: 1991

£4.50

D.St.

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Crazy Cuts

A Crazy Cuts (Long Version) (8:08)
B Crazy Cuts (Long Dub) (6:50)

Celluloid

Cat No: 12IS146
Released: 1983

£4.50

Harold Faltermeyer

Format: Vinyl 12 Inch
Genre: Old Skool Electro

Axel F (The M & M Mix)

A Axel F (The M & M Mix) (7:00)
B1 Axel F (Extended Version) (7:09)
B2 Shoot Out (2:45)

MCA Records

Cat No: MCAX 949
Released: 1984

£5.00

Malcolm McLaren

Format: Vinyl 7 Inch
Genre: Old Skool Electro

Double Dutch

A Double Dutch
B She's Looking Like A Hobo

Charisma

Cat No: MALC 3
Released: 1983

£4.00

Malcolm McLaren

Format: Vinyl 7 Inch
Genre: Old Skool Electro

Double Dutch

A Double Dutch
B She's Looking Like A Hobo

Charisma

Cat No: MALC 3
Released: 1983

£4.50

Mantronix

Format: Vinyl Double 12 Inch
Genre: Old Skool Electro

Music Madness

A1 Who Is It? (6:05)
A2 We Control The Dice (3:53)
A3 Listen To The Bass Of Get Stupid Fresh Part II (4:22)
A4 Big Band B-Boy (4:40)
B1 Musical Madness (5:23)
B2 Electronic Energy Of... (5:29)
B3 Scream (5:23)
B4 Mega-mix (5:02)
C1 Who Is It? (Freestyle Club Mix) (6:06)
C2 Scream (Primal Scream) (6:27)
D1 Needle To The Groove (Live At The Town And Country Club London)
D2 Ladies (Live At The Town And Country Club London)
D3 Scream (Live At The Town And Country Club London)

10 Records

Cat No: DIXG 50
Released: 1987

£5.50

Mantronix

Format: Vinyl Double 12 Inch
Genre: Old Skool Electro

Who Is It?

A Who Is It? (Dance Mix)
B Who Is It? (Dub Version)
C Ladies (Revived) (6:40)
D Bassline (Stretched) (5:55)

10 Records

Cat No: TEN X 137
Released: 1986

£6.00

Grandmaster Flash & Melle Mel

Format: Vinyl 12 Inch
Genre: Old Skool Electro

White Lines (Don't Don't Do It) (Remix)

A White Lines (Don't Don't Do It) (U.S. Street Mix)
B1 White Lines (Don't Don't Do It) (Instrumental)
B2 White Lines (Don't Don't Do It) (Vocal)

Sugar Hill Records

Cat No: SHL 130
Released: 1984

£5.00

Page of 21 next >>

Information on the Old Skool Electro genre

Old Skool Electro (sometimes called electronic hip hop, electronic rap or robot hip hop) is the fusion of electro, electronica, or techno with hip hop. The electro-hop movement had come about after seeing the underground electro movement on the East Coast gain popularity with artists such as Mantronix, Man Parrish, Jonzun Crew, Newcleus, Planet Patrol etc. The electro sound was pioneered by Kraftwerk and was further developed by Zulu Nation leader and hip-hop godfather Afrika Bambaataa. This style of hip-hop had its huge underground fanbase based primarily in Southern California. An eastern strand of electro was born from DJ Arthur and Diesel D in late 2006. They hold a strong underground following in northern Georgia and eastern Tennessee; it likely developed independently of other influences, such as Crunk and Snap music.

Following the decline of disco music in the late 1970s, various electro-funk artists such as Zapp & Roger began experimenting with talk boxes and the use of heavier, more distinctive beats.

In 1982, Bronx based producer Afrika Bambaataa released the seminal track "Planet Rock", which contained elements of Kraftwerk's Trans-Europe Express and "Numbers" (from Kraftwerk's Computer World album). "Planet Rock" is widely regarded as a turning point in the electro genre.

In 1983, Hashim created the influential electro funk tune "Al-Naafiysh (The Soul)" which became Cutting Record's first release in November 1983. At the time Hashim was influenced by Man Parrish's "Hip Hop, Be Bop", Thomas Dolby's "She Blinded Me With Science" and Afrika Bambaataa's "Planet Rock" . Also in 1983, Herbie Hancock, in collaboration with Grand Mixer D.ST, released the hit single "Rockit".

Bambaataa and groups like Planet Patrol, Jonzun Crew, Mantronix, Newcleus and Juan Atkins' Detroit-based group Cybotron went on to influence the genres of Detroit techno, ghettotech, breakbeat, drum and bass and electroclash. Early producers in the electro genre (notably Arthur Baker, John Robie and Shep Pettibone) featured prominently in the Latin Freestyle (or simply "Freestyle") movement. By the late 1980s, the genre had parted from its initial funk influences. Baker and Pettibone enjoyed robust careers well into the house era, and both eluded the "genre trap" to successfully produce mainstream artists.