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  Artist Title Label Price

The Grid

Format: Vinyl 12 Inch
Genre: Progressive

A Beat Called Love

A A Beat Called Love (A Beat Called Club) (8:56)
B1 A Beat Called Love (7" Mix) (3:40)
B2 A Beat Called Love (A Beat Called Dub) (7:17)

EastWest

Cat No: SAM 691
Released: 1990

£4.50

Secret Life

Format: Vinyl 12 Inch
Genre: Progressive

Love So Strong

A1 Love So Strong (Play Boys Arena Dream)
A2 Love So Strong (House Mix)
B1 Love So Strong (Junior Vocal Mix)
B2 Love So Strong (Junior Style Dub)

Cowboy Records

Cat No: RODEO 18
Released: 1993

£4.50

Gale Dedman

Format: Vinyl 12 Inch
Genre: Progressive

Diabolique

1 Diabolique

Tyke

Cat No: TYKE-2
Released: 1997

£4.50

B.B.E.

Format: Vinyl 12 Inch
Genre: Progressive

Deeper Love

A Deeper Love (Groove Zone Remix)
B Deeper Love (Nalin & Kane Remix)

541

Cat No: 541416 500037
Released: 1998

£4.50

Phat 'N' Phunky

Format: Vinyl 12 Inch
Genre: Progressive

Let's Groove

A1 Let's Groove (747 Club Mix) (6:39)
A2 Let's Groove (Da Boogie Dub) (7:10)
B1 Let's Groove (DJ Supreme Mission Accomplished Remix) (6:04)
B2 Let's Groove (DJ Supreme Mission Accomplished Vocal Remix) (6:15)

Maddog

Cat No: INT 128.172
Released: 1997

£4.50

Santini

Format: Vinyl 10 Inch
Genre: Progressive

Pianosplifico

A Pianosplifico (Cloud 9 MIx)
B Pianosplifico (Feel Good Factor Mix)

Not On Label

Cat No: SPLIFF 1

£6.50

Sam Mollison & Freelance Icebreakers

Format: Vinyl 12 Inch
Genre: Progressive

Dreams (Tilt Remix) / Untitled

A Sam Mollison Dreams (Tilt Remix)
AA Freelance Icebreakers Untitled

Escape Artist

Cat No: ea 1
Released: 1997

£6.50

The Digital Blondes

Format: Vinyl 12 Inch
Genre: Progressive

Antheum '98

A Antheum '98 (Drunken Bass Mix)
B Antheum '98 (Supercharger's Antheum Turner Mix)

Fluid UK

Cat No: Fluk 001
Released: 1998

£4.50

Impulsion

Format: Vinyl 12 Inch
Genre: Progressive

Big Muff π

A1 Big Muff π (9:51)
A2 I Like Remix (6:18)
AA1 Tesko Fever (Can't You Hear It Baby ?) (6:44)
AA1 I Like Musiq (7:12)

Loaded Records

Cat No: LOAD 22
Released: 1995

£4.50

Jean-Phillippe Aviance & Logan Circle

Format: Vinyl 12 Inch
Genre: Progressive

Disco Life (Check Dis' Out)

A1 Disco Life (Check Dis' Out) (Primary Mix) (8:48)
B1 Disco Life (Check Dis' Out) (Sharp Gigolo Remix) (6:41)
B2 Disco Life (Check Dis' Out) (Secondary Mix) (8:22)

Sharp Recordings

Cat No: SHARP 008
Released: 1997

£4.00

Paul van Dyk

Format: Vinyl Double Album
Genre: Progressive

45 RPM

A1 I'm Comin' (To Take You Away) (6:13)
A2 For An Angel (6:22)
B1 Step Right On (7:18)
B2 45 RPM (5:10)
C1 Spannung (High Voltage) (9:17)
C2 A World Full Of DJ's (4:33)
D1 Rushin' (Surgemix) (6:09)
D2 A Magical Moment (6:01)

Deviant Records

Cat No: DVNT25LP
Released: 1998

£12.00

Mozaic

Format: Vinyl 12 Inch
Genre: Progressive

Sing It (The Hallelujah Song)

A1 Sing It (The Hallelujah Song) (Goodfellos Remix) (7:04)
A2 Sing It (The Hallelujah Song) (Sanctified Mix) (5:48)
B1 Sing It (The Hallelujah Song) (Quivvers Dirty Dub) (8:47)
B2 Sing It (The Hallelujah Song) (Radio Edit) (3:41)

Perfecto

Cat No: PERF106T
Released: 1995

£5.00

Mory Kanté

Format: Vinyl 12 Inch
Genre: Progressive

Yeke Yeke ('96 Remixes)

A1 Yeke Yeke (Klubbheads Mega Blast)
B1 Yeke Yeke (Hardfloor Mix)
B2 Yeke Yeke (Hardfloor Dub)

Going Global Series

Cat No: 573 097-1
Released: 1996

£4.50

Trancesetters

Format: Vinyl 12 Inch
Genre: Progressive

The Search

A The Search (Trans Euro X-Press Remix)
B The Search (Dobjam Tonex Mix)

Pukka Records

Cat No: 12PUKKAX8
Released: 1996

£4.00

Olive

Format: Vinyl Double 12 Inch
Genre: Progressive

You're Not Alone

A You're Not Alone (Oakenfold/Osborne Remix)
B1 You're Not Alone (Ganja Kru Remix)
B2 You're Not Alone (Roni Size Remix)
C You're Not Alone (Rollo & Sister Bliss Remix)
D You're Not Alone (Matthew Roberts' Cloud 10 Mix)

RCA

Cat No: 74321473231
Released: 1997

£6.50

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Information on the Progressive genre

Progressive house is a style of house music that is noted for musical progression within melodies and basslines. The term was coined by Mixmag editor Dom Phillips. It has similar elements to both electro-house and trance. It has its origins in Great Britain in the early 1990s, with the output of Guerilla Records and Leftfield's first singles (particularly "Song of Life"). The music itself was produced with the 4-to-4 beat of house music and deeper dub-influenced basslines, with greater emphasis on emotion before structural considerations. Often, it featured elements from many different genres mixed together. Song of Life, for instance, has a trip-hop like down-pitched breakbeat and a high-energy Roland TB-303 riff at various stages.

In 1992, the dance club Renaissance opened in Mansfield where DJs Sasha and John Digweed were instrumental in popularizing its early sound. Other notable Progressive House DJs and producers include: Nathan Fake, James Holden, Dave Seaman, Nick Warren, Jason Jollins, Hernan Cattaneo, Danny Howells, Anthony Pappa, and Deadmau5. Notable active progressive house labels include Baroque Records, Bedrock Records, Renaissance, Audiotherapy, Global Underground and Source of Gravity.

Progressive trance is a popular sub-genre in trance music and contains elements of house, techno, and ambient music. By the late 1990s, trance became more focused on the anthemic qualities and melodies, moving away from arpeggiated analog synth patterns. Acoustic elements and spacey pads became popular with compositions leaned towards incremental changes à la progressive structures. Progressive trance contains distinctive sounds in many tracks, such as unusual basslines or original synthesized sounds, which generally makes it more "catchy". Phrases are usually a power of two number of bars in most typical progressive trance tracks. Phrases usually begin with the introduction of a new or different melody or rhythm.

Compared to trance, the progressive wing is usually deeper and more abstract, featuring a lower average bpm (around 125-135 instead of 130-160) and a recurrent melodic structure. This structure is intuitively described as consisting of three major structural elements: build-up; breakdown ; climax. These three structural elements are expressed either temporally or in their intensity, if not both. A 'build-up' sequence can sometimes last up to 3 or even 4 minutes. Subtle incremental/decremental acoustic variations (i.e., gradual addition/subtraction of instruments) anticipate the transition to each subsequent structural element of the track. The initial build-up and the final break-down are generally very similar, adding a feel of symmetry to the general structure of the melody. Furthermore, a progressive trance track is usually longer than a regular trance track, ranging in length from 5-6 to even 12–13 minutes.

Although there is a general and increasing tendency to associate progressive trance with progressive house (or vice-versa), virtually rendering these two sub-genres identical, there are however distinctive characteristics apart from the strong similitudes between them: progressive trance inherits from its parent genre (trance) a wider melodic flexibility, while progressive house is usually darker and more minimal.

Some of the most representative names that currently work in this sub-genre are Laurent Veronnez, Sasha, Mike Dierickx, Matt Darey, Vibrasphere, Armin van Buuren, Brian Transeau (aka BT), Christopher Lawrence and more recently, Markus Schulz.