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  Artist Title Label Price

Bob Marley & The Wailers

Format: Vinyl Album
Genre: Reggae


A1 Natural Mystic (3:31)
A2 So Much Things To Say (3:08)
A3 Guiltiness (3:20)
A4 The Heathen (2:32)
A5 Exodus (7:35)
B1 Jamming (3:31)
B2 Waiting In Vain (4:16)
B3 Turn Your Lights Down Low (3:40)
B4 Three Little Birds (3:03)
B5 One Love / People Get Ready (2:51)

New inc download code

Island Records

Cat No: 6025477276223
Released: 2015


Carroll Thompson

Format: Vinyl 12 Inch
Genre: Reggae

Love Without Passion

A1 Love Without Passion
A2 Ready Or Not
B1 Tonite


Cat No: VS 933-12 DJ
Released: 1987


Mikey General

Format: Vinyl Album
Genre: Reggae

Spiritual Revolution

A1 H.I.M. Sons And Daughters
A2 Jah Inna Mi Head
A3 Spiritual Revolution
A4 Red Hot
A5 Wisdom
A6 Not For The Natty
B1 Love Is What We Need
B2 Queen With A Mind
B3 Know Who You Are
B4 Shower You With Love
B5 Fire Never Cease
B6 Too Much Revolution
B7 Wash Dem Away


Cat No: RBUKLP003
Released: 2000



Format: Vinyl Album
Genre: Reggae

Great Controversy

A1 Road Block (3:37)
A2 Call On Yaweh (3:39)
A3 Great Controversy (4:12)
A4 Legalise It (3:48)
A5 Are You Ready? (3:48)
A6 Empress Love (4:47)
B1 Why? (3:57)
B2 Patiently (3:49)
B3 Have Faith (3:51)
B4 Rivers Of Babylon (4:41)
B5 Free The World (4:19)
B6 Bandits (4:13)

Jet Star Records

Cat No: JSLP 1011
Released: 2001


Reggie Stepper

Format: Vinyl 12 Inch
Genre: Reggae

Little Miss / Good Love

A Reggie Stepper Little Miss
B Chevelle Franklin Good Love

Steely & Clevie

Cat No: SCT 23
Released: 1990



Format: Vinyl 12 Inch
Genre: Reggae

Looking For A Love

A1 Looking For A Love (Soul)
A2 Looking For A Love (Reggae)
B1 Looking For A Love (One Drop)
B2 Looking For A Love (Ragga)

1st Bass

Cat No: RUFF 12
Released: 1991


Lakiesha Berri

Format: Vinyl 12 Inch
Genre: Reggae

Like This & Like That

A Lakiesha Berri Like This & Like That (Extended Vocal Mix)
B Lakiesha Berri & Papa Levi Like This & Like That (Funkshun Dancehall Flava)


Released: 1997


Scratchylusus feat Junior 'Kisco' Chin

Format: Vinyl 12 Inch
Genre: Reggae

She's Mine

A1 She's Mine
A2 She's Mine Dub
AA1 She's Mine Club Mix

EZ Records



Format: Vinyl 12 Inch
Genre: Reggae

Celebration/Baby De True/ Body & Soul

A1 Celebration
A2 Baby De True
B1 Body & Soul
B2 Body & Soul

White Label


Peligro & Fuego

Format: Vinyl 12 Inch
Genre: Reggae

Peligro / Fuego

A1 Peligro Peligro (Main)
A2 Peligro Peligro (Clean)
A3 Fuego (5) Fuego (Main)
B1 Fuego (5) Fuego (Clean)
B2 Fuego (5) Fuego (Instrumental)
B3 Peligro Peligro (Instrumental)

Townz Soundz

Cat No: PEL 0001


Papa Reu & YZ & Gemini

Format: Vinyl 12 Inch
Genre: Reggae

Hold On

A1 Hold On (Radio Edit) (3:48)
A2 Hold On (Dirty Version) (4:10)
A3 Hold On (Instrumental) (4:00)
B1 Hold On (Radio Edit) (3:48)
B2 Hold On (Dirty Version) (3:59)
B3 Hold On (Instrumental) (3:58)

Sanctuary Urban

Cat No: SURDJ-85721-1
Released: 2005



Format: Vinyl 12 Inch
Genre: Reggae

Jump Around And Shout

A1 Jump Around And Shout (Steely & Clevie Remix) (3:31)
A2 Jump Around And Shout (Steely & Clevie Instrumental) (3:31)
A3 Jump Around And Shout (The Original Mix) (4:03)
B1 Jump Around And Shout (Club Mix) (8:38)
B2 Jump Around And Shout (Dub Mix) (4:25)


Cat No: PRO-1170-1
Released: 1995


Phillip Leo

Format: Vinyl 12 Inch
Genre: Reggae


A1 Phillip Leo Today (Street Mix)
A2 Phillip Leo Today (Ragga Mix)
AA1 Phillip Leo Today (Reggae Version)
AA2 Phillip Leo Today (Soulrock Version)

Breakin' Loose

Cat No: BLPT015
Released: 1992


Judge Dread

Format: Vinyl Album
Genre: Reggae

The Legendary Judge Dread Volume 1 - King Of Rudeness

A1 Je T'Aime
A2 Ska Fever
A3 Hello Baby
A4 Up With The Cock
A5 Phoenix City
A6 Bring Back The Skins
A7 The Winkle Man
B1 Big Six (Re-mix)
B2 Rudy (A Message To You)
B3 Jamaica Jerk Off
B4 Dread Rock
B5 Rub A Dub
B6 Lovers Rock
B7 Big Nine

Skank Records

Cat No: SKANK LP 115
Released: 1989


Mike Anthony

Format: Vinyl 12 Inch
Genre: Reggae

No Half Way Love

A No Half Way Love
B Believe Me

Merger Records

Cat No: MER 010


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Information on the Reggae genre

Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broader sense to refer to most types of Jamaican music, the term reggae more properly denotes a particular music style that originated following on the development of ska and rocksteady.

Reggae is based on a rhythmic style characterized by accents on the off-beat, known as the skank. Reggae is normally slower than ska but faster than rocksteady. Reggae usually accents the second and fourth beat in each bar, with the rhythm guitar also either emphasising the third beat or holding the chord on the second beat until the fourth is played. It is mainly this "third beat", its speed and the use of complex bass lines that differentiated reggae from rocksteady, although later styles incorporated these innovations separately.

The shift from rocksteady to reggae was illustrated by the organ shuffle pioneered by Bunny Lee, and featured in the transitional singles "Say What You're Saying" (1967) by Clancy Eccles, and "People Funny Boy" (1968) by Lee "Scratch" Perry. The Pioneers' 1967 track "Long Shot Bus' Me Bet" has been identified as the earliest recorded example of the new rhythm sound that became known as reggae. Early 1968 was when the first genuine reggae records came into being: "Nanny Goat" by Larry Marshall and "No More Heartaches" by The Beltones. American artist Johnny Nash's 1968 hit "Hold Me Tight" has been credited with first putting reggae in the American listener charts.. Also in 1968 was "The Israelites" by Desmond Dekker of Jamaica. Reggae was starting to surface in rock music; an example of a rock song featuring reggae rhythm is 1968's "Ob-La-Di , Ob-La-Da." by The Beatles.

The Wailers, a band that was started by Bob Marley, Peter Tosh, and Bunny Wailer in 1963, are generally agreed to be the most easily recognised group worldwide that made the transition through all three stages — from ska hits like "Simmer Down", through slower rocksteady, to reggae. In addition to the Wailers, other significant pioneers include Prince Buster, Desmond Dekker, Jackie Mittoo and several others.

Jamaican producers were influential in the development of ska into rocksteady and reggae in the 1960s. Some of the many notable Jamaican producers who were highly influential in the development of ska into rocksteady and reggae in the 1960s include Coxsone Dodd, Lee "Scratch" Perry, Leslie Kong, Duke Reid, Joe Gibbs and King Tubby. An early producer was Chris Blackwell, who founded Island Records in Jamaica in 1960, then relocated to England in 1962, where he continued to promote Jamaican music. He formed a partnership with Trojan Records, founded by Lee Gopthal in 1968. Trojan released recordings by reggae artists in the UK until 1974, when Saga bought the label.

Another well-known producer of Jamaican music is Vincent Chin, who received his first taste of the music business maintaining jukeboxes at bars. This led him to start selling old records from jukeboxes he repaired, that would otherwise be discarded for new ones. In 1958, the success of Chin's jukebox record venture led him to open a retail store in downtown Kingston. In 1969, Chin and his wife Pat opened a studio called Randy's Studio 17, where Bob Marley & The Wailers recorded their album Catch A Fire, and Peter Tosh recorded his first two solo albums Legalize It and Equal Rights. Around the corner from the studio was a small street that was affectionately dubbed Idler's Rest, where reggae artists hung out and producers picked up musicians and singers for recording. Chin's eldest son Clive Chin earned his status as a producer. In 1971 or 1972, he launched the dub label Impact Records, and with Augustus Pablo, produced and recorded at Studio 17 the first ever dub album, Java.

The 1972 film The Harder They Come, starring Jimmy Cliff, generated considerable interest and popularity for reggae in the United States, and Eric Clapton's 1974 cover of the Bob Marley song "I Shot the Sheriff" helped bring reggae into the mainstream. By the mid 1970s, reggae was getting radio play in the UK on John Peel's radio show, and Peel continued to play reggae on his show throughout his career. What is called the "Golden Age of Reggae" corresponds roughly to the heyday of roots reggae. In the second half of the 1970s, the UK punk rock scene was starting to form, and some punk DJs played reggae songs during their sets. Some punk bands incorporated reggae influences into their music. At the same time, reggae began to enjoy a revival in the UK that continued into the 1980s, exemplified by groups like Steel Pulse, Aswad, UB40, and Musical Youth. Other artists who enjoyed international appeal in the early 1980s include Third World, Black Uhuru and Sugar Minott. The Grammy Awards introduced the Best Reggae Album category in 1985.