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  Artist Title Label Price

Was (Not Was)

Format: Vinyl 12 Inch
Genre: Soul & Funk

Spy In The House Of Love

A1 Spy In The House Of Love (Jeffrey B. Young & Dangerous Mix) (6:32)
A2 Dad I'm In Jail (1:25)
AA1 Spy In The House Of Love (Streetsahead Mix) (5:30)
AA2 Spy In The House Of Love (My Name Is Young, Jeffrey B. Young, Licensed To 'ill Mix) (6:06)


Cat No: WASX 2
Released: 1988


Terence Trent D'Arby

Format: Vinyl Album
Genre: Soul & Funk

Introducing The Hardline According To Terence Trent D'Arby

A1 If You All Get To Heaven
A2 If You Let Me Stay
A3 Wishing Well
A4 I’ll Never Turn My Back On You (Father’s Words)
A5 Dance Little Sister
A6 Seven More Days
B1 Let’s Go Forward
B2 Rain
B3 Sign Your Name
B4 As Yet Untitled
B5 Who’s Loving You


Cat No: 450911 1
Released: 1987


Danny Madden

Format: Vinyl 12 Inch
Genre: Soul & Funk

The Facts Of Life

A The Facts Of Life (Touchdown Mix) (5:28)
B1 The Facts Of Life (Dancin' Danny D's Mix) (4:43)
B2 The Facts Of Life (Touchdown Philly Mix) (6:22)


Cat No: YZ576T
Released: 1991


Booker Newberry III & Cheri

Format: Vinyl 12 Inch
Genre: Soul & Funk

Love Town / Murphy's Law

A Booker Newberry III Love Town (5:18)
B Cheri Murphy's Law (4:42)

Old Gold

Cat No: OG 4047
Released: 1988


Stevie Wonder

Format: Vinyl Album
Genre: Soul & Funk

Talking Book

A1 You Are The Sunshine Of My Life (2:45)
A2 Maybe Your Baby (6:45)
A3 You And I (4:39)
A4 Tuesday Heartbreak (3:09)
A5 You've Got It Bad Girl (4:55)
B1 Superstition (4:40)
B2 Big Brother (3:35)
B3 Blame It On The Sun (3:28)
B4 Lookin For Another Pure Love (4:45)
B5 I Believe (When I Fall In Love It Will Be Forever) (4:48)

Tamla Motown

Cat No: STMA 8007
Released: 1973


Beverlei Brown

Format: Vinyl Double Album
Genre: Soul & Funk

Next To You

A1 Somebody Knows How You Feel
A2 Love You Yes
A3 Could Be You (w/Dennis Taylor)
A4 Part Time Lover
B1 Keep On Doin' What I'm Doin'
B2 Dedicate
B3 In The Summertime
B4 Best Friend
C1 Gotta Get Over You
C2 Tell Me
C3 Unhappily Ever After
D1 I've Had Enough
D2 Somebody Knows How You Feel (VRS Mix)
D3 Gonnna Get Over You (Full Flava Mix)

Dome Records

Cat No: DOME LP27
Released: 2001


Olivia Bizounce

Format: Vinyl 12 Inch
Genre: Soul & Funk

Kelly G Remixes

A1 See U Bounce Dub
A2 Mixshow Edit
B1 Ol' Chicago House Mix

J Records


New Edition

Format: Vinyl 12 Inch
Genre: Soul & Funk

Candy Girl

A Candy Girl (Young&Strong Edition) (5:45)
B1 Candy Girl (Long Version) (6:58)
B2 Candy Girl (Singalong) (6:55)

London Records

Cat No: LONX 21
Released: 1983


Ciyo & Claudia Fontaine

Format: Vinyl 12 Inch
Genre: Soul & Funk

Don't Let Him Get To You

A1 Don't Let Him Get To You (Fat Club Remix)
A2 Don't Let Him Get To You (Urban Club Mix)
B1 Don't Let Him Get To You (Hip Hop Jazz Remix)
B2 Don't Let Him Get To You (Hip Hop Jazzamental)

Diverse Recordings

Cat No: DIV001P
Released: 1993



Format: Vinyl 12 Inch
Genre: Soul & Funk

Now Is The Time (sampler)

A1 Condry Ziqubu Sekunjalo
A2 Lebo Morake Set Them Free
B1 Hugh Masekela Come On Everybody
B2 Sam Bopape & Mercy Pakela & Danny Kamazu & Zoyisile Zwelibanzi Motherland Cry No More


Cat No: 12 ANC 1
Released: 1993


Phil Fearon & Galaxy

Format: Vinyl 12 Inch
Genre: Soul & Funk

What Do I Do? (Carnival Mix)

A What Do I Do? (Carnival Mix)
B What Do I Do? (Carnival Mix)


Cat No: 12 ENY 510 DJ
Released: 1984



Format: Vinyl 12 Inch
Genre: Soul & Funk

Somebody's Baby Remix

A1 Somebody's Baby (Remix) (3:35)
A2 Somebody's Baby (Remix Instrumental) (4:16)
B1 Somebody's Baby (A Cappella) (3:58)
B2 Somebody's Baby (LP Version) (4:22)


Cat No: 07863 65991-1
Released: 2000


Smokey Robinson

Format: Vinyl 12 Inch
Genre: Soul & Funk

Sleepless Nights

A1 Sleepless Nights
A2 Close Encounters Of The First Kind
B1 Mickey's Monkey
B2 I Gotta Dance To Keep From Crying


Cat No: ZT 40718
Released: 1986



Format: Vinyl 12 Inch
Genre: Soul & Funk

I Have Fallen In Love (Je Suis Tombé)

A I Have Fallen In Love (Je Suis Tombé) (Extended Mix)
B1 I Have Fallen In Love (Je Suis Tombé) (7")
B2 Moving

London Records

Cat No: LONXDJ 227
Released: 1989


The Temptations

Format: Vinyl 12 Inch
Genre: Soul & Funk

Look What You Started

A Look What You Started (12" Vocal) (7:00)
B1 Look What You Started (12" Piano Dub) (7:03)
B2 Look What You Started (12" Beat Acappella) (4:35)


Cat No: ZT 41734DJ
Released: 1987


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Information on the Soul & Funk genre

Funk is an American music genre that originated in the late 1960s when African American musicians blended soul music, soul jazz and R&B into a rhythmic, danceable new form of music. Funk de-emphasizes melody and harmony and brings a strong rhythmic groove of electric bass and drums to the foreground. Funk songs are often based on an extended vamp on a single chord, distinguishing it from R&B and soul songs centered around chord progressions.

Like much African-inspired music, funk typically consists of a complex groove with rhythm instruments such as electric guitar, electric bass, Hammond organ, and drums playing interlocking rhythms. Funk bands sometimes have a horn section of several saxophones, trumpets, and in some cases, a trombone, which plays rhythmic "hits".


From the early 1970s onwards, funk has developed various subgenres. While George Clinton and the Parliament were making a harder variation of funk, bands such as Kool and The Gang, Ohio Players and Earth, Wind and Fire were making disco-influenced funk music.


In the 1970s and early 1980s, a new group of musicians further developed the "funk rock" approach innovated by George Clinton, with his main bands Parliament and, later, Funkadelic. Together, they produced a new kind of funk sound heavily influenced by jazz and psychedelic rock. The two groups had members in common and often are referred to collectively as "Parliament-Funkadelic." The breakout popularity of Parliament-Funkadelic gave rise to the term "P-Funk," which referred to the music by George Clinton's bands, and defined a new subgenre.
"P-funk" also came to mean something in its quintessence, of superior quality, or sui generis, as in the lyrics from "P-Funk (Wants to Get Funked Up)" a hit single from Parliament's album "Mothership Connection":

Funk rock

Funk rock (also written as funk-rock or funk/rock) fuses funk and rock elements. Its earliest incarnation was heard in the late '60s through the mid-'70's by musicians such as Jimi Hendrix, Frank Zappa, Herbie Hancock, Gary Wright, David Bowie, as well as Mother's Finest, and Funkadelic on their earlier albums.

Many instruments may be incorporated into funk-rock, but the overall sound is defined by a definitive bass or drum beat and electric guitars. The bass and drum rhythms are influenced by funk music but with more intensity, while the guitar can be funk-or-rock-influenced, usually with distortion. Prince, Jesse Johnson, and Fishbone are major artists in funk rock.

Electro music

Electro music is a hybrid of electronic music and funk. It essentially follows the same form as funk, and retains funk's characteristics, but is made entirely (or partially) with a use of electronic instruments such as the TR-808. Vocoders are often used. Early artists include Herbie Hancock, Zapp (band), Afrika Bambaataa and Vaughn Mason & Crew.


Funkcore is a fusion of hardcore punk and funk created in the 1980s. Hard, loud and fast guitars are featured, but unlike in most rock music, it does not overpower the bass, which is heavy and driving. Drums are often funk-influenced, but with intense hardcore-styled pounding. Synthesizers or horn sections sometimes make an appearance, although they are not integral. Examples of funkcore bands are Jungle Fever, Adequate Seven, Dance Gavin Dance and Big Boys.


Punk-funk (or funk-punk) is a mix of punk or post-punk songs with funk elements, very similar to dance-punk. Some times, the punk influence is replaced by an alternative rock influence. The first appearance of this subgenre was in 1979, when Gang Of Four released their debut album, Entertainment!. In the 1980s, bands such as made punk-funk become more famous. The style was revitalized by "The New New York Underground Scene", starting to mix their usual punk-funk with house, dub and hip-hop.

Funk metal

Funk metal (sometimes typeset differently such as funk-metal) is a fusion genre of music which emerged in the 1980s. It typically incorporates elements of funk and heavy metal. It features hard-driving heavy metal guitar riffs, the pounding bass rhythms characteristic of funk, and sometimes hip hop-style rhymes into an alternative rock approach to songwriting.


G-Funk is a fusion genre of music which combines gangsta rap and funk. It is generally considered to have been invented by Dr.Dre.

Funk jam

Funk jam is a fusion genre of music which emerged in the 2000s. It typically incorporates elements of funk and often exploratory guitar, along with extended cross genre improvisations; often including elements of jazz, ambient, electronic, americana, and hip hop including improvised lyrics.

Christian funk

Christian funk is not as prominent as other forms of Christian music. However, TobyMac, one of Christian music's most recognized artists, integrates funk into many of his songs such as "Feelin' So Fly" and "Funky Jesus Music", his new single. Also, "Toddy Funk", a member of the Diverse City Band, is a huge fan of funk and, therefore, their music shows it.

Soul music is a music genre originating in the United States combining elements of gospel music and rhythm and blues. According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying.


Detroit (Motown) soul

Dominated by Berry Gordy's Motown Records empire, Detroit soul is strongly rhythmic and influenced by gospel music. The Motown sound often includes hand clapping, a powerful bass line, violins and bells. Motown Records' house band was The Funk Brothers.

Deep soul and southern soul

The terms deep soul and southern soul generally refer to a driving, energetic soul style combining R&B's energy with pulsating southern United States gospel music sounds. Memphis, Tennessee label Stax Records nurtured a distinctive sound, which included putting vocals further back in the mix than most contemporary R&B records, using vibrant horn parts in place of background vocals, and a focus on the low end of the frequency spectrum. The vast majority of Stax releases were backed by house bands Booker T and the MGs (with Booker T. Jones, Steve Cropper, Duck Dunn, and Al Jackson) and the Memphis Horns (the splinter horn section of the Mar-Keys).

Memphis soul

Memphis soul is a shimmering, sultry style of soul music produced in the 1960s and 1970s at Stax Records and Hi Records in Memphis, Tennessee. It featured melancholic and melodic horns, organ, bass, and drums, as heard in recordings by Hi's Al Green and Stax's Booker T. & the M.G.'s. The latter group also sometimes played in the harder-edged Southern soul style. The Hi Records house band (Hi Rhythm Section) and producer Willie Mitchell developed a surging soul style heard in the label's 1970s hit recordings. Some Stax recordings fit into this style, but had their own unique sound.

New Orleans soul

The New Orleans soul scene directly came out of the rhythm and blues era, when such artists as Little Richard, Fats Domino, and Huey Piano Smith made a huge impact on the pop and R&B charts and a huge directly influence for the birth of the Funk music . The principal architect of Crescent City’s soul was songwriter, arranger, and producer Allen Toussaint. He worked with such artists as Irma Thomas (“the Soul Queen of New Orleans”), Jessie Hill, Kris Kenner, Benny Spellman, and Ernie K. Doe on the Minit/Instant label complex to produced a distinctive New Orleans soul sound generating a passel of national hits. Other notable New Orleans hits came from Robert Parker, Betty Harris, and Aaron Neville. While record labels in New Orleans largely disappeared by the mid-1960s, producers in the city continued to record New Orleans soul artists for other mainly New York and Los Angeles record labels—notably Lee Dorsey for New York–based Amy Records and the Meters for New York–based Josie and then LA-based Reprise.

Chicago soul

Chicago soul generally had a light gospel-influenced sound, but the large number of record labels based in the city tended to produce a more diverse sound than other cities. Vee Jay Records, which lasted until 1966, produced recordings by Jerry Butler, Betty Everett, Dee Clark, and Gene Chandler. Chess Records, mainly a blues and rock and roll label, produced a number of major soul artists. Mayfield not only scored many hits with his group, the The Impressions, but wrote many hit songs for Chicago artists and produced hits on his own labels for The Fascinations and the Five Stairsteps.

Philadelphia soul

Psychedelic soul was a blend of psychedelic rock and soul music in the late 1960s, which paved the way for the mainstream emergence of funk music a few years later.

Blue-eyed soul

Blue-eyed soul is a term used to describe R&B or soul music performed by white artists. The term doesn't refer to a distinct style of music, and the meaning of blue-eyed soul has evolved over decades. Originally the term was associated with mid-1960s white artists who performed soul and R&B that was similar to the music released by Motown Records and Stax Records. The term continued to be used in the 1970s and 1980s, particularly by the British media to describe a new generation of singers who adopted elements of the Stax and Motown sounds. To a lesser extent, the term has been applied to singers in other music genres that are influenced by soul music.

British soul

Soul has been a major influence on British popular music since the 1960s including bands of the British Invasion, most significantly The Beatles.[5] There were a handful of significant British Blue-eyed soul acts, including Dusty Springfield and Tom Jones. American soul was extremely popular among some youth sub-cultures like the Northern soul and Modern soul movements, but a clear genre of British soul did not emerge until the 1980s when a number of artists including George Michael, Sade, Simply Red, Lisa Stansfield and Soul II Soul enjoyed some commercial success. The popularity of British soul artists in the U.S., most notably Amy Winehouse, Estelle, Joss Stone and Leona Lewis led to talk of a third British Invasion or soul invasion in the 2000s.

Neo soul

The term neo soul is a marketing phrase coined by producer and record label executive Kedar Massenburg to describe a musical blend of 1970s soul-style vocals and instrumentation with contemporary R&B sounds, hip hop beats and poetic interludes. The style was developed in the early to mid 1990s. A key element in neo soul is a heavy dose of Fender Rhodes or Wurlitzer electric piano pads over a mellow, grooving interplay between the drums (usually with a rim shot snare sound) and a muted, deep funky bass. The Fender Rhodes piano sound gives the music a warm, organic character.

Northern soul and Modern soul

The phrase northern soul was coined by journalist Dave Godin and popularised in 1970 through his column in Blues and Soul magazine. The term refers to rare soul music that was played by DJs at nightclubs in northern England. The playlists originally consisted of obscure 1960s and early 1970s American soul recordings with an uptempo beat, such as those on Motown Records and more obscure labels such as Okeh Records. Modern soul developed when northern soul DJs began looking in record shops in the United States and United Kingdom for music that was more complex and contemporary. What emerged was a richer sound that was more advanced in terms of Hi-Fi and FM radio technology.

Nu jazz and Electronica

Many artists in various genres of electronic music (such as house, drum n bass, UK garage, and downtempo) are heavily influenced by soul, and have produced many soul-inspired compositions.