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  Artist Title Label Price

Mighty Truth

Format: Vinyl 12 Inch
Genre: Trip Hop

Is It A Wizard, Or A Blizzard?

A Is It A Wizard Or A Blizzard?
B1 Heavy Knowledge (Original Chicago Mix)
B2 Heavy Knowledge (Seven Steps Mix)

Tongue And Groove Records

Cat No: TNG12011
Released: 1994



Format: Vinyl 12 Inch
Genre: Trip Hop

Gimme That Body - Ballistic Brothers Mixes

A1 Gimme That Body (Radio Edit) (3:51)
A2 Gimme That Body (Ballistic Brothers Vapours Mix) (3:18)
Remix - Ballistic Brothers
B1 Gimme That Body (Ballistic Brothers Rock The Set Mix) (5:05)
Remix - Ballistic Brothers
B2 Gimme That Body (Ballistic Brothers Set The Instrumental) (4:50)
Remix - Ballistic Brothers


Cat No: HVN 48-12P2
Released: 1995


Bug City

Format: Vinyl 12 Inch
Genre: Trip Hop


A Summertime (Extended Version)
B1 Summertime (Radio City)
B2 Summertime (Jazz Vibe)

Wired Recordings

Cat No: BUG 1
Released: 1995



Format: Vinyl 12 Inch
Genre: Trip Hop

Inside (Mixes) - (DISC 1 ONLY)

A1 Inside (Original Mix) (5:07)
A2 Inside (Radio Edit) (4:50)
B1 Inside (Nasty Mix) (5:07)
B2 Inside (Sure Shot Phat Mix) (5:43)

Funkasaurus Records

Cat No: FUNKR 004



Format: Vinyl 12 Inch
Genre: Trip Hop

Another EP Thing

A1 Fonseca (3) Whats In Your Mind
A2 RAG (2) Doors To Manual
B1 Boogie Macs Boom Wreckin
B2 Spong Like I Love You

Third World Disco

Cat No: TWD03
Released: 1999



Format: Vinyl Album
Genre: Trip Hop


A1 Cowboys (4:38)
A2 All Mine (3:59)
B1 Undenied (4:18)
B2 Half Day Closing (3:49)
B3 Over (4:00)
C1 Humming (6:02)
C2 Mourning Air (4:11)
C3 Seven Months (4:15)
D1 Only You (4:59)
D2 Elysium (5:54)
D3 Western Eyes (3:57)

Go! Beat

Cat No: 314-539 189-1



Format: Vinyl 12 Inch Picture Disc
Genre: Trip Hop

Love Is War

A Love Is War
B1 The Red Red Groovy
B2 Ruby Fruit Jungle


Cat No: FOOD 6PT
Released: 1986



Format: Vinyl 12 Inch
Genre: Trip Hop

Gimme That Body

A1 Gimme That Body (Radio Edit)
A2 Gimme That Body (extended mix)
A3 Gimme That Body (accapella)
B1 Gimme That Body (KR Phat controller mix)
B2 Gimme That Body (scientists of sound vocal mix)
B3 Gimme That Body (scientists of sound instrumental mix)


Cat No: HVN 4812
Released: 1996



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 These Are The Blues
A2 Beyond The Breeze
A3 Red Light, Blue Light
B1 Indigo (Sabres Of Paradise Remix)
B2 Seashell (Nobukazu Takemura Mix)

L'Attitude Records

Cat No: LATX021
Released: 1995



Format: Vinyl 12 Inch
Genre: Trip Hop

Cup Of Tea Records: Another Compilation EP

A Fruitloop (2) Drifter (6:49)
B1 Invisible Pair Of Hands Oil, Oil, Oil (7:44)
B2 Monk & Canatella Picnics (4:26)

Cup Of Tea Records

Cat No: IRN 002
Released: 1997


DJ Shadow

Format: Vinyl Double Album
Genre: Trip Hop

Reconstructed | The Best Of DJ Shadow

A1 DJ Shadow Midnight In A Perfect World (Extended Vision) (9:48)
A2 DJ Shadow High Noon (3:58)
A3 DJ Shadow I've Been Trying (3:03)
A4 DJ Shadow This Time (I'm Gonna Try It My Way) (3:12)
B1 DJ Shadow You Can't Go Home Again (Radio Edit) (3:03)
B2 DJ Shadow & Little Dragon Scale It Back (Single Edit) (3:39)
B3 DJ Shadow & Terry Reid Listen (2:59)
B4 DJ Shadow Stem (Single Edit) (3:26)
C1 DJ Shadow Six Days (5:00)
C2 DJ Shadow Won't You Be (3:36)
C3 DJ Shadow Organ Donor (Extended Overhaul Re-Edit) (4:27)
C4 UNKLE & Richard Ashcroft Lonely Soul (7'' Version) (4:20)
D1 DJ Shadow Blood On The Motorway (8:16)
D2 DJ Shadow & Chris James (6) You Made It (2:44)
D3 DJ Shadow Redeemed (4:26)

Island Records

Cat No: 3712862
Released: 2012



Format: Vinyl 12 Inch
Genre: Trip Hop

The All-New Adventures Of Blacka'nized EP Vol One

A1 Crack Pipe
A2 Vertical Forms
A3 Crack Pipe (Instrumental)
B4 UFO Beats
B5 Livin' Ina Jungle
B6 Dynamic Duo (The Soldier Monk Skit)

Response Records

Cat No: RESP009
Released: 1998


Coco And The Bean

Format: Vinyl 12 Inch
Genre: Trip Hop

Fair Play

1 Fair Play (Coco and the Bean Extended Mix)
2 Fair Play (The Next Men Mix)
Remix - Nextmen, The

Mantra Recordings

Cat No: MNT18DJ
Released: 1998


Immaculate Black

Format: Vinyl 12 Inch
Genre: Trip Hop

Eurostar / The Boom

A Eurostar
B The Boom


Cat No: Riot003



Format: Vinyl 12 Inch
Genre: Trip Hop


A1 Reflections ('99 Mix)
A2 Reflections (US Mix)
AA1 Feel The Feeling
AA2 Reflections (Instrumental)


Ultimate Dilemma

Cat No: UDR 026
Released: 1999


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Information on the Trip Hop genre

Trip-hop is a music genre also known as the Bristol sound. The trip-hop description was applied to the musical trend in the mid-1990s of downtempo electronic music that grew out of England's hip hop and house scenes. It has been described as "Europe's alternative of choice in the second half of the '90s", and a one-up fusion "of Hip-Hop and Electronica until neither genre is recognizable." It is thus categorized as a fairly experimental genre, and sometimes with elements of Dance.

The style is characterized by the reliance on breakbeats and a sample-heavy, often moody sound pioneered by Coldcut's remix of Eric B. & Rakim's Paid in Full. Trip hop gained notice via popular artists such as Massive Attack, Portishead, Tricky, Björk, Goldfrapp, Moloko, Thievery Corporation, Amon Tobin, and rock-influenced sound groups such as Ruby, Bristol's band Ilya, California's DJ Shadow, Cut Chemist, Unkle, and the UK's Gorillaz, Howie B., Morcheeba, originating from Hythe in Kent, Londoners Glideascope, New York's Bowery Electric, and Seattle's Anomie Belle are also often associated with this sound. Massive Attack's debut album Blue Lines, is seen as the "blueprint" for the genre. Various American hip hop artists and albums have been influenced by trip hop. Examples include the Deltron 3030 (album), artists Cannibal Ox, Mos Def, DJ Two14, Kanye West, Kid Cudi, and producers Dan The Automator and Madlib.

Trip hop originated in the mid '90s in Bristol, England, during a time when American hip hop started to gain increasing popularity in Europe along with the then well established House music and dance scene.[citation needed] British DJs decided to put a local spin on the international phenomenon and developed hip hop into a different style, marking the birth of trip hop. The name is meant to suggest the spacey, down-tempo feeling of trip hop music. Originators in Bristol modified hip hop by adding a laid-back beat ("down tempo") – Bristol's signature sound in hip hop (trip hop's predecessor) was characterized by its emphasis on slow and heavy drum beats and a sound drawing heavily on acid jazz, Jamaican and dub music. Trip hop took root in Bristol partly because of its deeply rooted sound system culture and its relationship with a black identity. It is important to note that, as an important slave-trading centre in the 18th century, Bristol's black community has influenced black British identity for centuries. Under the influence of American hip hop from the 1980s both black and white British youth became consumers of hip hop. Hip hop in the UK was immediately fused with black soul and elements of dancehall.

The term "Trip hop" was coined by music journalist Andy Pemberton in the June 1994 issue of UK magazine Mixmag to describe the hip hop instrumental "In/Flux", a 1993 single by DJ Shadow, and other similar tracks released on the Mo' Wax label and being played in London clubs at the time. "In/Flux", with its mixed up bpms, spoken word samples, strings, melodies, bizarre noises, prominent bass, and slow beats, gave the listener the impression they were on a musical trip, according to Pemberton. James Brendall termed the experience of trip-hop with the combination of "computers and dope".

Massive Attack's first album Blue Lines in 1991, is often seen as the first manifestation of the "Bristol hip hop movement" (known as the "First Coming of Bristol Sound"). 1994 and '95 saw trip hop near the peak of its popularity. Massive Attack released their second album entitled Protection. Those years also marked the rise of Portishead, Tricky and Red Snapper (although from London). Portishead's female lead singer Beth Gibbons' sullen voice was mixed with samples of music from the '60s and '70s, as well as sound effects from LPs, giving the group a distinctive style. Tricky's style was characterized by murmuring and low-pitched singing. Artists and groups like Portishead and Tricky led the second wave of the Bristol Movement. This second wave produced music that was dreamy and atmospheric, and sometimes deep and gloomy.