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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Garage

Easier Said Than Done

A Easier Said Than Done (Steve Anthony Remix)
B Easier Said Than Done (Wesley 2Play Dub)


Cat No: 12STAS3269P
Released: 2002


Music Makers, The

Format: Vinyl 12 Inch
Genre: UK Garage

Feel Free / Heartbreak

A Feel Free
B Heartbreak

Klub Kuts

Cat No: KKG 009
Released: 1999


Red Hot Chillin Fellas

Format: Vinyl 12 Inch
Genre: UK Garage

Comin On Strong

A Comin On Strong (Armed But Sweat Mix)
B1 Comin On Strong (Pure Weight Mix)
B2 Comin On Strong (Comin More Strong)

Funky Marmalade Records

Cat No: F.M. 01


Robbie Craig

Format: Vinyl 12 Inch
Genre: UK Garage

Whos The Better Man

A Whos The Better Man (Godfather Remix)
Remix - Godfather
B Whos The Better Man (Large Joints Dub)
Remix - Large Joints

Public Demand

Cat No: PPDT 51
Released: 2000



Format: Vinyl 12 Inch
Genre: UK Garage

Step By Step [Theres No One Else]

A1 Heartfelt Mix
A2 Loafers In My Garage Mix
AA1 Saxified Mix
AA2 Heartfelt Dub Mix

Viceroy Records

Cat No: Vice008
Released: 1993


Soul Providers

Format: Vinyl 12 Inch
Genre: UK Garage


A Rise (Frances James Hectic Ethnic Remix)


Cat No: 12 AMPMXDJ 147
Released: 2001



Format: Vinyl 12 Inch
Genre: UK Garage

Summer Of Love

A Summer Of Love (Dreemhouse)
B1 Summer Of Love (Class A Summer Vocal)
B2 Summer Of Love (Robbie Rivera's Boombastic Dub)

Riverhorse Records

Cat No: RIVH-123
Released: 2000


MJ Cole

Format: Vinyl Double 12 Inch
Genre: UK Garage

Waiting For The Day

A Waiting For The Day (5:02)
B1 Sanctuary (4:16)
B2 Sanctuary (Beat Free Mix) (4:14)
C Waiting For The Day (Vocal Dub) (6:07)
D1 Waiting For The Day (Dub) (5:41)
D2 Waiting For The Day (Bonus Beats) (5:23)

Talkin' Loud

Cat No: TLX 43
Released: 1999



Format: Vinyl 12 Inch
Genre: UK Garage

Hold On / Distraction

A Hold On (5:35)
B Distraction (6:24)

Bingo Beats

Cat No: BINGO 001
Released: 2000



Format: Vinyl 12 Inch
Genre: UK Garage

Walking On Water

A1 Walking On Water (Bump And Flex Club Mix)
A2 Walking On Water (Bump And Flex Instrumental)
B1 Walking On Water (Dirty Rotten Scoundrels Dub)
B2 Walking On Water (Dirty Rotten Scoundrels Instrumental)


Cat No: VVR5012416P
Released: 2000


Artful Dodger & Michelle Escoffery

Format: Vinyl 12 Inch
Genre: UK Garage

Think About Me

A1 Think About Me (Matt Jam Lamont & DJ Face Classic Vocal Mix)
A2 What You Gonna Do? (Wideboys Undisputed Champions Remix)
B Think About Me (Joey Negro Club Mix)


Cat No: FX 394
Released: 2001


Danny J Lewis

Format: Vinyl 12 Inch
Genre: UK Garage

Spend The Night

A1 Spend The Night (H-Man Mix) (7:13)
A2 Spend The Night (Serious Danger Mix) (6:52)
B1 Spend The Night (New Horizons Mix) (6:19)
B2 Spend The Night (Danny J Lewis Original Mix) (7:03)

Locked On

Cat No: LOX 98 T
Released: 1998


Artful Dodger & Romina Johnson

Format: Vinyl 12 Inch
Genre: UK Garage

Movin Too Fast

A1 Movin Too Fast (Bump & Flex Vocal) (6:30)
A2 Movin Too Fast (Original Mix) (6:29)
B Movin Too Fast (Pussy 2000 Vocal) (6:48)

Locked On

Cat No: LOX 117 T
Released: 2000
Out Of Stock

Colour Girl

Format: Vinyl 12 Inch
Genre: UK Garage

Joyrider (You're Playing With Fire)

A1 Joyrider (You're Playing With Fire) (Artful Dodger Mix)
A2 Joyrider (You're Playing With Fire) (Y-Tribe's 2K Remix)
B1 Joyrider (You're Playing With Fire) (DJ Ride Mix)
B2 Joyrider (You're Playing With Fire) (Outnumbered Remix)

4 Liberty Records Ltd

Cat No: LIBT12039
Released: 2000



Format: Vinyl 12 Inch
Genre: UK Garage

Do It To Me Again (Artful Dodger Remixes)

A Do It To Me Again (Artful Dodger Vocal Mix)
B1 Do It To Me Again (Artful Dodger Dub)
B2 Can't Get Enough (London Connection Mix)

Not On Label

Released: 1999


Page of 241 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.