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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Garage

I Refuse (What You Want) Pt 3

A1 I Refuse (RIP Deep Dub)
Remix - R.I.P. Productions
A2 I Refuse (RIP Instrumental)
Remix - R.I.P. Productions
B1 I Refuse (Filthy's Strip '97)
Remix - Filthy Rich
B2 I Refuse (Filthy's Vocal '97)
Remix - Filthy Rich

i! Records

Cat No: IR-133
Released: 1997


Deceptikonz & Tori Amos

Format: Vinyl 12 Inch
Genre: UK Garage


A Untitled (Mix 1)
B Untitled (Mix 2)

Not On Label (Deceptikonz Series)

Cat No: KONZ 002
Released: 2001


Kim English

Format: Vinyl Double 12 Inch
Genre: UK Garage

Learn 2 Love

A Learn 2 Love (Mood II Swing's Harder Vocal Mix) (9:17)
B Learn 2 Love (Tommy Musto's Movin` Dub) (6:25)
C Learn 2 Love (Mood II Swing's Club Mix) (8:17)
D Learn 2 Love (Mood II Swing's Hard Dub) (8:46)

Hi Life Recordings

Cat No: LEUS1/2
Released: 1998



Format: Vinyl 12 Inch
Genre: UK Garage

Never Gonna Leave You

A Never Gonna Leave You (4:50)
B Never Gonna Leave You (Dance Version) (5:12)

Pow Wow Records

Cat No: PW 420
Released: 1987


Dub Monsters, The

Format: Vinyl 12 Inch
Genre: UK Garage

Feel This Way

A Feel This Way (Ladies Choice Vocal Mix)
AA Feel This Way (Monster Dub)

Quench Recordings

Cat No: QUE 05
Released: 1997



Format: Vinyl 12 Inch
Genre: UK Garage

Straight From The Heart

A Straight From The Heart (Bump & Flex Vocal Mix) (5:48)
B1 Straight From The Heart (Tuff Jam Remix) (6:10)
B2 Straight From The Heart (Original Club Mix) (6:30)

Locked On

Cat No: LOX 112 T
Released: 1999


Kristine Blond

Format: Vinyl 12 Inch
Genre: UK Garage

Love Shy (The Ultimate Mix Package)

A1 Love Shy (Club Asylum Dub) (5:00)
A2 Love Shy (Electrique Boutique Zardoz) (5:01)
B1 Love Shy (Bass Shy) (4:33)
B2 Love Shy (Tuff Jam Dub) (5:18)

Relentless Records

Released: 2000


Gisele Jackson

Format: Vinyl Double 12 Inch
Genre: UK Garage

Love Commandments (UK Remixes)

A1 Love Commandments (Danny Tenaglia Remix) (8:47)
Remix - Danny Tenaglia
A2 Love Commandments (Twilo Accapella) (2:32)
Edited By - Danny Tenaglia
B1 Love Commandments (Loop Da Loop Remix) (5:31)
Remix - Loop Da Loop
B2 Love Commandments (Dancing Divaz Hard Club Mix) (6:30)
Remix - Dancing Divaz

Waako Records

Cat No: WR 1254
Released: 1997



Format: Vinyl 12 Inch
Genre: UK Garage

My Love Is Right

A My Love Is Right (Club Mix)
B1 My Love Is Right (Original Mix)
B2 My Love Is Right (Radio Mix)


Cat No: CHAMP 12-207
Released: 1989



Format: Vinyl 12 Inch
Genre: UK Garage

Don't Let Me Dream

A1 Don't Let Me Dream (Full Monty Mix)
A2 Don't Let Me Dream (Rubberdubb)
B1 Don't Let Me Dream (Philly Funk)
B2 Don't Let Me Dream (Original Edit)
B3 Don't Let Me Dream (Dreamapella)


Cat No: SPK002


Unknown Artist

Format: Vinyl 12 Inch
Genre: UK Garage


A Lover (Mix 1)
B Lover (Mix 2)

Not On Label

Cat No: LOVER 001


Da Click

Format: Vinyl 12 Inch
Genre: UK Garage

We Are Da Click

A We Are Da Click (Original Mix)
B1 We Are Da Click (NnG Remix)
B2 We Are Da Click (Blockster Jamaican Me Funkin Crazy Remix)


Cat No: FXDJ 363
Released: 1999



Format: Vinyl 12 Inch
Genre: UK Garage

MIC Tribute

A MIC Tribute (Untitled Mix 1)
B MIC Tribute (Untitled Mix 2)

United Grooves

Cat No: UG006
Released: 2000


M-Gee & Mica Paris

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Bodyswerve (Club Mix) (6:00)
A2 Bodyswerve (Chorusapella) (2:02)
B1 Bodyswerve (Half Vox Mix) (6:00)
B2 Bodyswerve (Original Mix) (5:45)

Swing City Records

Cat No: CITY 1043
Released: 2003


Wookie & Lain

Format: Vinyl 12 Inch
Genre: UK Garage

Back Up (To Me)

A1 Wookie & Lain Back Up (To Me)
A2 Wookie & Lain Back Up (To Me) (Radio Mix)
B1 Wookie Back Up Back Up Back Up (DJ Zinc Remix)
B2 Wookie Back Up Back Up Back Up

S2S Recordings

Cat No: S2SP003
Released: 2001


Page of 250 next >>

Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.