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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: UK Garage

I Love Your Smile

A I Love Your Smile (Nutty Dread Mix)
B1 I Love Your Smile (Skinflint Dub)
B2 I Love Your Smile (Café House Mix)


Cat No: 12 BROPRE 1
Released: 2000


Shanks & Bigfoot

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Sing-A-Long (Junkie XL Dub)
B1 Sing-A-Long (Mutiny Dub)
B2 Sing-A-Long (Mutiny Vocal)

Clinical Records

Cat No: CLN002B
Released: 2000


Flower Blossom

Format: Vinyl 12 Inch
Genre: UK Garage

We Build Love (Steppin Out)

A We Build Love (Steppin Out) (Junior's Mix)
AA We Build Love (Steppin Out) (Don't Do Acid Or Dope Mix)

Movement Soul

Cat No: MS 002
Released: 1989


Wyclef Jean & Mary J. Blige

Format: Vinyl 12 Inch
Genre: UK Garage


A 911 (Vocal Mix) (5:31)
B 911 (Instrumental) (5:31)

Not On Label

Cat No: 911 005
Released: 2001



Format: Vinyl 12 Inch
Genre: UK Garage

In&Out Of My Life

A1 In&Out Of My Life (Club Mix)
A2 In&Out Of My Life (Radio Mix)
B In&Out Of My Life (Dub Mix)

Garage Trax

Cat No: GTX 1


Michelle Gayle

Format: Vinyl 12 Inch
Genre: UK Garage

Do You Know

A1 Do You Know (Ignorants' Spooning' Mix)
A2 Do You Know (Linslee Remix)
B1 Do You Know (Ignorants' Chill Pill' Remix)
B2 Do You Know (Best Kept Secret Remix)

BMG UK & Ireland

Cat No: KNOW 3
Released: 1996


Rugged & Tough Productions

Format: Vinyl 12 Inch
Genre: UK Garage

The Sound

A1 The Sound
AA1 Got To Get

Rugged Tough Productions

Cat No: TUFF 002 ALBI
Released: 1998
Out Of Stock

187 Lockdown

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Kung-Fu (187 Lockdown Instrumental) (6:26)
A2 Kung-Fu (Radio Edit) (3:33)
B1 Kung-Fu (Ramsey And Fen Remix) (5:51)
B2 Kung-Fu (Prisoners Of Technology / TMS 1 Remix One) (6:37)


Cat No: SAM3179
Released: 1998


Ramsey & Fen

Format: Vinyl 12 Inch
Genre: UK Garage

The Off-Key Experience

A Underground Explosion (6:45)
B1 I Need (6:45)
B2 Over (5:48)

V.I.P. (Very Important Plastic)

Cat No: V.I.P. 004
Released: 1997


Tuff Jam

Format: Vinyl 12 Inch
Genre: UK Garage

Let Me Tell You

A1 Let Me Tell You (Original Vox Mix)
A2 Let Me Tell You (Tuff Jam Dub)
B1 Let Me Tell You (Latino Circus Saxy Dub)
B2 Let Me Tell You (Homs F.O.F. Mix)

Dansa Records

Cat No: DAN - 1115
Released: 1996


Dem Franchize Boyz

Format: Vinyl 12 Inch
Genre: UK Garage

I Think They Like Me (So So Def Remix)

A1 I Think They Like Me (So So Def Remix) (Total Science Vocal Mix) (4:45)
A2 I Think They Like Me (So So Def Remix) (Total Science Instrumental) (4:45)
B1 I Think They Like Me (So So Def Remix) (D'Explicit Vocal Mix) (4:20)
B2 I Think They Like Me (So So Def Remix) (D'Explicit 4/4 Dub) (4:08)


Cat No: VUSTDJX 321
Released: 2006


So Solid Crew & Mr. Shabz & MBD & The Reelists

Format: Vinyl 12 Inch
Genre: UK Garage


A1 Haters (Full Length Version)
A2 Haters (Instrumental)
B1 Haters (Oxide Remix)

Relentless Records

Released: 2001


Binray & Uberdog

Format: Vinyl 12 Inch
Genre: UK Garage

Grim Dubs: Vol. 2

A Uberdog Untitled
B Binray Untitled

Werk Discs

Cat No: werk04
Released: 2005


Serious Danger

Format: Vinyl 12 Inch
Genre: UK Garage

Deeper (ISB/Wildcat Remixes)

A1 Deeper (Part One)
A2 Deeper (Wildcat Remix)
B1 Deeper (Part Two)
B2 Love Is Forever (ISB Re-Edit)


Cat No: FRSHT68
Released: 1997



Format: Vinyl 12 Inch
Genre: UK Garage

Ugly Bass

A Ugly Bass (4/4 mix)
B Ugly Bass (breakbeat mix)

Lime Limited

Cat No: LIMELTD 006
Released: 2002


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Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.