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  Artist Title Label Price

Beverley Knight

Format: Vinyl 12 Inch
Genre: UK Garage

Shoulda Woulda Coulda (Remixes)

A1 Shoulda Woulda Coulda (Agent Sumo Mix)
B1 Shoulda Woulda Coulda (Blacksmith R&B Rub)
B2 Shoulda Woulda Coulda (D'n'D On Da Floor Mix)

Listen

Parlophone

Cat No: 12R 6570
Released: 2002

£7.00

Shaun Escoffery

Format: Vinyl 12 Inch
Genre: UK Garage

Space Rider

A1 Space Rider (MJ Cole Vocal Mix) (5:09)
A2 Space Rider (MJ Cole Instrumental Mix) (5:09)
B Space Rider (Original Version) (3:27)

Oyster Music

Cat No: Promo 07
Released: 2000

£7.00

The Streets

Format: CD Album
Genre: UK Garage

Original Pirate Material

1 Turn The Page (3:15)
2 Has It Come To This? (4:04)
3 Let's Push Things Forward (3:51)
4 Sharp Darts (1:33)
5 Same Old Thing (3:22)
6 Geezers Need Excitement (3:46)
7 It's Too Late (4:10)
8 Too Much Brandy (3:02)
9 Don't Mug Yourself (2:39)
10 Who Got The Funk? (1:50)
11 The Irony Of It All (3:29)
12 Weak Become Heroes (5:33)
13 Who Dares Wins (0:34)
14 Stay Positive (6:16)

679 Recordings

Cat No: 679003CDLP
Released: 2002

£4.50

Soul Providers

Format: Vinyl 12 Inch
Genre: UK Garage

Rise

A Rise (Frances James Hectic Ethnic Remix)

AM:PM

Cat No: 12 AMPMXDJ 147
Released: 2001

£7.50

Disco Tex Presents Cloudburst

Format: Vinyl 12 Inch
Genre: UK Garage

I Can Cast A Spell

A I Can Cast A Spell (Club Mix)
B I Can Cast A Spell (Digital Souls Remix)
Remix - Digital Souls

Absolution

Cat No: 12 ABSOL 1PY
Released: 2000

£7.00
£3.50

Uschi Classen & Femi B

Format: Vinyl 12 Inch
Genre: UK Garage

War

A1 War (Vocal War Original Fashion)
A2 War (Tribal War)
B1 War (Ty's Blinded By Power Mix)
B2 War (Tuff Like War Mix)

Black Sunshine Productions

Cat No: BSR 018
Released: 1994

£6.00

Sovereign & PSG & Michelle Haynes

Format: Vinyl 12 Inch
Genre: UK Garage

Dats Me

A Dats Me (Vocal Mix)
B Dats Me (Dub Mix)

Fuzzed Music Co.

Cat No: FZZD 05
Released: 2000

£4.50

FYA

Format: Vinyl 12 Inch
Genre: UK Garage

Must Be Love

A1 Must Be Love (original Version)
A2 Must Be Love (instr) (
A3 Must Be Love (acappella)
B1 Must Be Love (jazzwad remix)
B2 Must Be Love (jazzwad instr)

Def Jam Recordings

Released: 2004

£8.00

Studio 2

Format: Vinyl 12 Inch
Genre: UK Garage

Travelling Man

A1 Travelling Man (12" Mix) (6:33)
A2 Travelling Man (Banana Republic Vocal Mix) (6:41)
B1 Travelling Man (Ray Keith Mix) (6:40)
B2 Travelling Man (The Lip Mix) (4:08)

Multiply Records

Cat No: TMULTY35
Released: 1998

£5.50

N'n'G & Kallaghan

Format: Vinyl 12 Inch
Genre: UK Garage

Right Before My Eyes

A Right Before My Eyes (Baby Bumps Remix)
B Right Before My Eyes (Digger's Dirty Groove)

Heat Recordings

Cat No: HEAT 015FX
Released: 1998

£5.50

All Saints

Format: Vinyl 12 Inch
Genre: UK Garage

All Hooked Up

A1 All Hooked Up (Architechs Vocal)
Remix - Architechs
B1 All Hooked Up (Architechs Dub)
Remix - Architechs
B2 All Hooked Up (Architechs Instrumental)
Remix - Architechs

London Records

Cat No: LXDJ 456
Released: 2001

£7.00

Artful Dodger

Format: Vinyl 12 Inch
Genre: UK Garage

Please Don't Turn Me On

A Please Don't Turn Me On (Artful Dodger Garage Mix)
B1 Please Don't Turn Me On (Sounds Of Life Remix)
B2 Please Don't Turn Me On (Stanton Warriors Fabric Vocal Mix)

FFRR

Cat No: FXDJ 388
Released: 2000

£5.50

G.T.

Format: Vinyl Double 12 Inch
Genre: UK Garage

Till I'm Ready

A Till I'm Ready (Allister Whitehead Classic Mix)
Remix - Allister Whitehead
B1 Till I'm Ready (G.T. Main Mix)
Remix - G.T.
B2 Till I'm Ready (Robbie Rivera's Bangin Dub)
Remix - Robbie Rivera
C Till I'm Ready (Robbie Rivera's Miami Dub)
Remix - Robbie Rivera
D Till I'm Ready (Allister Whitehead Peak Hour Mix)
Remix - Allister Whitehead

Rumour Records

Cat No: DJ RUMAT 85

£12.00
£6.00

All Saints

Format: Vinyl 12 Inch
Genre: UK Garage

All Hooked Up

A All Hooked Up (Liquid People Big Ass Vocal Mix)
B1 All Hooked Up (Liquid People Big Ass Vocal Dub)
B2 All Hooked Up (Liquid People Big Ass Vocal Edit)

London Records

Cat No: LOX DJ 456
Released: 2001

£4.50

Absolute

Format: Vinyl 12 Inch
Genre: UK Garage

Introduce Me To Love

A Introduce Me To Love
B Introduce Me To Love (Groove Accapella)

Feet First Records

Cat No: FEFT 003
Released: 1992

£6.00

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Information on the UK Garage genre

UK garage (also known as UKG or simply garage) is a genre of electronic dance music originating from the United Kingdom in the mid-1990s. UK garage is a descendant of house music which orinated in Chicago & New York US by African Americans. . UK garage usually features a distinctive syncopated 4-4 percussive rhythm with 'shuffling' hi-hats and beat-skipping kick drums. Garage tracks also commonly feature 'chopped up' and time-shifted or pitch-shifted vocal samples complementing the underlying rhythmic structure. UK garage is often associated with the hardcore continuum. UK garage was largely subsumed into other styles of music and production in the mid-2000s, notably within hip-hop and urban music. It also spawned multiple off-shoots including Grime, Dubstep and Bassline.

In the UK, where jungle was very popular at the time, garage was played in a second room at jungle events. DJs started to speed up garage tracks to make them more suitable for the jungle audience in the UK. The media started to call this tempo-altered type of garage music "speed garage", 4x4 and 2-step's predecessor. DJs would usually play dub versions (arrangements without vocals) of garage tracks, because pitch-shifting vocals could sometimes render the music unrecognizable (although sped up and time stretched vocals were an important part of the early jungle sound, and later played a key role in speed garage). The absence of vocals left space in the music for MCs, who started rhyming to the records. Since then MCs have become one of the vital aspects of Speed and UK garage parties and records. Early promoters of speed garage included the Dreem Team and Tuff Jam and pirate radio stations like London Underground, Ice FM, Magic Fm, Mac Fm, Upfront Fm, and Freek Fm. During its initial phase, the speed garage scene was also known as "the Sunday scene", as initially speed garage promoters could only hire venues on Sunday evenings (venue owners preferred to save Friday and Saturday nights for more popular musical styles). Labels whose outputs would become synonymous with the emerging speed garage sound included Confetti, Public Demand, 500 Rekords, Spread Love and VIP. Debate continues to rage over the first true speed garage record; contenders include "So More (I Refuse)" by Industry Standard, "Love Bug" by Ramsey and Fen, 'RIP Groove' by Double-99, and Armand van Helden's remix of Tori Amos's "Professional Widow". Speed garage tracks were characterised by a sped-up house-style beat, complimented by the rolling snares and reverse-warped basslines that were popular with the drum & bass producers of the time. Speed garage already incorporated many aspects of today's UK garage sound like sub-bass lines, ragga vocals, spin backs and reversed drums. What changed over time, until the so called 2-step sound emerged, was the addition of further funky elements like R&B vocals, more shuffled beats and a different drum pattern. The most radical change from speed garage to 2-step was the removal of the 2nd and 4th bass kick from each bar. Although tracks with only two kick drum beats to a bar are perceived as being slower than the traditional four-to-the-floor beat, the listener's interest is maintained by the introduction of syncopating bass lines and the percussive use of other instruments such as pads and strings.

Among those credited with honing the speed garage sound, Todd Edwards, is often cited as a seminal influence on the UK garage sound. The producer from New Jersey introduced a new way of working with vocals. Instead of having full verses and choruses, he picked out vocal phrases and played them like an instrument, using sampling technology. Often, individual syllables were reversed or pitch-shifted. This type of vocal treatment is still a key characteristic of the UK garage style.

The UK's counterpart to Todd Edwards was MJ Cole, a classically trained oboe and piano player, who had a string of chart and underground hits in the late 1990s and early 2000s, most notably with "Sincere" and "Crazy Love". MJ Cole won a BBC Young Musician of the year.

Arguably one of the earliest examples of a 2-step track is 'Never Gonna Let You Go' by Tina Moore. Jess Jackson was responsible for many garage records but one which stood out was "Hobsons Choice". The B Side of this record changed the UK garage scene from funky and soulful to dark and bassy.

Another example of the evolution in 2 step was the release of "Troublesome" by Shy Cookie and DJ Luck, in which non sampled 2 step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).

The producer duos Shanks & Bigfoot with Sweet Like Chocolate and The Artful Dodger, aka Pete Devereux and Mark Hill, who (together with Craig David) were very successful with the track "Re-rewind", which became an anthem for the 2-step scene, and got onto BBC Top Of The Pops. After the platinum-selling success of Shanks & Bigfoot's Sweet Like Chocolate released the year before, the floodgates had been opened. Although Re-rewind was denied a #1 position by Cliff Richard, it was also a platinum seller, one of the garage scene's first and last.