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  Artist Title Label Price

DHS

Format: Vinyl 12 Inch
Genre: UK Techno

Mind Control

A1 Hypnosis
A2 I Am Your Control
A3 Mind Control
B1 Telephone Sounds
B2 Subliminible

Underground Assault

Cat No: UA1201
Released: 2018

£16.00

Bandulu

Format: Vinyl 10 Inch
Genre: UK Techno

Now

A Now
B Non-Stop

Infonet

Cat No: INS 001
Released: 1995

£6.00

System 7

Format: Vinyl 12 Inch
Genre: UK Techno

Sunburst (Flutter Mix)

A Sunburst (Flutter Mix) (7:55)
B Sunburst (Flutter Mix) (7:55)

Ten Records Ltd

Cat No: TENX 335
Released: 1990

£7.00

Casa Royale

Format: Vinyl Double 12 Inch
Genre: UK Techno

We All Need Love

A We All Need Love (TNT's Jumpin' Club) (10:37)
B We All Need Love (Fletch' Palace Midas Touch Mix) (9:24)
Remix - Fletch
C We All Need Love (TNT's Fierce Dub) (10:44)
D We All Need Love (Continuous Cool Remix) (7:44)
Remix - Continuous Cool

Legato Records

Cat No: LGT 5020
Released: 1998

£15.00

Eskimos & Egypt

Format: Vinyl 12 Inch
Genre: UK Techno

Rise EP

A1 Swamp Thing
A2 Home
B1 Born Again
B2 I Want More

Polydor (UK)

Cat No: 577 931-1
Released: 1996

£8.00

Acorn Arts

Format: Vinyl 12 Inch
Genre: UK Techno

II

A Body (Zoom Snakecharmer Remix)
AA1 I'm Barme
AA2 Basic Groove

(supplied by Decman)

Listen

X-Gate Records

Cat No: GATE 003

£6.00

Phil Kieran

Format: Vinyl 12 Inch
Genre: UK Techno

The Bomb

A1 The Bomb (Original)
A2 The Bomb (Shrapnel)
B1 The Bomb (Uranium)
B2 The Bomb (Broken)

Listen

Skint

Cat No: SKINT89
Released: 2003

£6.00

Bandulu

Format: Vinyl 12 Inch
Genre: UK Techno

Changing World

A1 Changing World
Vocals, Written By - J. O'Connell* Written-By - E. Daley*
A2 Ki
B1 Taimai
B2 Landfill
Listen

Infonet

Cat No: INF 024T
Released: 1995

£7.00

Bandulu

Format: Vinyl 12 Inch
Genre: UK Techno

Fight The Apressers

A Crisis A Gwarn
B1 Empty Threats
B2 Futile Fire

Infonet

Cat No: INF 020T
Released: 1995

£8.00

Innersphere

Format: Vinyl 12 Inch
Genre: UK Techno

Lets Go To Work

A Lets Go To Work (Innersphere Mix)
B Lets Go To Work (Live At The Pianosphere)

Sabrettes

Cat No: SR 004
Released: 1994

£7.00

A Guy Called Gerald

Format: Vinyl 12 Inch
Genre: UK Techno

FX (The Elevation Mix)

A FX (The Elevation Mix)
Engineer - Jim Reynolds*
AA1 Eyes Of Sorrow
Engineer - Jim Reynolds*
AA2 Emotions Electric 2 (To Be Continued...) (Edited Version)
Engineer - Lee Monteverde
Listen

Subscape

Cat No: AGCG T1
Released: 1989

£6.00
£3.00

Envoy

Format: Vinyl 12 Inch
Genre: UK Techno

Emotional

A1 Emotional
A2 Love Suite 2000
B1 Dig Deep
B2 Breaking Ties

Soma Quality Recordings

Cat No: SOMA 059
Released: 1997

£7.00

Flash Faction, The

Format: Vinyl 12 Inch
Genre: UK Techno

Repoman

A Repoman
B Repodub

Sabres Of Paradise

Cat No: PT016
Released: 1994

£8.00
£4.00

Pyrex Detox

Format: Vinyl 12 Inch
Genre: UK Techno

Boomy Room Accoustics EP

A1 The Bells Of Induction
A2 Boomy Bonus
B1 The Deepest Freaks
B2 2 In 1
Listen

Sabrettes

Cat No: SR 017
Released: 1994

£7.00

Reese Project, The

Format: Vinyl 12 Inch
Genre: UK Techno

I Believe

A I Believe (Mike Wilson's Epic Club Remake)
B1 I Believe (Mike Wilson Chicago Dub)
B2 I Believe (Mike Wilson Instrumental Workout)

Network Records

Cat No: NWKRPT 1
Released: 1992

£10.00

Page of 103 next >>

Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).