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  Artist Title Label Price

808 State & UB40

Format: Vinyl 12 Inch
Genre: UK Techno

One In Ten (Remix)

A One In Ten (UB40 Vocal) (4:00)
B One In Ten (UB40 Instrumental) (5:00)


Cat No: ZANG 39 TX
Released: 1992


Aphex Twin

Format: Vinyl 12 Inch
Genre: UK Techno

...I Care Because You Do

A1 Acrid Avid Jam Shred (7:35)
A2 The Waxen Pith (4:50)
A3 Wax The Nip (4:15)
B1 Icct Hedral (6:07)
B2 Ventolin (Video Edit) (4:29)
B3 Come On You Slags! (5:42)
C1 Start As You Mean To Go On (6:01)
C2 Wet Tip Hen Ax (5:18)
C3 Mookid (3:47)
D1 Alberto Balsalm (5:10)
D2 Cow Cud Is A Twin (5:29)
D3 Next Heap With (4:40)

Warp Records

Cat No: WARP LP 30
Released: 2012


Warp Factor 3

Format: Vinyl 12 Inch
Genre: UK Techno

Jammin' Soul / Rhythm Will Make You Move

A1 Jammin' Soul (D-Shake Mix) (6:01)
A2 Jammin' Soul (Dub The Jam) (6:10)
AA1 Rhythm Will Make You Move (New York Mix) (5:20)
AA2 Rhythm Will Make You Move (Amsterdam Mix) (6:29)

ESP Records

Cat No: ESP 9105-1
Released: 1991


Andy Page

Format: Vinyl 12 Inch
Genre: UK Techno

The Second Paper

A Andy Page Bisted And Twitter
B Cristian Vogel Room With A View

Noodles Institute Of Technology

Cat No: NIT 001
Released: 2004


DJ Sammy

Format: Vinyl 12 Inch
Genre: UK Techno


A Heaven (Scott Mac Remix)
Remix - Scott Mac
B Heaven (Commander Tom Remix)
Remix - Commander Tom , Martin Eyerer

Data Records

Cat No: DATA
Released: 2002


Future Sound Of London, The

Format: Vinyl 12 Inch
Genre: UK Techno

Papua New Guinea

A Papua New Guinea (Herd & White Remix) (7:52)
B1 Papua New Guinea (Herd & White No Acid Mix) (7:52)
B2 Papua New Guinea (Herd & White Radio Mix) (3:07)

Jumpin' & Pumpin'

Cat No: 12 TOT 45
Released: 2007


Joel Mull

Format: Vinyl 12 Inch
Genre: UK Techno

The Mole Remixes E.P

A1 The Mole (Ben Sims "Just Don't Understand" Remix) (5:14)
A2 The Mole (Gaetek's "G.t.k. No.1" Remix) (5:36)
AA1 The Mole (Joel Mull "Original" Mix) (5:39)
AA2 The Mole (Melrob "Try It, You'll Like It" Remix) (7:06)


Cat No: prvl016
Released: 1999


808 State

Format: Vinyl 12 Inch
Genre: UK Techno

In Yer Face Facially Yours Remix , Leo Leo

A In Yer Face (Facially Yours Remix) (4:17)
B Leo Leo (Poonchanting Instrumental) (4:01)



Cat No: ZANG 14TX



Format: Vinyl 12 Inch
Genre: UK Techno

Spank Me Off

A Spank Me Off
B The Pinch

Mighty Atom Recordings

Cat No: MA025


Ricky Effe & Gabry Fasano

Format: Vinyl 12 Inch
Genre: UK Techno

Noise Maker Volume Four

A1 Ricky Effe Sector .30 (Sector Mix)
B1 Gabry Fasano Jaiss Bangin' (Bang Mix)


Cat No: NUKP 0187
Released: 1999



Format: Vinyl 12 Inch
Genre: UK Techno


A Guidance (7:54)
B1 Amaranth - Love Lies Bleeding (7:38)
B2 Lifestyle (4:56)


Cat No: INF 003T
Released: 1992


Techno Grooves

Format: Vinyl 12 Inch
Genre: UK Techno

Mach 3

A1 Drop That Bassline
A2 Jazzno
A3 The Cry
AA1 Concerto Di Techno
AA2 Christi!!!
AA3 Ladies Terror


Stealth Records

Cat No: STR 0191
Released: 1991


Pressure Funk

Format: Vinyl 12 Inch
Genre: UK Techno

Raw Spirit

A1 Raw Spirit
A2 Linear Phase
B1 Pressure Funk
B2 Nemesis Cycle

Soma Quality Recordings

Cat No: SOMA 49
Released: 1996


Sapiano And The Partycrashers

Format: Vinyl 12 Inch
Genre: UK Techno


A Signal
B1 Squeeky Clean
B2 Indecent Proposal

Emissions Audio Output

Cat No: PT034
Released: 1996



Format: Vinyl 12 Inch
Genre: UK Techno

Trouble Shooter

A1 Trouble Shooter
B1 Trinity "Version"
B2 Jester

WEA International, Inc.

Cat No: WEA 039 T, 0630-13970-0
Released: 1996


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Information on the UK Techno genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).