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  Artist Title Label Price


Format: Vinyl 12 Inch
Genre: US Techno

Intuition EP

Intuition, Contagious, Night Stalker, Earth Day


Cat No: SOMA 056
Released: 1997


Sueño Latino & Neuropolitique

Format: Vinyl 12 Inch
Genre: US Techno

Sueno Latino (Derrick May Remix) / Artemis (Mayday Mix)

A Sueño Latino Sueno Latino (Derrick May Remix)
B Neuropolitique Artemis (Mayday Mix)


House Revenge

Cat No: HRV504
Released: 2012



Format: Vinyl 12 Inch
Genre: US Techno


A Positivity (Re-mix)
B Out Of This World (Re-mix)

Fabulous Music UK

Cat No: FABU 013T
Released: 1992


Green Velvet

Format: Vinyl Double 12 Inch
Genre: US Techno

La La Land (Remixes) - Disc 2 only

C La La Land (Floppy Sounds Vocal Mix) (10:40)
D La La Land (FK Dub) (9:35)

Music Man Records

Cat No: MM 079 R
Released: 2001


Mario Più

Format: Vinyl 12 Inch
Genre: US Techno

Noise Maker Volume 7

A1 Techno Harmony (Mas Mix)
Remix - Mas
B1 Library (Library 2 Mix)


Cat No: NUKP 0242
Released: 2000


Inner City

Format: Vinyl Double 12 Inch
Genre: US Techno


A1 Hiatus (Nail Vocal Mix)
A2 Hiatus (Nail Dub Mix)
B1 Hiatus (Kenny Larkin's Strike Mix)
C1 Hiatus (C-Mix Vocal Mix)
D1 Hiatus (C-Mix Dub Mix)
D2 Hiatus (Kevin Saunderson's Original Mix)

6 x 6 Records

Cat No: SIXT DD 128
Released: 1995


Boom Box

Format: Vinyl 12 Inch
Genre: US Techno

D Cell Lowdown

A1 Blister Pack
A2 Hands Of Cupid
B1 Strata 3
B2 Strata 4

Country Western

Cat No: CW 002
Released: 1996


Club 69

Format: Vinyl Double 12 Inch
Genre: US Techno

Sugar Pie Guy


GiG Records

Cat No: GIG PRO 060
Released: 1994


Inner City

Format: Vinyl 12 Inch
Genre: US Techno

Till We Meet Again (Remixes)

A Till We Meet Again (Reese In London Mix)
B1 Till We Meet Again (Reese In Detroit Mix)
B2 Till We Meet Again (Reese In Rio Mix)

Ten Records Ltd

Cat No: TENR 337
Released: 1991


Royal House

Format: Vinyl 12 Inch
Genre: US Techno

I Can't Quite Understand

A1 I Can't Quite Understand (Louie's Dub) (5:04)
A2 I Can't Quite Understand (Tunnel Mix) (4:19)
B1 I Can't Quite Understand (Mega Mix) (7:22)


Warlock Records

Cat No: WAR-065
Released: 1989



Format: Vinyl 12 Inch
Genre: US Techno

Not Gonna Do It (Remix)

A1 Not Gonna Do It (Big Blue Mix)
A2 Not Gonna Do It (Obsessive Mix)
B1 Not Gonna Do It (Blacklodge Mix)
B2 Not Gonna Do It (Bonus Beats)

Deep Distraxion

Cat No: OILY 009R
Released: 1994


Claude Young & Takasi Nakajima

Format: Vinyl 12 Inch
Genre: US Techno

Rapture Remixes

A Rapture (Kirk Degiorgio Remix)
B Rapture (TJ Kong Remix)


Applied Rhythmic Technology (ART)

Cat No: ART 11.2
Released: 2011



Format: Vinyl 12 Inch
Genre: US Techno

Bass 4 Your Face

A Bass 4 Your Face (Club Edit)
B Bass 4 Your Face (Race Dub)

Brooklyn Groove Productions

Cat No: BGP 007
Released: 1991


R+S Project

Format: Vinyl 12 Inch
Genre: US Techno

Underground Turbulence

A Untitled
B1 Untitled
B2 Untitled

DAT Recordings

Cat No: DA-T 60
Released: 1993



Format: Vinyl Double Album
Genre: US Techno

Techno! The New Dance Sound Of Detroit

A1 Rhythim Is Rhythim It Is What It Is (5:36)
A2 Blake Baxter Forever And A Day (5:36)
A3 Eddie Fowlkes Time To Express (5:41)
A4 K.S. Experience Electronic Dance (6:36)
B1 Members Of The House Share This House (Radio Mix) (5:56)
B2 A Tongue & D Groove Feel Surreal (6:55)
B3 Mia Hesterley Spark (6:09)
B4 Juan Atkins Techno Music (7:20)
C1 Inner City & Kevin Saunderson Big Fun (7:39)
C2 Blake Baxter Ride Em Boy (7:02)
C3 Anthony Shakir Sequence 10 (5:20)
C4 Idol Making Un, Deux, Trois (6:05)
D Various Detroit Is Jacking (The Techno! Megamix) (13:49)

10 Records

Cat No: DIXG 75
Released: 1988
Out Of Stock
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Information on the US Techno genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.