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Artist | Title | Label | Price | |
BenefitFormat: Vinyl 12 InchGenre: House |
What's It Gonna BeA What's It Gonna Be (Stella Browne Vocal Mix) (8:02)B What's It Gonna Be (Stella Browne Dub Mix) (8:18) |
EdelCat No: 0141910 EREPReleased: 2002 |
£2.00 |
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Pink CoffeeFormat: Vinyl 12 InchGenre: House |
Another Brick In The WallA Another Brick In The Wall (8:32) |
909 RecordsCat No: 909 MX 023Released: 2002 |
£5.00 |
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House Of VirginismFormat: Vinyl 12 InchGenre: House |
Reaching / You Don't Have To WorryA1 Reaching (Stone's Glamarama Club)A2 Reaching (Stone's Diner Dub) B1 You Don't Have To Worry (Nice Dub Factor) B2 You Don't Have To Worry (Rhythm Inc's Hi Nrgizer) |
Clubvision RecordingsCat No: CLUBA-9Released: 1994 |
£4.50 |
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SpiceFormat: Vinyl 12 InchGenre: House |
69 OverdriveA 69 Overdrive (Timo Maas Mix) (5:31)B1 69 Overdrive (S.O.L. Club Mix) (4:32) B2 69 Overdrive (S.O.L. Club Instrumental) (4:22) |
Peppermint JamCat No: PJMS0053Released: 2000 |
£4.00 |
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Sea FlowersFormat: Vinyl Double 12 InchGenre: House |
Easy LivinA Easy Livin' (Ray Roc's Flower Power Vox)B Easy Livin' (Ray Roc's Deep Livin' Vox) C Easy Livin' (Cop 4 Turntable 2) D Easy Livin' (Flower Power Dub) |
DB One MusicCat No: EASY 1Released: 2001 |
£5.00 |
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GimmickFormat: Vinyl 12 InchGenre: House |
FreeA Free (DFR Turbofunk Dub)B1 Free (Olav Basoski's Bodycheck Remix) B2 Free (Armin's Discotizer Dub) |
Global CutsCat No: GC 62Released: 2000 |
£4.50 |
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Jamecia BennettFormat: Vinyl 12 InchGenre: House |
LoveA LoveB Girls (Mousse T. Remix) |
ReelhouseCat No: REEL 12010Released: 2002 |
£4.00 |
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The KLFFormat: Vinyl 7 InchGenre: House |
What Time Is Love? (Live At Trancentral)A What Time Is Love? (Live At Trancentral)B What Time Is Love? (Techno Gate Mix) |
KLF CommunicationsCat No: KLF 004Released: 1990 |
£4.50 |
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Adventures Of Stevie V.Format: Vinyl 7 InchGenre: House |
Body LanguageA Body Language (Hot Edit)B Body Language (Full Rub Edit) |
MercuryCat No: MER 331Released: 1990 |
£1.50 |
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Crystal WatersFormat: Vinyl 7 InchGenre: House |
Gypsy Woman (La Da Dee)A Gypsy Woman (La Da Dee) (Strip To The Bone Mix)B Gypsy Woman (La Da Dee) (1990 Give It Up Mix) |
A&M PMCat No: AM 772Released: 1991 |
£7.00 |
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Mah So-LFormat: Vinyl 12 InchGenre: House |
Drop And Let The Groove MoveA1 Black Acid (Basic Mix) (6:16)A2 Black Acid (Instra Mix) (6:12) A3 Black Acid (Les More Mental Mix) (6:06) B1 Drop And Let The Groove Move (Basic Mix) (6:09) B2 Drop And Let The Groove Move (Maxx's Sax Groove) (6:12) B3 Drop And Let The Groove Move (Accapella Edit) (6:00) |
Network RecordsCat No: NWKT 11Released: 1990 |
£6.00 |
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SolassoFormat: Vinyl Double 12 InchGenre: House |
Really Saying SomethingA Really Saying Something (Solasso Original Mix)B Really Saying Something (Hardino Remix) Remix - Hardino C Really Saying Something (DJ Bomba & The Soul Seekerz Remix) Remix - DJ Bomba , Soul Seekerz D1 Really Saying Something (Kenny Hayes Sunshine Funk Remix) Remix - Sunshine Funk (2) D2 Really Saying Something (Giresse Remix) Remix - Giresse |
All Around The WorldCat No: 12DJ GLOBE 428Released: 2005 |
£10.00 |
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MobyFormat: Vinyl 12 InchGenre: House |
Move - The MixesA1 Move (You Make Me Feel So Good) (6:29)A2 Move (MK Blades Mix) (6:15) AA1 Move (Sub Version) (6:16) AA2 Move (Xtra Mix) (6:45) |
MuteCat No: L12 MUTE 158Released: 1993 |
£6.00 |
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FPI Project & Sharon Dee ClarkeFormat: Vinyl 12 InchGenre: House |
Rich In ParadiseA1 Going Back To My Roots (Vocal Remix)A2 Rich In Paradise (Original Version) AA1 Going Back To My Roots (Remix) AA2 Salsa In Paradise (Boom Boom Version) |
Rumour RecordsCat No: RUMAX 9Released: 1989 |
£7.00 |
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Chaka KhanFormat: Vinyl 12 InchGenre: House |
I Feel For You (Remix)A I Feel For You (L.A. Mix)B1 I Feel For You (12" Remix) B2 I Know You, I Live You (Edit) |
Warner Bros. RecordsCat No: SAM 580Released: 1989 |
£10.00 |
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Information on the House genre
House is a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American, Latino American, and gay communities; first in Chicago, then in Detroit, New York City, New Jersey, and Miami. It eventually reached Europe before becoming infused in mainstream pop and dance music worldwide.House is strongly influenced by elements of soul- and funk-infused varieties of disco. House generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesizer bassline, electronic drums, electronic effects, funk and pop samples, and reverb- or delay-enhanced vocals.
House is a descendant of disco, which blended soul, R&B, funk, with celebratory messages about dancing, love, and sexuality, all underpinned with repetitive arrangements and a steady bass drum beat. Some disco songs incorporated sounds produced with synthesizers and drum machines, and some compositions were entirely electronic; examples include Giorgio Moroder late 1970s productions such as Donna Summer's hit single "I Feel Love" from 1977, and several early 1980s disco-pop productions by the Hi-NRG group Lime.
House was also influenced by mixing and editing techniques earlier explored by disco DJs, producers, and audio engineers like Walter Gibbons, Tom Moulton, Jim Burgess, Larry Levan, Ron Hardy, M & M and others who produced longer, more repetitive and percussive arrangements of existing disco recordings. Early house producers like Frankie Knuckles created similar compositions from scratch, using samplers, synthesizers, sequencers, and drum machines.
The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence, had elements that became staples of the early house sound, such as the 303 bass synthesizer and minimal vocals. It is sometimes cited as the 'first house record', although other examples from the same time period, such as J.M. Silk's "Music is the Key" (1985) have also been cited.
The term may have its origin from a Chicago nightclub called the The Warehouse which existed from 1977 to 1982. The Warehouse was patronized primarily by gay black and Latino men, who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Although Knuckles left the club in 1982 and it was renamed Music Box, the term "house", short for Warehouse, is said to have become popular among Chicagoans as being synonymous with Knuckles' musical selections as a DJ before becoming associated with his own dance music productions, even though those didn't begin until well after the closure of The Warehouse. In the Channel 4 documentary Pump Up The Volume, Knuckles remarks that the first time he heard the term "house music" was upon seeing "we play house music" on a sign in the window of a bar on Chicago's South Side. One of the people in the car with him joked, "you know, that's the kind of music you play down at the Warehouse!". South-Side Chicago DJ Leonard "Remix" Rroy, in self-published statements, claims he put such a sign in a tavern window because it was where he played music that one might find in one's home; in his case, it referred to his mother's soul & disco records, which he worked into his sets.
Chip E.'s 1985 recording "It's House" may also have helped to define this new form of electronic music. However, Chip E. himself lends credence to the Knuckles association, claiming the name came from methods of labelling records at the Importes Etc. record store, where he worked in the early 1980s: bins of music that DJ Knuckles played at the Warehouse nightclub was labelled in the store "As Heard At The Warehouse", which was shortened to simply "House". Patrons later asked for new music for the bins, which Chip E. implies was a demand the shop tried to meet by stocking newer local club hits.
Larry Heard, aka "Mr. Fingers", claims that the term "house" reflected the fact that many early DJs created music in their own homes, using synthesizers and drum machines, including the Roland TR-808, TR-909, and the TB 303 Bassline synthesizer-sequencer. These synthesizers were used to create a house subgenre called acid house.